Detailed response to CES Letter, Book of Abraham

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Response to "Book of Abraham Concerns & Questions"


A FAIR Analysis of:
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A work by author: Jeremy Runnells
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Response to claim: "scholars have found the original papyrus Joseph translated"

The author(s) of Letter to a CES Director (April 2013 revision) make(s) the following claim:

scholars have found the original papyrus Joseph translated

FAIR's Response

Fact checking results: The author has stated erroneous information or misinterpreted their sources

Scholars have found fragments of the Joseph Smith Papyri. Among the fragments is the original for Book of Abraham Facsimile 1. The original papyri containing Facsimile 2 and Facsimile 3 is not among them. One cannot conclude that what we have today is the portion of the papyrus that Joseph translated.


Question: What is the relationship of the Joseph Smith Papyri to the Book of Abraham?

Pearl of Great Price Central, Insight #37: What Egyptian Papyri Did Joseph Smith Posess?

In July 1835, Joseph Smith purchased a portion of a collection of papyri and mummies that had been discovered in Egypt and brought to the United States

Believing that one of the papyrus rolls contained, "the writings of Abraham while he was in Egypt," and "purportedly written by his own hand, upon papyrus,"[1] Joseph commenced a translation. The Book of Abraham was the result of his work.

The translated text and facsimiles of three drawings were published in the early 1840s in serial fashion in the LDS newspaper Times and Seasons. The entire work was published in 1852 in England as part of The Pearl of Great Price, which was later canonized as part of LDS scripture.

Joseph Smith had in his possession three or four long scrolls, plus a hypocephalus (Facsimile 2). Of these original materials, only a handful of fragments were recovered at the Metropolitan Museum. The majority of the papyri remains lost, and has likely been destroyed. Critics who claim that we have all, or a majority, of the papyri possessed by Joseph Smith are simply mistaken.

Other than the vignette represented in Facsimile 1, the material on the papyri does not include the actual text of the Book of Abraham

The Egyptian characters on the recovered documents are a portion of the "Book of Breathings," an Egyptian religious text buried with mummies that instructed the dead on how to successfully reach the afterlife. This particular Book of Breathings was written for a deceased man named Hor, so it it usually called the Hor Book of Breathings.

Other than the vignette represented in Facsimile 1, the material on the papyri received by the Church, at least from a standard Egyptological point of view, does not include the actual text of the Book of Abraham. This was discussed in the Church publication, the New Era in January 1968.


Question: What happened to the papyri after Joseph's death?

The original papyri were thought to have been completely destroyed in the Chicago fire of 1871, but some fragments were discovered in 1966

After Joseph's death, the collection was eventually sold and split up. The original papyri were thought to have been completely destroyed in the Chicago fire of 1871. Fragments, however, including the illustration represented in Facsimile 1, were discovered in 1966 in the Metropolitan Museum of Art in New York City, who gave them to The Church of Jesus Christ of Latter-day Saints in November 1967.


Question: What do the Joseph Smith papyri fragments consist of?

There are eleven fragments of the original papyrus owned by Joseph Smith. The initial labels given the fragments came from Hugh Nibley's work.

The fragments that exist and their source are described in the table below, as are other materials of interest to students of the Book of Abraham:

Fragments Source Comments
  • The Hor Breathing permit
  • Facsimile 3 was part of this text; the original is not extant.
  • Sometimes called "Horus" instead of Hor.
  • N/A
  • The Hypocephalus of Sheshonk
  • II
  • V
  • VI
  • VII
  • VIII
  • IX (Church Historian's Fragment)
  • Most of IV
  • The Book of the Dead belonging to the lady Tshenmin.
  • Fragment IX was not in the papyri returned to the Church by the Metropolitan Museum of Art; it was discovered in the Church Archives and is sometimes called the "Church Historian's Fragment."
  • IIIa
  • IIIb
  • The Book of the Dead belonging to the musician of Amon Re, Neferimub.
  • This is a single vignette, but has been cut into two pieces; hence the designation as (a) and (b) fragments.
  • N/A
  • Another copy of Book of the Dead.


Response to claim: "scholars...have dated it in first century AD, nearly 2,000 years after Abraham could have written it"

The author(s) of Letter to a CES Director (April 2013 revision) make(s) the following claim:

scholars...have dated it in first century AD, nearly 2,000 years after Abraham could have written it.

FAIR's Response

Fact checking results: This claim is based upon correct information - The author is providing knowledge concerning some particular fact, subject, or event

The papyri fragments recovered date to after the Abrahamic period.


Gospel Topics: "The phrase can be understood to mean that Abraham is the author and not the literal copyist"

"Translation and Historicity of the Book of Abraham," Gospel Topics on LDS.org:

Scholars have identified the papyrus fragments as parts of standard funerary texts that were deposited with mummified bodies. These fragments date to between the third century B.C.E. and the first century C.E., long after Abraham lived.
....
Joseph Smith, or perhaps a colleague, introduced the published translation by saying that the records were “written by his [Abraham’s] own hand, upon papyrus.” The phrase can be understood to mean that Abraham is the author and not the literal copyist. [2]


Question: Why does the Book of Abraham state that it was written by Abraham's "own hand upon papyrus" if the papyri date to after the Abrahamic period?

"called the Book of Abraham, written by his own hand, upon papyrus"

When the Prophet Joseph Smith published the first installments of the Book of Abraham in 1842, the caption in the Times and Seasons read as follows:

"A translation of some ancient Records that have fallen into our hands, from the Catacombs of Egypt, purporting to be the writings of Abraham, while he was in Egypt, called the Book of Abraham, written by his own hand, upon papyrus."[3]

Kirtland Egyptian Paper (KEP) - A1 likewise has the following caption:

“Translation of the Book of Abraham written by his own hand upon papyrus and found in the catacombs of Egypt.”[4]

The papyri donʼt date to Abrahamʼs time

The phrase “by his own hand upon papyrus” has drawn a number of investigative remarks. Critics have alleged that the phrase “by his own hand upon papyrus” must necessarily be indicating that Joseph Smith thought that the papyrus he obtained was written by the hand of Abraham himself. The problem, however, is that the papyri donʼt date to Abrahamʼs time. Critics have argued that this is, therefore, another point against Joseph Smith and the authenticity of the Book of Abraham.

LDS scholars have approached this issue from a number of perspectives

LDS scholars have approached this issue from a number of perspectives. There are two underlying LDS scholarly approaches that have been advanced in evaluating the significance of this phrase in the heading for the Book of Abraham. These approaches are:

  1. “By His Own Hand Upon Papyrus” as an Egyptian Title
  2. “By His Own Hand Upon Papyrus” as a 19th Century Redaction

Whether or not one accepts that the phrase “by his own hand upon papyrus” is an ancient or modern redaction to the text, a few things are certain. [5]

First, if the phrase was a part of the ancient title of the text then there is no justification from the Egyptological evidence that the phrase requires a holographic nature of the papyri. The ancient Egyptians who used the phrase or ones like it never mandated that such be viewed as implying holographic claims.

Second, if the phrase is a 19th century redaction to the text then this is an issue concerning not the Book of Abraham's authenticity but the assumptions of Joseph Smith and his associates. If Joseph Smith did in fact harbor such assumptions, that has nothing to do with the authenticity of the actual Book of Abraham itself. Likewise, unless it can be shown that Joseph Smith’s views of the nature of the authorship of the papyri came by revelatory means, then one cannot hold the Prophet to an impossible standard of perfection (one that the Prophet never established for himself) and criticize him for merely doing what humans do; have opinions and speculations.

Thirdly, if the phrase “by his own hand upon papyrus” is a 19th century redaction and if Joseph Smith assumed a holographic nature of the papyri, then the whole issue is one of assumption. If one believes that Prophets must be right about everything or they are false prophets, then such an assumption reflects only the thoughts and background of the person holding the assumption. The same for those who hold no such assumption and acknowledge the fallibility of Prophets. We should therefore be careful to not impose our own assumptions on those figures in the past who may not have shared such assumptions or standards.

In each of these three cases, the phrase “by his own hand upon papyrus” cannot be used as evidence against the authenticity of the Book of Abraham.

Regardless of which approach may be correct, it is clear that the assumptions of those critical of the authenticity of the Book of Abraham are unfounded in this regard.[6] Either option resolves the issue; both would have to be untenable for the critics to have a case.


Question: Is the phrase "by his own hand upon papyrus" an Egyptian title?

The case for the phrase “By His Own Hand Upon Papyrus” as an Egyptian title

Hugh Nibley, writing in 1981, suggested that “the statement "written by his own hand, upon papyrus"... is actually part of the original Egyptian title: "called the Book of Abraham, written by his own hand, upon papyrus"—that was Abraham's own heading. This is important, since much misunderstanding has arisen from the assumption that the Joseph Smith Papyri were the original draft of Abraham's book, his very own handiwork.”[7] Nibley, quoting himself from an earlier article,[8] goes on to explain the following, reproduced here at length:

Two important and peculiar aspects of ancient authorship must be considered when we are told that a writing is by the hand of Abraham or anybody else. One is that according to Egyptian and Hebrew thinking any copy of a book originally written by Abraham would be regarded and designated as the very work of his hand forever after, no matter how many reproductions had been made and handed down through the years. The other is that no matter who did the writing originally, if it was Abraham who commissioned or directed the work, he would take the credit for the actual writing of the document, whether he penned it or not.

As to the first point, when a holy book (usually a leather roll) grew old and worn out from handling, it was not destroyed but renewed. Important writings were immortal—for the Egyptians they were "the divine words," for the Jews the very letters were holy and indestructible, being the word of God. The wearing out of a particular copy of scripture therefore in no way brought the life of the book to a close—it could not perish. In Egypt it was simply renewed (ma.w, sma.w) "fairer than before," and so continued its life to the next renewal. Thus we are told at the beginning of what some have claimed to be the oldest writing in the world [the Shabako Stone], "His Majesty wrote this book down anew. . . . His Majesty discovered it as a work of the Ancestors, but eaten by worms. . . . So His Majesty wrote it down from the beginning, so that it is more beautiful than it was before." It is not a case of the old book's being replaced by a new one, but of the original book itself continuing its existence in a rejuvenated state. No people were more hypnotized by the idea of a renewal of lives than the Egyptians—not a succession of lives or a line of descent, but the actual revival and rejuvenation of a single life.

Even the copyist who puts his name in a colophon does so not so much as publicity for himself as to vouch for the faithful transmission of the original book; his being "trustworthy (iqr) of fingers," i.e., a reliable copyist, is the reader's assurance that he has the original text before him. An Egyptian document, J. Spiegel observes, is like the print of an etching, which is not only a work of art in its own right but "can lay claim equally well to being the original . . . regardless of whether the individual copies turn out well or ill." Because he thinks in terms of types, according to Spiegel, for the Egyptian "there is no essential difference between an original and a copy. For as they understand it, all pictures are but reproductions of an ideal original." . . . This concept was equally at home in Israel. An interesting passage from the Book of Jubilees [a text unknown before 1850] recounts that Joseph while living in Egypt "remembered the Lord and the words which Jacob, his father, used to read from amongst the words of Abraham." Here is a clear statement that "the words of Abraham" were handed down in written form from generation to generation, and were the subject of serious study in the family circle. The same source informs us that when Israel died and was buried in Canaan, "he gave all his books and the books of his fathers to Levi his son that he might preserve them and renew them for his children until this day." Here "the books of the fathers" including "the words of Abraham" have been preserved for later generations by a process of renewal. [Joseph's own books were, of course, Egyptian books.]

In this there is no thought of the making of a new book by a new hand. It was a strict rule in Israel that no one, not even the most learned rabbi, should ever write down so much as a single letter of the Bible from memory: always the text must be copied letter by letter from another text that had been copied in the same way, thereby eliminating the danger of any man's adding, subtracting, or changing so much as a single jot in the text. It was not a rewriting but a process as mechanical as photography, an exact visual reproduction, so that no matter how many times the book had been passed from hand to hand, it was always the one original text that was before one. . . .

