Criticism of Mormonism/Books/Becoming Gods/Use of sources/Spirits conceived through sexual union

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Use of sources: Spirits conceived through sexual union?


A work by author: Richard Abanes

Becoming Gods, page 154

  • Heavenly Father and Heavenly Mother "through some kind of sexual union" clothed each of us with a spirit body.

Source

  • Bruce R. McConkie, Mormon Doctrine, 2nd edition, (Salt Lake City: Bookcraft, 1966), 750. GL direct link

The Problem

Nothing in Elder McConkie's entries on p. 750 says anything about spirit creation via "some kind of sexual union."

Relevant passages include:

Entry Spirit Birth: "1. In the literal sense, the expression spirit birth has reference to the birth of the spirit in pre-existence. Spirits are actually born as the offspring of a Heavenly Father, a glorified and exalted Man. They will be born in a future eternity to future exalted beings for whom the family unit continues."
Entry Spirit Bodies: "Our spirit bodies had their beginning in pre-existence when we were born as the spirit children of God our Father. Through that birth process spirit element was organized into intelligent entities. The bodies so created have all the parts of mortal bodies."
Entry Spirit Children:"1. All men in pre-existence were the spirit children of God our Father, an exalted, glorified, and perfected Man. "The Father has a body of flesh and bones as tangible as man's" (D. & C. 130:22); the offspring born to him in that primeval sphere had bodies of spirit element....In a future eternity, spirit children will be born to exalted, perfected glorified couples for whom the family unit continues. The very glory of exalted beings is to have "a fulness and a continuation of the seeds forever and ever."

Elder McConkie emphasizes that spirit children are the literal offspring of God, but the means of their creation is not specified. The Heavenly Mother is not even mentioned.

==

Answer

== The author wishes to sensationalize LDS belief, and makes claims nowhere made by his source.

Further reading

A FAIR Analysis of Critical Works