But "written by his own hand"? This brings us to the other interesting concept. Let us recall that that supposedly oldest of Egyptian writings, the so-called Shabako Stone, begins with the announcement that "His Majesty wrote this book down anew." This, Professor Sethe obligingly explains, is "normal Egyptian usage to express the idea that the King ordered a copy to be made." Yet it clearly states that the king himself wrote it. Thus when the son of King Snefru says of his own inscription at Medum, "It was he who made his gods in [such] a writing [that] it cannot be effaced," the statement is so straightforward that even such a student as W. S. Smith takes it to mean that the prince himself actually did the writing. And what could be more natural than for a professional scribe to make an inscription: "It was her husband, the Scribe of the Royal Scroll, Nebwy, who made this inscription"? Or when a noble announces that he made his father's tomb, why should we not take him at his word? It depends on how the word is to be understood. Professor Wilson in all these cases holds that the person who claims to have done the work does so "in the sense that he commissioned and paid for it." The noble who has writing or carving done is always given full credit for its actual execution; such claims of zealous craftsmanship "have loftily ignored the artist," writes Wilson. "It was the noble who 'made' or 'decorated' his tomb," though one noble of the Old Kingdom breaks down enough to show us how these claims were understood: "I made this for my old father. . . . I had the sculptor Itju make (it)." Dr. Wilson cites a number of cases in which men claim to have "made" their father's tombs, one of them specifically stating that he did so "while his arm was still strong"—with his own hand!

Credit for actually writing the inscription of the famous Metternich Stele is claimed by "the prophetess of Nebwen, Nest-Amun, daughter of the Prophet of Nebwen and Scribe of the Inundation, 'Ankh-Psametik,'" who states that she "renewed (sma.w) this book [there it is again!] after she had found it removed from the house of Osiris-Mnevis, so that her name might be preserved." The inscription then shifts to the masculine gender as if the scribe were really a man, leading to considerable dispute among the experts as to just who gets the credit. Certain it is that the Lady boasts of having given an ancient book a new lease on life, even though her hand may never have touched a pen.

Nest-Amun hoped to preserve her name by attaching it to a book, and in a very recent study M. A. Korostovstev notes that "for an Egyptian to attach his name to a written work was an infallible means of passing it down through the centuries." That may be one reason why Abraham chose the peculiar Egyptian medium he did for the transmission of his record—or at least why it has reached us only in this form. Indeed Theodor Böhl observed recently that the one chance the original Patriarchal literature would ever have of surviving would be to have it written down on Egyptian papyrus. Scribes liked to have their names preserved, too, and the practice of adding copyists' names in colophons, Korostostev points out, could easily lead in later times to attributing the wrong authorship to a work.

But whoever is credited with the authorship of a book remains its unique author, alone responsible for its existence in whatever form.[9]

Thus, according to this line of reasoning, considering how the ancient Egyptians viewed the nature of their texts, namely, that there was no real difference between an original and a copy but simply a renewal of the original text, the phrase “by his own hand upon papyrus” need not warrant the assumption that the text is holographic in nature.

The idiom “by his own hand” in Egyptian thought has a parallel to the Israelite view of the nature of their sacred texts. It has been noted that “it is obvious from reading the Hebrew Bible that the phrase by his own hand is a Hebrew idiom beyadh, which means “by the authority of,” as we can clearly see in the Stuttgartensian Hebrew text that Kohlenberger translates. He renders Exodus 9:35 as “just as the Lord said through Moses,” while the Hebrew has beyadh, that is “by the hand of.” Clearly it was the Lordʼs hand—the Lordʼs authority, which had led Moses against Pharaoh, that is, by the Lordʼs authority. Though we donʼt get it that way in the English, the Hebrew definitely has “by the hand of.”[10]

In addition, we see that “at 1 Samuel 28:15 we see another example—the English translation reads that God would not appear to Saul either by the prophets or by dreams. In the Hebrew we again find beyadh, “by the hand of,” or in other words, by the prophetʼs authority from God. In other words, Abraham may not even have touched the documents that bear his name, the very ones that fell into Josephʼs hands in the 1830s, since Abraham could have had them commissioned and written for him. Yet for all this, the documents would still bear his signature, since they were authorized by him, “by his own hand,” even though a scribe may have written it instead of Abraham.”[11]

It need not be assumed that the phrase “by his own hand” indicates a holographic nature of the Book of Abraham

Thus, it need not be assumed that the phrase “by his own hand” indicates a holographic nature of the Book of Abraham. As Professor John Gee reminds us, there is a difference between the date of a text and the date of a copy of a text. [12] The two are not the same. Thus, while the date of the text of the Book of Abraham could have dated from Abrahamʼs time,[13] the copy of the Book of Abraham received by Joseph Smith could have a later copy dated to the Ptolemaic Era.[14]

The critics scoff at this suggestion. They insist that the phrase “by his own hand upon papyrus” must absolutely be speaking about Abraham literally writing on the papyrus that Joseph Smith possessed. Likewise, they question as to whether the phrase “by his own hand upon papyrus” can even be read as being a part of the ancient title of the text, as proposed by Nibley, since it is not capitalized like “the Book of Abraham” is in the caption.

However, these criticisms are problematic for a number of reasons. It must be remembered that there was no standardized capitalization of letters in Egyptian as there is in English. Thus, if the phrase was a part of the ancient text, the title would have read something along the lines of the following: “the book of abraham written by his own hand upon papyrus”. The capitalization and punctuation would have been the work of the 19th century scribes, who may not have realized that such was the entire title and thus only capitalized the “Book of Abraham” portion of the title since such was most familiar with their 19th century understanding.[15]

It is not a question of what the modern critics think, but what the ancient Egyptians thought

Furthermore, the critics also demand that the phrase “by his own hand upon papyrus” can mean nothing but that the Book of Abraham claims to be a holograph from Abraham. Such an argument, however, is nothing more than a presentist fallacy when analyzed in the light of the Egyptological evidence. It is not a question of what the modern critics think, but what the ancient Egyptians thought.

In 2007, Professor Gee published an article with the Proceedings of the Ninth International Congress of Egyptologists. In it, Dr. Gee explored whether or not the ancient Egyptians considered their sacred texts to be divinely written. In reference to the tale of Setne, Dr. Gee notes that “in this text, the book is said to be written "by his own hand” upon papyrus, which need not be taken as indicating anything more than authorship.”[16]

This newly published evidence bolsters the LDS apologetic claim that the phrase “by his own hand upon papyrus” need not be construed as meaning an autographical nature for the text. As argued by Nibley and Shirts, it could merely be indicative of attributing authorship to Abraham. It is possible that the phrase, indeed the entire title, was redacted by the 2nd century copyist scribe working with the text, assuming that, as argued by Professor Gee, there was in fact a portion of papyri that contained a text like the Book of Abraham. Considering the nature of Egyptian texts, as explained by Nibley, it wouldnʼt have been out of place for an Egyptian, or, as Kevin Barney has argued,[17] a Jewish redactor of the text to insert the phrase. And if this is the case, from the ancient Egyptian perspective the phrase wouldn’t automatically indicate a holographic nature of the text.


Question: Is the phrase "by his own hand upon papyrus" a 19th century redaction?

The case for "by his own hand upon papyrus" as a 19th century redaction

If Hugh Nibley is incorrect in suggesting that the phrase “by his own hand upon papyrus” was a part of the original title of the ancient text, then it follows that the phrase is a 19th century redaction by either Joseph Smith, or the two scribes in whose handwriting the documents are written in, viz., W. W. Phelps and Willard Richards, respectively. This is bolstered, as mentioned earlier, by the addition of the phrase “and found in the catacombs of Egypt” that appear in KEPA 1. It is obvious from the historical data that Joseph Smith and the early brethren considered the scroll of Horos to be the source of the Book of Abraham (though not, as is argued by the critics, necessarily the Book of Breathings text). It seems likely that the early brethren, when working with the papyrus, would have assumed a holographic nature of the papyrus. In other words, they would have thought that Abraham himself physically wrote on the papyrus in their possession. As Michael Ash explained, “it seems reasonable to conclude that Joseph may have believed that Abraham himself, with pen in hand, wrote the very words that he was translating... Joseph, by way of revelation, saw that the papyri contained scriptural teachings of Abraham and it would have been natural, therefore, to assume that Abraham wrote the papyri.”[18]

The late Luke Wilson, of the decidedly anti-Mormon Institute for Religious Research, came to similar conclusions, albeit for more polemical purposes against the Latter-day Saints. After making his case that Joseph Smith claimed to be translating a holographic Book of Abraham, Wilson concludes that “the weight of evidence from the testimony of Joseph Smith and his contemporaries is clearly” in favor of such.[19]

If these claims are correct,[20] then it would explain why Joseph Smith and his associates included the phrase “by his own hand upon papyrus” in the caption of the manuscript of the text. They would have thought just that, namely, that Abraham himself penned the text that Joseph Smith was translating. In this case then, the phrase “by his own hand” would therefore be interpreted in the most literal sense possible.

Furthermore, if in fact the phrase is a 19th century redaction, then the Book of Abraham itself wouldnʼt be claiming an autographical nature. Such would be an assumption about the Book of Abraham by the 19th century brethren, who inserted the phrase. Based on no evidence within the text itself can the critics decry the Book of Abraham as claiming a holographic nature.


Question: Did Joseph Smith believe that Abraham wrote the text on the papyrus himself?

Joseph Smith believed that the writing on the papyrus was done by Abraham himself

Is it troubling that Joseph Smith and his contemporaries may have assumed an autographical nature of the text? Not necessarily, there is a lot of the papyri that we don't currently have. This may easily resolve the issue. Another potential way to approach the issue is to consider notions of prophetic fallibility.

There is a lot of papyri that we don't have

It must be remembered that we don't have all the papyri that was in Joseph Smith's position. The associated text of the Book of Abraham and other things mentioned by early sources of the papyri may be contained by documents we don't currently have in our possesion. For more information on that, see this link.


There is no evidence that Joseph Smithʼs understanding of the dating of the papyrus came from any intense revelatory process or divine means

In order to establish that Joseph Smithʼs prophetic abilities are hampered or called into question by this possible assumption of his, one must first cite evidence that Joseph Smithʼs understanding of the nature of the papyrus (namely, whether or not it dated to the time of Abraham) came from revelatory or divine means. Only then can one question Joseph Smith. It would be folly to criticize Joseph the Prophet when merely Joseph the speculator or Joseph the assumer was speaking. If the Prophet Joseph Smith never claimed on a prophetic or revelatory basis to know if the papyri was a holograph of Abraham, then one cannot attack him for a position he never took.

The Prophet may have had a mistaken speculation

If the Prophet did base his belief on a holographic nature of the papyri on purely human speculation or thought, then it only necessitates that the Prophet had a mistaken speculation. As Michael Ash has demonstrated at length, Prophets, especially those of the LDS tradition, have never claimed infallibility. If one acknowledges the fact that Joseph Smith never himself claimed infallibility or omniscience then this is all much ado about nothing. Returning to Ash’s article:

"Now this issue is very similar to that of Book of Mormon geography. It is very likely that Joseph Smith believed in a hemispheric Book of Mormon geography--it made sense to his understanding of the world around him. Such a misinformed belief or most likely misinformed belief, according to modern scholarship, makes him no less a prophet. It simply provides us with an example of how Joseph, like any other human, tried to understand new information according to his current knowledge. So, likewise, with the Abrahamic papyri.[21]

The Catalyst Theory of Translation

There is a view of translation of the Book of Abraham that is compatible with the view that Abraham did not literally record the words of Abraham written on the papyri. This is known as the Catalyst Theory of translation where Joseph's mind was simply induced by the Book of Abraham into a revelatory process in which he could bring forth the words of scripture that he felt impressed to. This is similar a process for the Book of Moses where Joseph was simply working with the then contemporary version of the King James Version of the Bible. As expressed by the Gospel Topics Essay on the Book of Abraham:

Alternatively, Joseph’s study of the papyri may have led to a revelation about key events and teachings in the life of Abraham, much as he had earlier received a revelation about the life of Moses while studying the Bible. This view assumes a broader definition of the words translator and translation.[22] According to this view, Joseph’s translation was not a literal rendering of the papyri as a conventional translation would be. Rather, the physical artifacts provided an occasion for meditation, reflection, and revelation. They catalyzed a process whereby God gave to Joseph Smith a revelation about the life of Abraham, even if that revelation did not directly correlate to the characters on the papyri.[23][24]

Joseph Smith's assumptions about the dating of the papyri may likely be independent of the actual authenticity of the Book of Abraham

Furthermore, Joseph Smith’s own assumptions or thoughts about whether or not the papyri was holographic in nature is independent of the actual authenticity of the Book of Abraham. Regardless of what Joseph Smith or others may have thought as per the nature of the text (if it be holographic or not) such has no implications for what the text itself actually claims or whether Joseph Smith was able to actually translate such by the gift and power of God.

Thus, the whole question can revolve more around one’s assumptions about Prophets than the actual Book of Abraham. For more on the nature of revelation see this link.


Response to claim: "Egyptologists have found the source material for the Book of Abraham to be nothing more than a common pagan Egyptian funerary text"

The author(s) of Letter to a CES Director (April 2013 revision) make(s) the following claim:

Egyptologists have found the source material for the Book of Abraham to be nothing more than a common pagan Egyptian funerary text for a deceased man named “Hor” in 1st century AD. In other words, it was a common Breathing Permit that the Egyptians buried with their dead.

FAIR's Response

Fact checking results: This claim contains propaganda - The author, or the author's source, is providing information or ideas in a slanted way in order to instill a particular attitude or response in the reader

The Church announced in 1968 that the papryi fragments contained a funerary text in the official magazine, the Improvement Era. The author words his statement in such a way as to make it sound as if this is a recent event, and that this discovery was forced to light by non-Mormon Egyptologists. This is not the case.


Gospel Topics on LDS.org: "Mormon and non-Mormon Egyptologists agree that the characters on the fragments do not match the translation given in the book of Abraham"

"Translation and Historicity of the Book of Abraham," Gospel Topics on LDS.org:

The discovery of the papyrus fragments renewed debate about Joseph Smith’s translation. The fragments included one vignette, or illustration, that appears in the book of Abraham as facsimile 1. Long before the fragments were published by the Church, some Egyptologists had said that Joseph Smith’s explanations of the various elements of these facsimiles did not match their own interpretations of these drawings. Joseph Smith had published the facsimiles as freestanding drawings, cut off from the hieroglyphs or hieratic characters that originally surrounded the vignettes. The discovery of the fragments meant that readers could now see the hieroglyphs and characters immediately surrounding the vignette that became facsimile 1.

None of the characters on the papyrus fragments mentioned Abraham’s name or any of the events recorded in the book of Abraham. Mormon and non-Mormon Egyptologists agree that the characters on the fragments do not match the translation given in the book of Abraham, though there is not unanimity, even among non-Mormon scholars, about the proper interpretation of the vignettes on these fragments.[25]—(Click here to continue)


Question: What is the relationship of the Joseph Smith Papyri to the Book of Abraham?

Pearl of Great Price Central, Insight #37: What Egyptian Papyri Did Joseph Smith Posess?

In July 1835, Joseph Smith purchased a portion of a collection of papyri and mummies that had been discovered in Egypt and brought to the United States

Believing that one of the papyrus rolls contained, "the writings of Abraham while he was in Egypt," and "purportedly written by his own hand, upon papyrus,"[26] Joseph commenced a translation. The Book of Abraham was the result of his work.

The translated text and facsimiles of three drawings were published in the early 1840s in serial fashion in the LDS newspaper Times and Seasons. The entire work was published in 1852 in England as part of The Pearl of Great Price, which was later canonized as part of LDS scripture.

Joseph Smith had in his possession three or four long scrolls, plus a hypocephalus (Facsimile 2). Of these original materials, only a handful of fragments were recovered at the Metropolitan Museum. The majority of the papyri remains lost, and has likely been destroyed. Critics who claim that we have all, or a majority, of the papyri possessed by Joseph Smith are simply mistaken.

Other than the vignette represented in Facsimile 1, the material on the papyri does not include the actual text of the Book of Abraham

The Egyptian characters on the recovered documents are a portion of the "Book of Breathings," an Egyptian religious text buried with mummies that instructed the dead on how to successfully reach the afterlife. This particular Book of Breathings was written for a deceased man named Hor, so it it usually called the Hor Book of Breathings.

Other than the vignette represented in Facsimile 1, the material on the papyri received by the Church, at least from a standard Egyptological point of view, does not include the actual text of the Book of Abraham. This was discussed in the Church publication, the New Era in January 1968.


Question: What happened to the papyri after Joseph's death?

The original papyri were thought to have been completely destroyed in the Chicago fire of 1871, but some fragments were discovered in 1966

After Joseph's death, the collection was eventually sold and split up. The original papyri were thought to have been completely destroyed in the Chicago fire of 1871. Fragments, however, including the illustration represented in Facsimile 1, were discovered in 1966 in the Metropolitan Museum of Art in New York City, who gave them to The Church of Jesus Christ of Latter-day Saints in November 1967.


Question: What do the Joseph Smith papyri fragments consist of?

There are eleven fragments of the original papyrus owned by Joseph Smith. The initial labels given the fragments came from Hugh Nibley's work.

The fragments that exist and their source are described in the table below, as are other materials of interest to students of the Book of Abraham:

Fragments Source Comments
  • The Hor Breathing permit
  • Facsimile 3 was part of this text; the original is not extant.
  • Sometimes called "Horus" instead of Hor.
  • N/A
  • The Hypocephalus of Sheshonk
  • II
  • V
  • VI
  • VII
  • VIII
  • IX (Church Historian's Fragment)
  • Most of IV
  • The Book of the Dead belonging to the lady Tshenmin.
  • Fragment IX was not in the papyri returned to the Church by the Metropolitan Museum of Art; it was discovered in the Church Archives and is sometimes called the "Church Historian's Fragment."
  • IIIa
  • IIIb
  • The Book of the Dead belonging to the musician of Amon Re, Neferimub.
  • This is a single vignette, but has been cut into two pieces; hence the designation as (a) and (b) fragments.
  • N/A
  • Another copy of Book of the Dead.


Response to claim: "It has absolutely nothing to do with Abraham or anything Joseph claimed in his translation for the Book of Abraham"

The author(s) of Letter to a CES Director (April 2013 revision) make(s) the following claim:

[The Joseph Smith papyri] has absolutely nothing to do with Abraham or anything Joseph claimed in his translation for the Book of Abraham.

FAIR's Response

Fact checking results: This claim is based upon correct information - The author is providing knowledge concerning some particular fact, subject, or event

The existing fragments of the Joseph Smith Papyri are not related to the Book of Abraham with the exception of the original for Facsimile 1, a fact that the Church noted in 1968 in the official church magazine, the Improvement Era.


Question: Was the Church forthright in identifying the rediscovered papyri prior to their examination by non-LDS Egyptologists?

The January 1968 issue of the Improvement Era demonstrates that the Church was very forthright about this issue

The Church announced that the fragments contained a funerary text in the January 1968 Improvement Era (the predecessor to today's Ensign magazine). Of the 11 fragments, one fragment has Facsimile 1, and the other 10 fragments are funerary texts, which the Church claimed from the moment the papyri were rediscovered. There is no evidence that the Church has ever claimed that any of the 10 remaining fragments contain text which is contained in the Book of Abraham.

The critics are telling us nothing new when they dramatically "announce" that the JSP contain Egyptian funerary documents. The Church disseminated this information as widely as possible from the very beginning.

The timeline of events

A review of the time-line of the papyri demonstrates that the Church quickly publicized the nature of the JSP in the official magazine of the time, The Improvement Era.

There were 11 fragments discovered and given to the church. The Church was very quick in releasing this information to the membership and the world.

November 27, 1967
Church receives papyri.
December 10–11, 1967
Deadline to submit material for the January 1968 Improvement Era.
December 26–31, 1967
January 1968 Improvement Era issue mailed to subscribers.[27]
February 1968
Another fragment was discovered in the Church historian's files, and publicized in the February 1968 Improvement Era.[28]
Cover of the January 1968 issue of the Improvement Era, the Church's official magazine of the time. Note the color photograph of the recovered Facsimile 1.


Improvement Era (January 1968): "Often the funerary texts contained passages from the 'Book of the Dead,' a book that was to assist in the safe passage of the dead person into the spirit world"

Jay M. Todd, ,"Egyptian Papyri Rediscovered," The Improvement Era (January 1968):

Perhaps no discovery in recent memory is expected to arouse as much widespread interest in the restored gospel as is the recent discovery of some Egyptian papyri, one of which is known to have been used by the prophet Joseph Smith in producing the Book of Abraham.

The papyri, long thought to have been burned in the Chicago fire of 1871, were presented to the Church on November 27, 1967, in New York City by the metropolitan Museum of Art, more than a year after Dr. Aziz S. Atiya, former director of the University of Utah's Middle East Center, had made his startling discovery while browsing through the New York museum's papyri collection.

Included in the collection of 11 manuscripts is one identified as the original document from which Joseph Smith obtained Facsimile 1, which prefaces the Book of Abraham in the Pearl of Great Price. Accompanying the manuscripts was a letter dated May 26, 1856, signed by both Emma Smith Bidamon, widow of the Prophet Joseph Smith, and their son, Joseph Smith, attesting that the papyri had been the property of the Prophet.

Some of the pieces of papyrus apparently include conventional hieroglyphics (sacred inscriptions, resembling picture-drawing) and hieratic (a cursive shorthand version of hieroglyphics) Egyptian funerary texts, which were commonly buried with Egyptian mummies. Often the funerary texts contained passages from the "Book of the Dead," a book that was to assist in the safe passage of the dead person into the spirit world. It is not known at this time whether the ten other pieces of papyri have a direct connection with the Book of Abraham.[29]


Question: What did the Church announce in 1968 when the Joseph Smith papyri fragments were discovered?

The Church noted that the papyri fragments did not contain the Book of Abraham, except for Facsimile 1

The Improvement Era described the papyri, but never claimed they represented the source for the Book of Abraham, except the original of Facsimile 1:

Perhaps no discovery in recent memory is expected to arouse as much widespread interest in the restored gospel as is the recent discovery of some Egyptian papyri, one of which is known to have been used by the prophet Joseph Smith in producing the Book of Abraham.

The papyri, long thought to have been burned in the Chicago fire of 1871, were presented to the Church on November 27, 1967, in New York City by the metropolitan Museum of Art, more than a year after Dr. Aziz S. Atiya, former director of the University of Utah's Middle East Center, had made his startling discovery while browsing through the New York museum's papyri collection.

Included in the collection of 11 manuscripts is one identified as the original document from which Joseph Smith obtained Facsimile 1, which prefaces the Book of Abraham in the Pearl of Great Price. Accompanying the manuscripts was a letter dated May 26, 1856, signed by both Emma Smith Bidamon, widow of the Prophet Joseph Smith, and their son, Joseph Smith, attesting that the papyri had been the property of the Prophet.

Some of the pieces of papyrus apparently include conventional hieroglyphics (sacred inscriptions, resembling picture-drawing) and hieratic (a cursive shorthand version of hieroglyphics) Egyptian funerary texts, which were commonly buried with Egyptian mummies. Often the funerary texts contained passages from the "Book of the Dead," a book that was to assist in the safe passage of the dead person into the spirit world. It is not known at this time whether the ten other pieces of papyri have a direct connection with the Book of Abraham.[30]

Egyptian.papyri.rediscovered.funeral.documents.improvement.era.jan.1968.p12.jpg


Question: How long did the Church know about the papyri before they published information about them?

The Church immediately published an article in their official magazine less than two months after the papyri were discovered

When the papyri were rediscovered in the New York Metropolitan Museum of Art and donated to the Church on 27 November 1967, the Church immediately published an article in their official magazine less than two months later. A follow-up article on an additional papyrus fragment was published the following month, complete with photos:

  • Jay M. Todd, "Egyptian Papyri Rediscovered," Improvement Era (January 1968), 12–16. off-site
  • Jay M. Todd, "New Light on Joseph Smith's Egyptian Papyri: Additional Fragment Disclosed," Improvement Era (February 1968), 40. off-site
  • Jay M. Todd, "Background of the Church Historian's Fragment," Improvement Era (February 1968), 40A–40I. off-site

LDS scholar Hugh Nibley began a series of articles in the January 1968 edition which ran for months. Nibley was not hesitant in explaining what was on the papyri in the Church's possession. In August 1968, he repeatedly emphasized that much of the text was the Egyptian Book of the Dead:

  • "...the texts of the 'Joseph Smith Papyri' identified as belonging to the Book of the Dead" (p. 55)
  • "...The largest part of the Joseph Smith Papyri in the possession of the Church consists of fragments from the Egyptian Book of the Dead, the fragments having been recently translated and discussed by no less a scholar than Professor John A. Wilson." (p. 57)
  • "These points can be illustrated by the most easily recognized section of the Joseph Smith papyri, namely, the fragment with the picture of a swallow, Chapter 86 of the Book of the Dead..."(p. 57)
  • "..we may take the best-known picture from the Book of the Dead, the well-known judgment scene or 'Psychostasy,' a fine example of which is found among the Joseph Smith papyri." (p. 59)

Lest the reader miss this claim in the small print, it was reprinted in large bold type across two pages:

The Church's official magazine did not hide Nibley's conclusion about the papyrus fragments rediscovered in 1968.
  • "The largest parts of the...papyri in possession of the Church consists of fragments from the Egyptian Book of the Dead..." (pp. 56-57) See image (680 KB).


Response to claim: Facsimile 1 "The Abraham scene is wrong"

The author(s) of Letter to a CES Director (April 2013 revision) make(s) the following claim:

The Abraham scene is wrong.

FAIR's Response

Fact checking results: This claim is based upon correct information - The author is providing knowledge concerning some particular fact, subject, or event

The standard interpretation of the Egyptian "lion couch" scene has nothing to do with an attempted sacrifice of Abraham.


Question: Has the name Abraham ever been associated with an Egyptian "lion couch" scene?

Another lion couch scene has been found with Abraham's name associated with it

Another lion couch scene has been discovered which actually includes Abraham's name. Note that it does not claim that Abraham is the figure on the lion couch, and notes that "[t]he figure on the lion couch in this papyrus is a woman." That is very clear from looking at the papyrus. However, the wording under the figure states "Abraham upon..." and then it becomes unintelligible so scholars are at a stand-still as to knowing if the circling of the name of Abraham in that phrase (written in Greek) is the identification of the figure as Abraham. [31]

Photo appearing in John Gee, “Research and Perspectives: Abraham in Ancient Egyptian Texts,” Ensign, Jul 1992, 60 Caption "A lion couch scene appears in Leiden Papyrus I 384 (PGM xii). The outline marks Abraham’s name, written in Greek. (Courtesy of Rijksmuseum van Oudheden.)" (click to enlarge)


Question: Is the story of the attempted sacrifice of Abraham described in the Book of Abraham supported by any other sources?

Similarities between the Book of Abraham and the Apocalpyse of Abraham

Also of interest is some correlation between The Book of Abraham and the Apocalypse of Abraham, a Jewish document composed between about 70–150 AD. The Apocalypse of Abraham describes the idolatry of Abraham's father in detail, and talks of how Abraham came to disbelieve in his father's gods. The following quotes describe how God told Abraham to leave his father's house so that he would not be destroyed.

15 And as they lifted up their hands upon me, that they might offer me up and take away my life, behold, I lifted up my voice unto the Lord my God, and the Lord hearkened and heard, and he filled me with the vision of the Almighty, and the angel of his presence stood by me, and immediately unloosed my bands;

16 And his voice was unto me: Abraham, Abraham, behold, my name is Jehovah, and I have heard thee, and have come down to deliver thee, and to take thee away from thy father’s house, and from all thy kinsfolk, into a strange land which thou knowest not of;

17 And this because they have turned their hearts away from me, to worship the god of Elkenah, and the god of Libnah, and the god of Mahmackrah, and the god of Korash, and the god of Pharaoh, king of Egypt; therefore I have come down to visit them, and to destroy him who hath lifted up his hand against thee, Abraham, my son, to take away thy life.

VIII. And it came to pass while I spake thus to my father Terah in the court of my house, there cometh down the voice of a Mighty One from heaven in a fiery cloud-burst, saying and crying: “Abraham, Abraham!” And I said: “Here am I.” And He said: “Thou art seeking in the understanding of thine heart the God of Gods and the Creator; I am He: Go out from thy father Terah, and get thee out from the house, that thou also be not slain in the sins of thy father’s house.” And I went out. And it came to pass when I went out, that before I succeeded in getting out in front of the door of the court, there came a sound of a [great] thunder and burnt him and his house, and everything whatsoever in his house, down to the ground, forty cubits.


Response to claim: "The following image is what Facsimile 1 is really supposed to look like"

The author(s) of Letter to a CES Director (April 2013 revision) make(s) the following claim:

[The Charles Larson restoration] is what Facsimile 1 is really supposed to look like, based on Egyptology and the same scene discovered elsewhere in Egypt.

FAIR's Response

Fact checking results: This claim is false

The Charles Larson restoration has a number of inaccuracies.


Question: Does Book of Abraham Facsimile 1 show a hand, or does it show the wing of a second bird?

The high-resolution photos of the papyri clearly show that it was a hand, not a wing

The Larson restoration presumes that the upper hand represented in Facsimile 1 is instead the wing of a bird. There are several elements which disprove this.

  • It is clear that the Egyptian artist drew wings in a specific manner, as can be observed by the wing of the bird on the right.
  • The two hands have distinct thumbs.
  • The assumption that ink spots on the hand represent spots on the birds wing is disproven by close examination of the original, which shows ink traces that indicate that the lines were originally connected.
  • It is also clear that the missing ink correlates with cracks in the papyri. Note that the cracks extend across all fingers, and that the ink has flaked off along the cracks.
  • Note that the index finger (the one next to the thumb) is continuous in the original, but was broken into two parts in the Larson restoration.
Larson.restoration.comparison.to.original.hand.detail.1.jpg
Hand.wing.comparison.1a.jpg


Bell: "the questionable traces above the head of the Osiris figure are actually the remains of his right hand"

(non-Mormon) Egyptologist Lanny Bell

Let me state clearly at the outset my conviction that the questionable traces above the head of the Osiris figure are actually the remains of his right hand; in other words, Joseph Smith was correct in his understanding of the drawing at this point. Ashment 1979, pp. 36, 41 (Illustration 13), is very balanced in his analysis of the problem, presenting compelling arguments for reading two hands; Gee 1992, p. 102 and n. 25, refers to Michael Lyon in describing the "thumb stroke" of the upper (right) hand; cf. Gee 2000, pp. 37-38; and Rhodes 2002, p. 19, concludes: "... a careful comparison of the traces with the hand below as well as the tip of the bird's wing to the right makes it quite clear that it is the other hand of the deceased."...An important clue is provided in the orientation of the thumbs of the upraised hands toward the face. This is the expected way of depicting the hands of mourners and others when they are held up to (both sides of) their heads or before their faces.[32]


Question: Should the restoration of Book of Abraham Facsimile 1 include a phallus?

The Larson restoration adds a phallus on the reclining figure, something that is never seen on a clothed Osiris figure

The Larson restoration adds a phallus on the reclining figure, something that is never seen on a clothed Osiris figure.

  • The assumption appears to be that the hash marks on the legs represent breeches. One can also observe this assumption on the Hedlock restoration contained in the Book of Abraham. However, an examination of the original papyrus shows that the legs of the figure were drawn, and that a wraparound Egyptian kilt was then drawn over them. The clothing is not a pair of breeches. This detail is not even in the Larson image, as the two lines distinguishing the legs and the kilt are merged into a single, fat line.
  • It can be seen in the closeup detail that the hash lines of the kilt extend beyond the lines of the leg, intersecting the outer line of the kilt.
  • It can also be seen that the kilt is curved, whereas the legs are straight.
  • The Larson restoration adds a phallus (which we have chosen to obscure) in the location of the figure's navel, based upon the location of the intersection of the legs and an estimate of where the top of the kilt would appear.
Larson.restoration.comparison.to.original.skirt.detail.jpg


Bell: "there would not be enough available space to restore the hand of Anubis, the erect phallus of the Osiris, and the body and wings of Isis"

(non Mormon) Egyptologist Lanny Bell:

[T]he representation of an ithyphallic figure wearing a kilt would not be unparalleled. However, judging from the position of the erect phallus of the reclining kilted earth god Geb in a cosmological scene on Dynasty 21 Theban coffins now in Turin and Bristol, there would not be enough available space to restore the hand of Anubis, the erect phallus of the Osiris, and the body and wings of Isis in P.JS I: Anubis would have to be grasping the phallus himself and assisting Isis in alighting on it—which is unimaginable. . . .In this area, I believe the Parker-Baer-Ashment reconstruction (with its "implied" erect phallus) is seriously flawed.[33]


Question: Was the original head of the priest in Book of Abraham Facsimile 1 actually the jackal head of Anubis?

The high-resolution photos show evidence that the head of the priest was originally the jackal-head of Anubis

The head of the priest in the Hedlock restoration appears to simply copy the head of the reclining figure. An examination of the papyrus, however, shows evidence that the head was originally that of Anubis. In this case, the Larson restoration appears to be correct. Theologically, it would not matter to scenes such as this one. Ancient art depcting religious situations such as this frequently had other people impersonating other Gods. Thus, even if this is an incorrect restoration, it would not matter to the overall message of the scene portrayed.

The priest of Elkenah likely could have been wearing an Anubian headdress while performing this scene and the interpretation would still be, for all intents and purposes, correct. Those performing rituals often donned a mask impersonating a particular god for theological effect.[34]

John Gee has written:

The discussion about figure 3 has centered on whether the head should be that of a jackal or a bald man. Whether the head is a jackal or a bald man in no way affects the interpretation of the figure, however, since in either case the figure would be a priest.

His footnote here reads as follows:

The argument for the identification runs as follows:
(1) Assume for the sake of argument that the head on Facsimile 1 Figure 3 is correct. What are the implications of the figure being a bald man? Shaving was a common feature of initiation into the priesthood from the Old Kingdom through the Roman period. Since “Complete shaving of the head was another mark of the male Isiac votary and priest” the bald figure would then be a priest.

(2) Assume on the other hand that the head on Facsimile 1 Figure 3 is that of a jackal, as was first suggested by Theodule Devéria. We have representations of priests wearing masks, one example of an actual mask, [and] literary accounts from non-Egyptians about Egyptian priests wearing masks. . . . Thus, however the restoration is made, the individual shown in Facsimile 1 Figure 3 is a priest, and the entire question of which head should be on the figure is moot so far as identifying the figure is concerned. (John Gee, “Abracadabra, Isaac, and Jacob,” Review of Books on the Book of Mormon 7/1 [1995]: 80–82)[35]

Gee gives an example of this of a bald priest donning the head of Anubis at the temple of Dendara. The first image is an actual drawing created during the Ptolemaic period from Dendara of the priest putting on the mask. The second is an example of such a mask that would be placed on them.

An actual drawing from the Temple at Dendara of a priest putting on an Anubian mask
An actual Anubian mask


  • Note that there is a portion of the back of Anubis's headdress visible in the original.
  • It is more likely that the back of the headdress showed hair rather than a solid as represented in the Larson image.
Larson.restoration.anubis.2.jpg


Question: Was the priest depicted in Book of Abraham Facsimile 1 holding a knife or was it some other object?

In typical representations of the "lion couch" scene, the priest is holding an object

Since Facsimile 1 appears to be a fairly typical scene from Egyptian funerary texts, it is noted that other similar Egyptian motifs do not show the priest holding a knife. A proposed restoration of Facsimile 1 by egyptologist Lanny Bell, for example, shows the priest holding a cup in his hand over the figure on the lion couch.

Eyewitnesses, one of whom was an anti-Mormon, described a man bound and laid on the lion couch, and a priest with a knife in his hand

Many Latter-day Saint scholars believe that the scroll was damaged after Joseph translated the vignette and some evidence seems to support this view. One early Latter-day Saint who saw the papyri in 1841, for instance, described them as containing the scene of an altar with "'a man bound and laid thereon, and a Priest with a knife in his hand, standing at the foot, with a dove over the person bound on the Altar with several Idol gods standing around it.'"[36] Similarly, Reverend Henry Caswall, who visited Nauvoo in April 1842, had a chance to see some of the Egyptian papyri. Caswall, who was hostile to the Saints, described Facsimile 1 as having a "'man standing by him with a drawn knife.'"[37]

Due to the damage to the papyrus, it is impossible to determine what the priest is holding in his hand

It is not possible through an examination of the original papyrus to determine what the priest is holding in his hand.

A comparison of objects that are presumed to have been held by the priest in Facsimile 1 of the Book of Abraham. The original facsimile is missing this detail. Egyptologist Lanny Bell assumes that the priest was holding an object. Charles Larson shows the priest holding nothing, with the wing of the proposed second bird occupying the space. Joseph Smith indicated that the priest was holding a knife.


Response to claim: "The following images show similar funerary scenes which have been discovered elsewhere in Egypt"

The author(s) of Letter to a CES Director (April 2013 revision) make(s) the following claim:

The following images shows the same funeral scene which has been discovered elsewhere in Egypt. (April 2013)

The following images show similar funerary scenes which have been discovered elsewhere in Egypt. (October 2014)

Notice that the jackal-headed Egyptian god of death and afterlife Anubis is consistent in every funerary scene.

FAIR's Response

Fact checking results: The author has stated erroneous information or misinterpreted their sources

Facsimile 1 does not portray the preparation of a mummy by Anubis - the figure on the "lion couch" is alive and is wearing clothes. This type of scene is interpreted as the resurrection of Osiris. It therefore is not the "same funeral scene" that is illustrated elsewhere.


Question: Is Joseph Smith papyri Facsimile 1 common and similar to other such scenes?

Joseph Smith papyri Facsimile 1 has a number of unique features that are not present in other lion couch scenes

Although many similar lion couch scenes exist, this one has quite a few unique features:

  • No other lion couch scene shows the figure on the couch (Osiris) with both hands raised. (There is a dispute regarding whether or not two hands are represented. See below)
  • No other lion couch scenes show the figure lying on the couch clothed in the manner shown in Facsimile 1. In most other lion couch scenes, the reclining figure is either completely nude or fully wrapped like a mummy. There is one known scene in which the figure is wearing a loin cloth. None to date show the type of clothing being worn by the figure in Facsimile 1.
  • No other lion couch scenes to date have shown the reclining figure wearing anklets or foot coverings.
  • No other lion couch scenes show a crocodile beneath the couch.
  • The original of Facsimile 1 shows the couch behind the priest's legs, and the reclining figure's legs are shown in front of the priest's. The figure was transferred on to the woodcut prior to publication in the Times and Seasons. The wood cut attempted to correct this odd perspective by placing the legs of the priest behind the lion couch.
  • No other such scenes have hatched lines such as those designated as "Expanse" or "Firmament" in Facsimile 1.
  • No other such scenes are known to have the twelve gates or pillars of heaven or anything like them.
  • No other such scenes show a lotus and an offering table. These items are common in other Egyptian scenes, but do not appear in the lion couch scene.

Therefore, we do not agree that it is the "same funeral scene." Facsimile 1 actually depicts the resurrection of Osiris. The figure on the couch is alive. The figures to which it is compared all show the preparation of a mummy.

Mummy.fac.1.comparison.jpg
Photograph of "lion couch" carving displayed at the Louvre in Paris. Note that there is only a single bird shown. (click to enlarge)


Question: What does the lion couch scene in Book of Abraham Facsimile 1 normally represent?

The lion couch vignette usually represents the embalming of the deceased individual in preparation for burial

Photograph of Facsimile 1 from the recovered Joseph Smith Papyri

The papyrus with the illustration represented in Facsimile 1 (view) is the only recovered item that has any connection to the text of the Book of Abraham.

This vignette is called a "lion couch scene" by Egyptologists. It usually represents the embalming of the deceased individual in preparation for burial. However, this particular lion couch scene represents the resurrection of Hor (figure 2), aided by the Egyptian god Anubis (3).[38]

Abraham 1:12 and the notes to Facsimile 1 identify it as representing Abraham being sacrificed by the priest of Elkenah in Ur.


Gospel Topics: "Joseph Smith’s explanations of the facsimiles of the book of Abraham contain additional earmarks of the ancient world"

"Facsimile 1 contains a crocodile deity swimming in what Joseph Smith called 'the firmament over our heads'"

Gospel Topics on LDS.org:

Joseph Smith’s explanations of the facsimiles of the book of Abraham contain additional earmarks of the ancient world. Facsimile 1 and Abraham 1:17 mention the idolatrous god Elkenah. This deity is not mentioned in the Bible, yet modern scholars have identified it as being among the gods worshipped by ancient Mesopotamians. Joseph Smith represented the four figures in figure 6 of facsimile 2 as “this earth in its four quarters.” A similar interpretation has been argued by scholars who study identical figures in other ancient Egyptian texts. Facsimile 1 contains a crocodile deity swimming in what Joseph Smith called “the firmament over our heads.” This interpretation makes sense in light of scholarship that identifies Egyptian conceptions of heaven with “a heavenly ocean.” [39]


Question: What are the criticisms related to Book of Abraham Facsimile 1?

Facsimile 1 from the Book of Abraham

The following claims are made regarding Facsimile 1:

  • That facsimile 1 is simply a typical funerary scene and there are many other papyri showing the same basic scene.
  • It is claimed that the missing portions of the drawing were incorrectly restored:
    • The head of the priest should have been that of Anubis.
    • The priest should not have been holding a knife.
    • The portion portrayed as Abraham's second hand should have been the wing of a second bird.
  • It is claimed that Abraham has never been associated with the lion couch vignette such as that portrayed in Facsimile #1 of the Book of Abraham.


Muhlestein and Gee: "It is now apparent that human sacrifice did indeed occur in ancient Egypt"

Abraham noted that the attempt to sacrifice him "was done after the manner of the Egyptians" (Abraham 1:11). Egyptologists Kerry Muhlestein and John Gee note that evidence has been uncovered of the practice of human sacrifice in ancient Egypt,

[A]rchaeologists have discovered evidence of human sacrifice. Just outside the Middle Kingdom fortress at Mirgissa, which had been part of the Egyptian empire in Nubia, a deposit was found containing various ritual objects such as melted wax figurines, a flint knife, and the decapitated body of a foreigner slain during rites designed to ward off enemies. Almost universally, this discovery has been accepted as a case of human sacrifice.20 Texts from this and similar rites from the Middle Kingdom specify that the ritual was directed against "every evil speaker, every evil speech, every evil curse, every evil plot, every evil imprecation, every evil attack, every evil rebellion, every evil plan, and every evil thing,"[40] which refers to those who "speak evil" of the king or of his policies.[41] The remains in the deposit are consistent with those of later ritual texts describing the daily execration rite, which was usually a wax figure substituting in effigy for a human sacrifice: "Bind with the sinew of a red cow . . . spit on him four times . . . trample on him with the left foot . . . smite him with a spear . . . decapitate him with a knife . . . place him on the fire . . . spit on him in the fire many times."[42] Again we see that the use of a knife was followed by burning. The fact that the site of Mirgissa is not in Egypt proper but was part of the Egyptian empire in Nubia informs us that the Egyptians extended such practices beyond their borders.

In fact, throughout time we find that ritual violence was often aimed at foreign places and people.[43] Their very foreignness was seen as a threat to Egypt's political and social order. Hence many of the known examples of ritual slaying are aimed at foreigners, such as those at Mirgissa or Tod. All three examples we have shared involve protecting sacred places and things, such as the boundary of a necropolis, a temple, or even Egypt itself.[44]


The Apocalypse of Abraham: "Go out from thy father Terah, and get thee out from the house, that thou also be not slain"

The Apocalypse of Abraham is a Jewish document composed between about 70–150 AD. The Apocalypse of Abraham describes the idolatry of Abraham's father in detail, and talks of how Abraham came to disbelieve in his father's gods:

VIII. And it came to pass while I spake thus to my father Terah in the court of my house, there cometh down the voice of a Mighty One from heaven in a fiery cloud-burst, saying and crying: “Abraham, Abraham!” And I said: “Here am I.” And He said: “Thou art seeking in the understanding of thine heart the God of Gods and the Creator; I am He: Go out from thy father Terah, and get thee out from the house, that thou also be not slain in the sins of thy father’s house.” And I went out. And it came to pass when I went out, that before I succeeded in getting out in front of the door of the court, there came a sound of a [great] thunder and burnt him and his house, and everything whatsoever in his house, down to the ground, forty cubits.[45]


Book of Jubilees 12:1-8: "Abram said to Terah his father...What help and profit have we from those idols which thou dost worship...And his father said unto him...Keep silent, my son, lest they slay thee"

Jubilees 12:1-8:

1. And it came to pass in the sixth week, in the seventh year thereof, that Abram said to Terah his father, saying, 'Father!' 2. And he said, 'Behold, here am I, my son.' And he said,'What help and profit have we from those idols which thou dost worship, And before which thou dost bow thyself? 3. For there is no spirit in them, For they are dumb forms, and a misleading of the heart. Worship them not: 4. Worship the God of heaven, Who causes the rain and the dew to descend on the earth And does everything upon the earth,And has created everything by His word, And all life is from before His face. 5. Why do ye worship things that have no spirit in them? For they are the work of (men's) hands,And on your shoulders do ye bear them, And ye have no help from them, But they are a great cause of shame to those who make them, And a misleading of the heart to those who worship them: Worship them not.' 6. And his father said unto him, I also know it, my son, but what shall I do with a people who have made me to serve before them? 7. And if I tell them the truth, they will slay me; for their soul cleaves to them to worship them and honour them. 8. Keep silent, my son, lest they slay thee.' And these words he spake to his two brothers, and they were angry with him and he kept silent.


Muhlestein and Gee: "Sacrifice was a penalty for desecrating the sacred house of an Egyptian god"

Abraham rejected his father's worship of idols, and may have tried to destroy some of them.[46] A human sacrifice was the penalty for desecrating the sacred house of an Egyptian god.

That the penalty of human sacrifice (including burning) was carried out in some circumstances can be shown from a historical account left by Sesostris13 I (1953–1911 BC).14 Sesostris I recounts finding the temple of Tod in a state of both disrepair and intentional desecration, something he attributed to Asiatic/Semitic interlopers he thus deemed as enemies.15 In response, he submits the purported perpetrators to varying punishments: flaying, impalement, beheading, and burning. He informs us that "[the knife] was applied to the children of the enemy (ms.w ḫrwy), sacrifices among the Asiatics."16 Sesostris intended a sacrificial association to be applied to the executions he had just enacted.17 This point is augmented by the fact that some temple sacrifices were consumed by fire.18 While a lacuna makes it impossible to be certain, some of the victims may even have been stabbed with a knife before being burned. In other eras of Egyptian history, this practice of burning seems to have been carried out when ritually slaying a human.19 Clearly, when the sacred house of a god had been desecrated, the Egyptian king responded by sacrificing those responsible.[47]


Peterson: "the identification of a crocodile as the idolatrous god of Pharaoh...Unas’ pyramid texts, includes the following: 'The king appears as the crocodile god Sobek'"

Daniel C. Peterson:

One noteworthy element of the religious situation portrayed in the Book of Abraham is the identification of a crocodile as the idolatrous god of Pharaoh, right there underneath the lion couch. That’s a kind of odd thing to come up with if you’re a yokel farm-boy from upstate New York. Is that the first thing that comes to your mind? “Oh, idolatrous god of Pharaoh!”

Although this may have seemed strange in Joseph Smith’s day, discoveries in other ancient texts confirm this representation. Unas or Wenis, for example, was the last king of the fifth dynasty, around 2300 B.C., and his pyramid still stands at Saqqara, south of modern Cairo. Utterance 317, Unas’ pyramid texts, includes the following: “The king appears as the crocodile god Sobek, and Unas has come today from the overflowing flood. Unas is Sobek, green plumed, wakeful, alert….Una arises as Sobek, son of Neith. One scholar observes that “the god Sobek is … viewed as a manifestation of Horus, the god most closely identified with the kingship of Egypt” during the Egyptian Middle Kingdom era (around 2000 B.C., maybe a little later), which includes the time period that tradition indicates is Abraham’s time.

Intriguingly, Middle Kingdom Egypt saw a great deal of activity in the large oasis to the southwest of modern Cairo known as the Faiyum. Crocodiles were common there. You know what the name of the place was to the Greeks? The major town there was called “Crocodileopolis.” [48]


Response to claim: "a side-by-side comparison of what Joseph Smith translated in Facsimile #2 versus what it actually says according to Egyptologists"

The author(s) of Letter to a CES Director (April 2013 revision) make(s) the following claim:

The following ["mormoninfographic"] is a side-by-side comparison of what Joseph Smith translated in Facsimile #2 versus what it actually says according to Egyptologists and modern Egyptology.

FAIR's Response

Fact checking results: This claim is based upon correct information - The author is providing knowledge concerning some particular fact, subject, or event

Joseph appears to have gotten a few things right.


Question: Did Joseph Smith identify any elements of Facsimile 2 that are in agreement with what Egyptologists say they represent?

FIGURE 1

Kolob...nearest to the celestial, or the residence of God.

Pearl of Great Price Central, Insight #17: Kolob, The Governing One

Pearl of Great Price Central:

Latter-day Saints have long been interested in Kolob for its doctrinal and potential cosmological significance. The opening words to the beloved Latter-day Saint hymn “If You Could Hie to Kolob” written by W. W. Phelps was, of course, inspired by Kolob in the Book of Abraham.

In recent years, spurred on by promising discoveries in Egyptology and Near Eastern archaeology, some Latter-day Saint scholars have sought to situate Kolob in the ancient world. Although there are still many uncertainties, a few points in favor of Kolob being authentically ancient can be affirmed with reasonable plausibility.

signifying the first creation...First in government, the last pertaining to measurement of time

Hugh Nibley and Michael Rhodes:

Figure one is the God Amun. As Peter L. Renouf saw, "the great God, Lord of Heaven, the giver of light, lighting up the Heavens and earth with his rays . . . to give life to the universe."[49].. . .The staff held by figure 1, Amun, is a combination of the djed-column, signifying abiding firmness and stability, the was-scepter of power and authority, and he ankh-staff of life --the three things on which all certainty depends. But before all else we are dealing with creation and birth. So, it is enlightening to note that the Prophet Joseph begins his explanation of this figure as "the first creation, nearest to the celestial, or the residence of God. First in government, the last pertaining to measurement of time," etc. It is not the celestial residence, but it is near to it, as the center of one great system, the large system known to Abraham, and though he is aware of the existence of worlds without number, he sees only a particular segment. Indeed, Moses was sharply rebuked when he asked to see it all: "Worlds without number have I created . . . for mine own purpose; . . . here is wisdom and it remaineth in me" (Moses 1:33,31). Moses is informed that he has all that he can handle in his own earthly mission and meekly apologizes, "Be merciful unto they servant, O God, and tell me concerning this earth, . . . and then they servant will be content" (Moses 1:36).


The most sublime aspect of Amun is the way he brings all things together in one, just as science today looks for the Grand Unifying Theory (GUT). That is what Amun gives us and we should bear in mind that all the owners of hypocephali were priests and priestesses of Amun-RE, along with their associates. Abraham, viewing the tarry heavens, fund that he "could not see the end thereof" (Abraham 3:12); while Moses, who is given "only an account of this earth," is assured that worlds that now stand are "innumerable. . . unto man; but all things are numbered unto me, for they are mine and I know them (Moses 1:35). As the doctrine of Min-Amun-Re, etc. proclaims, all the universe is full of life, sustained and rejuvenated in and by the One at the Center.

[. . .]

The central figure of most hypocephali has four rams' heads on one neck. Herodotus was intrigued by the representation of Amun with the head of a ram, as in our figures 1 and 2. First of all, he makes it clear that the Egyptians did not for a moment "think that is th way he really was."[50] And he proceeds to explain that Zeus was determined that not even Hercules should see his true appearance, but he at least granted him the indulgence of "displaying himself wearing the fleece of a ram which he had skinned and beheaded." And that is why the Egyptian images of Zeus have a ram's head. They got the idea from the Ammonite Egyptian colonists, whose name for Zeus was Amun. The center of his cult in Egypt was in Mendes.[51] Because the Egyptian word for ram, ba, is the same as the wod for soul, the Ram at Mendes also became assocated with both Osiris and Re.[52] There are also a four-headed ram-god was thought to combine the attributeds of Re, Shu, Geb, and Osiris, and thenw as extended to include "the ba of every god."[53]

Turning to the famous Mendes Stela, we view "the great god Mendes, the life of Re, the male potency of gods and mankind, who appears in the region of light (or as an akh), the divine issue of the Ran . . . elest son of the Creator of All, who sits on the throne of the first of the gods . . . a prince in the womb, a ruler at the breast whom the potency of his father, the Ram of Mendes, made strong as a king, victorious, etc."[54] This fulsome description is well summed up in Joseph Smith's economical explanation as "the first creation, nearest to the celestial, or residence of God. First in government." (Fac. 2, fig. 1 explanation).

We all know thathe ram is the bellwheter who leads out the flock. Aries the Ram leads out the year in the Zodiac--the god Janus (after whom the month January is named) has the horns of Aries the Ram (see p. 397, fig. 48). As Min he always has got's horns and as Min-Amun he is the rejuvenanted prowess of ram, got, and lion . . . he with the four faces on one neck, the 777 ears, millions of eyes, and hundreds of thousands of horns.[55] As to the horns, Amun shares two types with Khnum as primal king and creator. There are the long, twisted horizontal horns of figure 2 and the new breed which appeared in the New Kingdom of he well-known curly horned beast associated with Amun. And yet the god continues to wear both types of horns together as he does on most of the hypocephali (fig. 28).[56][57]

The measurement according to celestial time, which celestial time signifies one day to a cubit.[58]

Interpreter: A Journal of Latter-day Saint Faith and Scholarship, "One Day to a Cubit"

Hollis R. Johnson,  Interpreter: A Journal of Latter-day Saint Faith and Scholarship, (2013)
An investigation of ancient astronomy shows that a cubit was used not only as the metric of length (elbow to fingertip) but also as a metric of angle in the sky. That suggested a new interpretation that fits naturally: the brightest celestial object—the sun—moves eastward around the sky, relative to the stars, during the course of a year, by one cubit per day!.

Click here to view the complete article

One day in Kolob is equal to a thousand years according to the measurement of this earth

Hugh Nibley and Michael Rhodes:

Another statement of time--"one day in Kolob is equal to a thousand years" (Fac. 2, fig. 1)--demonstrates different times in different systems. That is the great year of the ancients. They worked out all sorts of cycles. The whole Kolob concept suggests that "archaic order: which today is being retrieved through the serious study of the oldest myths, monuments, and idols of the race. "As we follow the clues--stars, numbers," write de Santillana and von Dechend, "a huge framework of connections is revealed at many levels. One is inside an echoing manifold, where everything responds and everything has a place and a time assigned to it. This is a true edifice. . . a World-Image that first the many levels, and all of it kept in order by strict measure."[59]

The concept of unity and identity so prominent in the Egyptian text is well expressed in the Pearl of Great Price: "And behold, all things have their likeness, and all things which are in the heavens above and things which are of earth, and things which are in the earth, and things which are under the earth, both above and beneath: all things bear record of me" (Moses 6:63). Such is the "echoing manifold," with Kolob in control

In this huge framework of connections, the unit of measurement is, according to de Santillana and von Dechend, "always some form of time."[60] And it is the same in the Prophet's explanation of the multileveled "firmament of the heavens" which "answers to the measurement of time"--that is, of the revolutions or orbits of the heavenly bodies.[61]

….this earth which is called by the Egyptians Jah-oh-eh.

Hugh Nibley and Michael Rhodes:

The Lord used this earth as the basis in the explanation of his creations to both Abraham and Moses (Abraham 3:4-7,9; Moses 1:35-36), "according to the measurement of the earth which is called by the Egyptians Jah-oh-eh" (Fac. 2, figs. 1,4, explanation). This, of course, suggests Jaoel, the angel who visits Abraham in the Apocalypse of Abraham who is easily identified by George H. Box as Jehovah.[62]


What is that mysterious name, Jehovah, and its form?

[. . .]

The form we all know in common use, Jehovah or Yahweh, is held by the Jewish scholars to be "only meant for the masses" and not the true or real Tetragrammaton at al.[63]

[. . .]

"The original letters of the Tetragrammaton," Phineas Mordell concludes, "were [Hebrew word] instead of [Hebrew word],"[64] which corresponds to Joseph Smith's j-a-o-e (yod, ayin, waw, aleph).[65]

Regarding all of Fac 2 Fig 1, Michael Rhodes writes:

A seated deity with two (or in most hypocephali, four) ram's heads. He is holding in his hand the symbols of life (onu), dominion (was) and stability (jd). On either side of the god are two apes (numbers 22 and 23) with horned moon-disks on their heads, in an attitude of adoration. There are also two serpents, one on either side of the seated deity. The god is sitting at the center of the hypocephalus, which, as was mentioned above, represents the world. This seated figure represents god as the creator, either Amon-Re or Khnum. When thus depicted with four heads, this god united within himself the attributes of the gods Re (the sun), Shu (light), Geb (the earth), and Osiris (god of the next world and the resurrection), and represented the primeval creative force. Joseph Smith says that this is “Kolob, signifying the first creation, nearest to the celestial, or the residence of God.” This agrees well with the Egyptian symbolism of god endowed with the primeval creative force seated at the center of the universe. The name Kolob is right at home in this context. The word most likely derives from the common Semitic root QLB, which has the basic meaning of “heart, center, middle” (Arabic قِلب (qalb) “heart, center”; Hebrew קֶרֶב (qereb) “middle, midst”, קָרַב (qārab) “to draw near”; Egyptian m-qab “in the midst of”). In fact, قِلب forms part of the Arabic names of several of the brightest stars in the sky, including Antares, Regulus, and Canopus. The apes can represent Thoth, the god of writing and wisdom, as well as the moon, but due to their curious habit of holding up their hands to receive the first warming rays of the sun after the cold desert night as if worshiping the sun at its rising, they are often found in connection with the sun. Besides these solar and lunar associations, apes are also found associated with stars and constellations. Joseph Smith says they are stars receiving light from Kolob, which is in harmony with our understanding of their symbolism in Egyptian.

In his explanation of figure 1, Joseph Smith says that the earth is called Jah-oh-eh by the Egyptians. In the Times and Seasons he defined Jah-oh-eh as “O the Earth.” This would be reasonable rendering of the Egyptian i ae.t, “O Earth” (assuming that Joseph used the biblical convention of rendering a Semitic Yod with an english J).[66]

Stands next to Kolob...the next grand governing creation near to...the place where God resides; holding the key of power (figure 2)

Hugh Nibley and Michael Rhodes:

This figure, as Joseph Smith explains it, "stands next to Kolob . . . the next grand governing creation near to . . . the place where God resides" (Fac 2, fig. 2, explanation). Compare this to figure 1, which is "Kolob. . .the first creation, nearest to . . . the residence of God" (Fac 2, fig. 1 explanation). With this gradation of glory goes precedence in time, figure 1 "the first creation." and beyond that, steps in degrees of authority, with figure 2, "te next grand governing creation." Neither one is the center of everything. Figure 1, to be sure, is the center facing in all directions around whom all else revolves. Abraham is told that "Kolob is set. . . to govern all those planets which belong to the same order as that upon which thou standest" (Abraham 3:9). Moses was rebuked for wanting an immediate view of what the ancients and Paul called [Greek script] (pleroma)--absolutely everything (see Colossians 2:9); the Lord told him to hold on and be satisfied with this world, the only world which concerned him at present (Moses 1:30-36).


Note also that figure 2, the second in order, is "holding the key of power also pertaining to other planets." On some hypocephali this figure is labeled both Re and Amun-Re, the same power at different levels. He stands at the zenith of the year and the moon of the day at his greatest moment of power--the sun, the ruler of the solar system, but everything about him reminds us that he is motion. What about the rest of his journey, passing through the underworld from west to east? WE are referred to the ley, the Wepwawet, "Opener of the Ways," which lets us out of the underworld.

In the small Nash hypocephalus (see appendix 7A), figures 1 and 2 are combined and their identify clearly established: In the top panel, wearing the two tall feathers of Amun, the two-headed figure, but here he is situated on the throne, holding the scepters exactly like the four-headed Amun on other hypocephali.[67] In this case proximity is the main idea; we are near the center but moving out from it. Among the ancients and moderns, proximity to Divinity both in place and time was a direct measure of blessedness. This "Kolob" ideas is set forth vividly in the Book of Abraham: "the name of the great one is Kolob, because it is near unto me." (Abraham 3:3). It is "nearest to the celestial, or residence of God" (Fac 2. fig 1, explanation). A most significant feature of figure 2 is the crown the god-figure is wearing combining both ram's horns and the two tall features. It is the Ta-Tjenen crown (see Fac. 3 fig. 1) with the ram's horns that bring Re and Osiris together in a symbol of eternal beginning.[68]

Striding forth boldly on his eternal rounds, figure 2 is designated on a bronze hypocephalus as "Amun Lord of Heaven in his aspect of coming forth."[69] You will notice that our figure 2 is not "residing" anywhere--he is on the move, right at the top of the circle. His feathers usually touch and often protrude above the confining edge to show him, as one scholar puts it, "here at the vertex of the universe, the Ram comes first of al in order, appearing at the head of the universe and the beginning of light."[70] He is by all accounts a true two-faced Janus figure; classical writers, as we have seen, associated Amun's ram horns with the constellation Aries the Ram, the Opener of the Year.[71] Let us recall further that some Egyptian inscriptions label our figure 2 as past and future, "I know," and "I shall know," explaining that "the one is Osiris who is Yesterday, and the other is Re who is Tomorrow."[72]

The holy Egyptian feather which Shu wears signifies light traversing the space between heaven and earth and is represented by the god of that name;[73] "Its filaments symbolized the rays of the sun."[74] It is the famous atef-crown, designated by Joseph Smith as "emblematical of the grand presidency in heaven," and indeed the two feathers are the prime emblems of celestial light and spirit. Significantly, the shw-feather is not a theological but an astronomical symbol, as Rudolf Anthes sees it; the god's name is never written with the familiar divinity sign; rather it represents the actual sunshine or light and energy that traverses and fills the space between heaven and earth,[75] a light (to quote Joseph Smith) "pertaining to other planets." The sign of the two feathers enjoyed a very wide range of interpretation among the Egyptian scribes.[76]

As to the staff and or scepter, which god carries as his staff of office and the emblem of his power, it is of the utmost importance. It signifies specifically the power to move or progress. It is the standard of the dog Wepwawet, whose image appears on it--the faithful dog who leads his majesty into the realm of the unknown. "The true character of Wepwawet is still far from being clearly defined, by the Pyramid texts show him intimately related to the mystery of the rising sun and the resurrection of the king. . . that is why he is in the prow of the solar bark and always leads the parade."[77] All these ideas come together in the figure on the staff of the character who bears it.

Staff and Key

Joseph Smith calls the staff a key, "the key of power". The Hebrew word for key [Hebrew script] (miptah), means literally "opener," while the Egyptian name of the god who bears this staff is Wp-w3.wt = Opener of the Ways. The Egyptian obsession with "the Way" as the course of life here and hereafter, eloquently expressed in the First Psalm and in the preaching of the great high priest Petosiris--"I will show you the Way of Life"--has been discussed at length by scholars such as Oswald Spengler and Gerturd Thausing.[78] Peter is one who has the keys of the kingdom of heaven (Matthew 16:19). Janus also is the god "who holds a staff in his left and a key in his right,"[79] "the one who holds the key (clavigerus),"[80] and the one who is "the gatekeeper of the heavenly courts (coelestins ianitor aulae)."[81] The Egyptian is constantly concerned with being checked or blocked (h.sf) in his career. Only real power, the power of the key, can overcome his determined opponents. It shall become apparent that the key plays a major role both in the hypocephalus and in the Prophet's interpretation of it.[82]

Michael Rhodes regarding all of Fac 2 Fig 2:

A two-headed deity wearing the double-plumed crown of Amon, with ram's horns mounted on it. On his shoulders are jackal heads, and he is holding the jackal standard of the god Wepwawet. To his right is an altar with offerings on and around it. In most hypocephali, he is holding the ankh, or symbol of life, in his right hand. Also to his right is a line of hieroglyphs reading: “The name of this Mighty God.”


This is Amon-Re, the chief god of the Egyptian pantheon; the two heads illustrate the hidden and mysterious power of Amon (his name in Egyptian means “the Hidden One”) combined with the visible and luminous power of Re. This is clearly the god mentioned in chapter 162 of the Book of the Dead (the chapter describing the construction and use of the hypocephalus), who wears the double plumed crown. The jackals on his shoulders as well as the jackal standard he holds are symbols of the god Wepwawet, the Opener of the Way, i.e. of the year, of the king in his conquests, of the dead through the dangers of hereafter to the throne of Osiris where they would be judged, or any other way that needs opening. Joseph Smith says, “Stands next to Kolob, called by the Egyptians Oliblish, which is the next grand governing creation near to the celestial or the place where God resides: holding the key of power.” The symbol of life held by this god was considered as a symbol of a god's power. A good example is the god Aton, who is represented by a sun disk with numerous rays emanating from it that all end in a hand holding the symbol of life. I can find no obvious word in Egyptian that matches with Oliblish, but this puts it in the same category as many of the strange names found in the 162nd chapter of the Book of the Dead, which seem not to be Egyptian but some foreign language.

Joseph also says this figure pertains to the plan of God's creations as revealed to Abraham as he was making a sacrifice. This agrees exactly with the Apocalypse of Abraham account as described above, as well as with the Egyptian concept of the hypocephalus representing all that the sun encircles.[83]

Is made to represent God, sitting upon his throne, clothed with power and authority; with a crown of eternal light upon his head; representing also the grand Key-words of the Holy Priesthood, as revealed to Adam in the Garden of Eden, as also to Seth, Noah, Melchizedek, Abraham, and all to whom the Priesthood was revealed (figure 3)

Hugh Nibley and Michael Rhodes:

Joseph Smith's critics have pointed out that his explanation of figure 3 so far--the throne, the sun-crown--would be an easy guess.[84] "Clothed with power," however, is a palpable hit; for the big was-scepter that the king holds stands for "dominion," according to Raymond Faulkner[85] and for "dominion, lordship," according to Alan H. Gardiner;[86][87]

[. . .]

The main activity in this panel on most hypocephali is the handing around of the wedjat-eye. Thus we find the ape presenting the eye to the sun-god;[88] or the ape in a shrine wearing the solar disk receiving the wedjat from another ape who also wears upon his head yet another solar disk containing another wedjat-eye;[89] or an ape in the shrine receiving the wedjat-eye;[90] or a giant wedjat-eye held by an ibis-headed Thoth and worshipped by two apes;[91] or an ape presenting the eye to the sun-god—facing to the right as in our figure 3—between them a scarab labeled Khepri;[92] or a large ape in a shrine receives the eye from another ape—the infant rides up in the bow;[93] or the sun-god and the apes flank a Khepri-scarab to whom the ape is offering the eye.[94] Quite often the ape offers the eye to the crowned ape in the shrine;[95] the ape and the eye alone in the boat;[96] or the ape in a shrine faced by an ape with two wedjat-eyes.[97] Thus Khepri, the scarab, changes his position from hypocephalus to hypocephalus with the greatest freedom—he moves all over the place, as is proper for one who is the very embodiment of change. We go on with these seemingly endless permutations to indicate what a hive of activity figure 3 represents, a lively exchange of position and powers with a full display of “power and authority, . . . the grand Key-words of the Holy Priesthood” being passed around, here represented as visual symbols, as we know it descended to “Seth, Noah, Melchizedek, Abraham, and all to whom the Priesthood was revealed.”

The cast of characters is very limited in the Joseph Smith version, but the idea is fully represented by the presence of the most potent symbol of all, the two wedjat-eyes flanking Horus-Re. They must be considered in the context of figure 7...[98]

Michael Rhodes:

A hawk-headed god Re with the sun disk on his head, seated on the solar bark. On either side of him is a Wedjat-eye. In his hand he holds the was-scepter, symbol of dominion, and in front of him is an altar with a lotus blossom on it.

Re seated in his bark represents the sun in its daily journey across the sky and symbolizes resurrection and rebirth, since the sun was thought to die and be reborn each day. The lotus on the altar in front of him is also symbolic of rebirth and the rising sun. The Wedjat-eye was symbolic of light and protection (among other things) and is thus not out of place in this context.

Joseph Smith said this represented God, sitting upon his throne clothed with power and authority; with a crown of eternal light on his head. The was-scepter, as I mentioned above, represents power and authority, and the sun certainly qualifies as a crown of eternal light. He also said that it represented the grand key words of the priesthood. The Greek writer Plutarch explained that the Wedjat-eye of Osiris represented pro/noia “divine providence” (literally “foreknowledge”), the divine wisdom by which God oversees and cares for all of his creations. It is not unreasonable to see in this “the grand key words of the priesthood” (“The glory of God is intelligence,” D&C 93:36).[99]

Answers to the Hebrew word Raukeeyang, signifying expanse, or the firmament of the heavens; also a numerical figure, in Egyptian signifying one thousand; answering to the measuring of time of Oliblish, which is equal to Kolob in its revolution and in its measuring of time (Figure 4)

Hugh Nibley and Michael Rhodes:

Our figure 4 goes back to the earliest Egyptian iconography, found on an ivory tomb belonging to King Djet (serpent) from the First Dynasty; on it has been drawn "a boat beneath which two wings representing the sky are spread."[100] It is "the sun-sip on the wings of the sky, . . . the two outstretched wings above the earth, the sheltering wings of the sky-god, from which was later derived the idea of the hawk as the sky-god."[101]The inscription with the relief from Edfu adds: "the expanse [circumference] of the heavens is beneath his wings; . . . your body . . . is the sky which is adorned with its stars.[102] The bird in the boat is sometimes exchanged for the sky-goddess Nut, whose outstretched wings are the symbol of protection,[103] their purpose being to enfold and embrace everything (fig. 30)...for Hans Bonnet the wings show that the woman is the bird "which is usually put in place of her." The best-known Egyptian symbol of the sky, she controls not only the cycle of the stars but also that of the sun.[104][105]


[. . .]

So far so good for Smith; all that seems quite obvious, but what about the next statement: "Also a numerical figure in Egyptian signifying 1000"? Professional Egyptologists have protested to the author that there is nothing known to them to justify attributing the number 1000 to figure 4. Yet here, if ever, the Joseph Smith explanation is right on target. The woman Nu, the sky-goddess of the outspread wings, has a peculiar epithet, and it is the same name as that given to the ship in figure 4, which means literally "a Thousand Are Her Souls," or "The One with a Thousand Souls,"[106] The Thousand Souls are stars, and she is so called because the stars are her children; a Pyramid Text says, "You (Nut) have taken to yourself ever god who has his own ship ([Egyptian script] hb3) and have instructed them in the starry sky ([Egyptian script] h3-b3=s) so that they will not depart from you as stars. Do not let NN be moved far from you in your name of 'Heaven' ([Egyptian script] hr.t)

And this takes us to Abraham. Not only was he asked to count the stars as a metaphorical measure of his progeny, but he meets us in Genesis 15:5 as both an observer ([Hebrew script] habbet) and counter ([Hebrew script] li-spor) of the stars. We also see him, according to Facsimile 3, "reasoning upon the principles of Astronomy, in the king's court" (Fac. 3, fig 1, explanation). Reasoning and counting are the same word in the famous stele of a great princess, a daughter of Psameticus II, which reads, "Behold ye Khabasu of Heliopolis . . . the God is born. . . one who can take the helm. Osiris Anchnesneferibre (the princess) will reckon (calculate, reason, w3d) with you concerning the secret which is in the Great Hall (w3s.t, of the palace) of the gods and will take along Osiris in his Ship of a Thousand, even with the two heads, so that by it he can mount to heaven and to the counter heaven."[107] This is our figure 4. Even more impressive is the way the Joseph Smith explanation seems to parrot everything the Worterbuch says about the Khabasu. According to the Worterbuch, h3-b3. s means: "Literally, 'a thousand-fold is her [the goddess of heaven] souls,' as a collective designation for the host of stars."[108][109]

[. . .]

The third most significant thing about figure 4, according to Joseph Smith, is its office in "answering to the measure of time," namely by the cycles and revolutions of the heavens. Since all these figures mark both the completion and initiation of various life cycles, time is of the essence and the figure of the Sokar-ship is the most important agent of coordination. It was at the sed-festival or jubilee that the bird was borne forth in procession on his ship. It is specifically figure 4 that coordinates the funereal with the astral them by virtue by its "calendrical" significance--that is, as the primordial measurement of time.[110][111]

Michael Rhodes:

A hawk in mummy wrappings with outspread wings, seated upon a boat. This can represent either Horus-Soped or Sokar, both hawk gods, which are symbolized by a mummiform hawk. One outstanding feature of this figure is its outspread wings, which are not normally found in representations of these two gods. The wings show a clear connection with Horus, the personification of the sky, as well as emphasizing the emerging of the the hawk from his mummy bindings in the resurrection. The association with Sokar, the ancient god of Memphis, is even more interesting. In the festival of Sokar, which was celebrated in many parts of Egypt, a procession was held in which the high priest would place the Sokar-boat on a sledge and pull it around the sanctuary. This procession symbolized the revolution of the sun and other celestial bodies. Joseph Smith sees here symbolism for the expanse or firmament of the heavens, which concept, as stated above, the Egyptians often represent by the hawk-god Horus. Joseph's explanation that this figure represents the revolutions of Kolob and Obilish agrees favorably with what we know of the use of the Sokar-boat in the festival of Sokar to represent the revolutions of the sun and other celestial bodies. Joseph also says that it is a numerical figure in Egyptian signifying one thousand. While this is not the standard hieroglyph for one thousand, there is a clear connection between the number one thousand and the ship of the dead. For example, in the Coffin Texts we read, “He takes the ship of 1000 cubits from end to end and sails it to the stairway of fire.” On the sarcophagus of the princess Anchenneferibre is found a description of the “Khabas in Heliopolis” and “Osiris in his ship of a thousand.” The term Khabas means “A Thousand is her souls” and refers to the starry hosts of the sky, confirming again Joseph Smith's explanation that it represents the expanse of the heavens.[112]

...and is said by the Egyptians to represent the Sun (Fig 5)

Pearl of Great Price Central, Insight #31: The Hathor Cow (Facsimile 2, Figure 5)

Hugh Nibley and Michael Rhodes:

But Joseph Smith tells us that figure 5 is the Sun. No problem. From being the mother of the Sun with the new born disk rising between her horns--a design in evidence in prehistoric times--it was an easy step to becoming the Sun itself.[113] As early as the Old Kingdom, the cow appears "as the female equivalent of Re."[114] At Opet in Luxor, where the Mother-Cow was worshiped as Hathor of Coptus, she was called the Sun of the Two Worlds--that is, both of Horus the son of Osiris and Amun-Re the Sun of Thebes.[115] Her horns, flanked by the same two feathers that our figure 2 wears as the Sun at the zenith, showing that the cow resurrects the Sun as well as the human race.[116][117]

...which governs fifteen other fixed planes or stars...

Hugh Nibley and Michael Rhodes:

In his discussion of the Book of the Cow in the royal tombs, Charles Maystre pays special attention to the Tutankhamun version, the most carefully executed of the Heavenly Cow pictures (see p. 324, fig. 38): “Along the belly of the cow are stars.”[118] These are set in a line; at the front end is the familiar solar-bark bearing the symbol of Shemsu, the following or entourage, and at the rear end of the line is another ship bearing the same emblem. Both boats are sailing in the same direction through the heavens. The number of stars varies among the cows; in the instructions contained in the tomb of Seti I, it is specified that there should be nine, though the three groups of three strokes each can, and often do, signify an innumerable host.[119]


The number here plainly belongs to the cow, but what about the fifteen stars? “The number fifteen cannot be derived from any holy number of the Egyptians,” writes Hermann Kees, and yet it presents “a surprising analogy” with the fifteen false doors in the great wall of the Djoser complex at Saqqara, which was designed by the great Imhotep himself, with the Festival of the Heavens of Heliopolis in mind, following the older pattern of the White Wall of the Thinite palace of Memphis.[120] Strangely enough this number fifteen keeps turning up all along, and nobody knows why, though it always represents passing from one gate or door to another. Long after Djoser, Amenophis III built a wall for his royal circumambulation at the sed-festival, marking the inauguration of a new age of the world; it also had fifteen gates.[121] In the funeral papyrus of Amonemsaf, in a scene in which the hawk comes from the starry heavens to minister to the mummy, “the illustration . . . is separated into two halves by the sign of the sky ” —the heaven above and the tomb below (fig. 31). Between the mummy and the depths and the hawk in the heaven, there are twelve red dots and fifteen stars.[122] Again, twelve is the best-known astral number, but why fifteen? One Egyptologist wrote years ago that “[t]he author’s impression is that these [the fifteen stars] are purely theological features without astronomical significance.”[123] “The ‘great Ennead which resides in Karnak’ swelled to fifteen members.”[124] It was structured in three phases: one became two, two became four, four became eight, which is fifteen altogether. Étienne Drioton associates this with the dividing of eternity in the drama of Edfu into years, years into months, and months into fifteen units, these units into hours, and they into minutes.[125] Furthermore the idea of fifteen mediums or conveyors may be represented on the fifteen limestone tablets of the Book of the Underworld found by Theodore Davies and Howard Carter in the tomb of Hatshepsut.[126] Let us recall that the basic idea, as Joseph Smith explains it, is that “fifteen other fixed planets or stars” act as a medium for conveying “the governing power.” Coming down to a later time of the Egyptian gnostics, we find the fifteen helpers (παραστάται, parastatai) of the seven virgins of light in the Coptic Pistis Sophia, who “expanded themselves in the regions of the twelve saviors and the rest of the angels of the midst; each according to its glory will rule with me in an inheritance of light.”[127] In an equally interesting Coptic text, 2 Jeu, there are also fifteen parastatai who serve with “the seven virgins of the light” who are with the “father of all fatherhoods, . . . in the Treasury of the Light.”[128] They are the light virgins who are “in the middle or the midst (μέσος, mesos),” meaning that they are go-betweens.[129] Parastatai are those who conduct one through a series of ordinances, just as the fifteen stars receive and convey light.

In all this we never get away from cosmology and astronomy. In the Old Slavonic Secrets of Enoch, “four great stars, each having one thousand stars under it,” go with “fifteen myriads of angels,”[130] all moving, to quote Joseph Smith, together with “the Moon, the Earth, and the Sun in their annual revolutions.” In the Book of Gates, one of those mystery texts reserved for the most secret rites of the greatest kings, we see, as Gustave Jéquier describes it, “a long horizontal bar with a bull’s head at either end, supported by eight mummiform personages, and carrying seven other genies” (fig. 32).[131]These fifteen figures are designated as carriers or bearers (f.w), and the bar is the body of the bull extended to give them all room. A rope enters the bull’s mouth at one end and exits at the other, and on the end of this rope there is a sun-bark being towed by a total of eight personages designated as stars.[132] Just as the ship travels through the fifteen conveyor stars on the underside of the cow, the two heads of the bull make him interchangeable with the two-headed lion Aker, or Ruty, who guards the gate. “Aker,” writes Jéquier, “is a personification of the gates of the earth by which the sun must pass in the evening and in the morning.”[133] He is the same as the two-headed Janus, the gate-god, whom we have already met.[134]

Michael Rhodes regarding all of Fig 5:

A cow wearing a sun disk and double plumes with a menit-necklace (symbol of Hathor, Ihet, etc.). This is the cow Ihet mentioned in chapter 162 of the Book of the Dead, which should be drawn on a piece of new papyrus to make a hypocephalus. Hence this picture of a cow is common to almost all hypocephali. Ihet is a form of Hathor, a personification of the original waters from which the whole of creation arose and the one who gave birth to the sun. She is also connected with Mehweret (Greek methyr), another cow goddess who symbolized the sky and is the celestial mother by whom the sun is reborn each day. The name Mehweret (Me-wr.t) means, “Great fullness,” i.e., the primeval waters from which Re, the Sun, first arose. Standing behind the cow is the goddess Wedjat who is holding a lotus blossom, the symbol of rebirth, here indicating the daily and annual renewal of the sun. Joseph Smith's explanation that this is the sun is in agreement with the Egyptian symbolism. Of various names used here by Joseph, I can find an equivalent only for Hah-ko-kau-beam, which is recognizable as the Hebrew הַכּוֹכָבִים (hakôkābîm) “the stars.” But again as stated above, strange, incomprehensible names are typical of this class of Egyptian religious documents.[135]

Earth in its four quarters (Fig 6)

Pearl of Great Price Central, Insight #32: The Four Sons of Horus (Facsimile 2, Figure 6)

Joseph correctly identified the four canopic jars in figure 6 as the earth in its four quarters. Non-LDS Egyptologist E.A. Wallis Budge has translated it in the same way. As he wrote:

The four children of Horus played a very important role in the funeral works of the early dynasties; they originally represented the four supports of heaven, but very soon each was regarded as the god of one of the four quarters of the earth, and also of that quarter of the heavens which was above it.[136]

LDS Scholars have also cited the work of Maarten Raven, a non-LDS Egyptologist, to support Joseph's explanation.[137]

Michael Rhodes:

These four standing, mummy-like figures are the four Sons of Horus. They were the gods of the four quarters of the earth and later came to be regarded as presiding over the four cardinal points. They also were guardians of the viscera of the dead, and their images were carved on the four canopic jars into which the internal organs of the dead were placed.


Joseph Smith is right again describing these figures as representing “this earth in its four quarters.”

To the right of these four figures is the name of a god written with a lotus blossom, a lion, and a ram (Egyptian srpt-mai-sr). These three signs are thought to symbolize the gods of the rising, midday, and setting sun, i.e. Re, Khepri, and Atum. This same god is found in several different passages of the late Egyptian demotic papyrus, which refers to Abraham. Joseph Smith gives no explanation of this hieroglyphic name, but it is clearly associated with Abraham in this ancient document.[138]

Represents god sitting upon his throne, revealing through the heavens the grand Key-words of the Priesthood; as, also, the sign of the Holy Ghost unto Abraham, in the form of a dove (Figure 7)

Pearl of Great Price Central, Insight #33: God Sitting Upon This Throne (Facsimile 2, Figure 7)

The God "Min" appears to have been "made to represent God sitting upon his throne" while the wedjat eye was used to represent the power of the Priesthood, and Nehebkau, the bird-like/serpent-like God being made to represent the Holy Ghost. See John Gee's discussion above for the adaptation of birds to represent angels or other heavenly messengers:

Hugh Nibley and Michael Rhodes:

The epithet of Min is "He of the upraised hand," and his identification is the flail and the erect phallus with which he appears in the oldest known Egyptian statue--he is always in human form.[139] They are also signs of procreation. Min was intimately related to the god Amun, and Amun was probably derived from him.[140] "Amun is the other self of Min; . . . his high priest was called 'The Opener of the Gates of Heaven,' while the high priest of Min at Letopolis was the 'Opener of the Mouth upon the Earth,' i.e., the mortals here on earth upon whom the heavenly power was conferred."[141] The Greeks and Romans associated him with Pan and Priapus.[142] Min is the "Creator god who made the heaven and brought forth the gods, who made the earth and created men . . . and who keeps all things alive."[143]

[. . .]

But most especially the eye belongs to the king and to kingship. Osiris gets the eye back after Horus has rescued it for him; he needs it to rule the kingdom below as Horus and Re need it to rule on earth and in heaven.[144] The eye was, according to Griffiths, the Eye of Horus.[145]

The eye fills the king completely;[146] it purifies him,[147] it gives him special knowledge, visionary power.[148] It exalts the king and places him at the head of the Greater and Lesser Councils.[149] [. . .] In the Pyramid Texts the fusion of his king's nature with God of heaven takes place when his statue is crowned with the moon-eye of Upper Egypt and the sun-eye of Lower Egypt, and then is anointed, passing through the middle chamber of stars into a room in which heaven was scenically depicted."[150] It is the ultimate supreme power over men and gods.[151] Its power is especially protective, encircling the king.[152] [. . .] With all its power, the wedjat is an important element in the ordinances. The functions of the wedjat-eye are combined in the anointing oil, both as the oil of heating that revives the smitten hero,[153] and as the very precious oil used in the ordinances of anointing the brow or breast, specifically to bestow authority and power.[154] It is the anointing which transforms the nature of the individual.[155] All this is in the wedjat eye itself, which by anointing imparts soul and body, restoration, joy, and thankfulness with its obligation of obedience.[156]

In other ordinances it is the food of the sacrament, the wedjat-eye is the power of the bread which fills, revives, and strengthens the king.[157] It is the strength given by sacramental food.[158] [. . .]

By now it should be clear to any Latter-day Saint reader that the elusive wedjat-eye, intimately familiar yet strangely elusive, is a symbol of that equally common all-but-indefinable power called the priesthood.[159]

Michael Rhodes:

A seated ithyphallic god with a hawk's tail, holding aloft a flail. This is a form of Min, the god of the regenerative, procreative forces of nature, perhaps combined with Horus, as the hawk's tail would seem to indicate. Before the god is what appears to be a bird presenting him with a Wedjat-eye, the symbol of all good gifts. In other hypocephali it can also be an ape, a snake, or a hawk-headed snake that is presenting the eye. This figure represents Nehebka, a snake god and one of the judges of the dead in the 125th chapter of the Book of the Dead. Nehebka was considered to be a provider of life and nourishment and as such was often shown presenting a pair of jars or a Wedjat-eye. As for the bird found in Facsimile 2, this could symbolize the Ba or soul (which the Egyptians often represented as a bird) presenting the Wedjat-eye to the seated god.

Joseph Smith said this figure represented God sitting upon his throne revealing the grand key-words of the priesthood. The connection of the Wedjat-eye with “the grand key-words of the priesthood” was discussed above. Joseph also explained there was a representation of the sign of the Holy Ghost in the form of a dove. The Egyptians commonly portrayed the soul or spirit as a bird, so a bird is an appropriate symbol for the Holy Ghost.

[The wedjat eye can also symbolize] healing, light, totality, protection, glory, and even riches.[160]

Contains writings that cannot be revealed unto the world; but is to be had in the Holy Temple of God; Ought not to be revealed at the present time; Also; Also. If the world can find out these numbers, so let it be. Amen (Figures 8-11)

Hugh Nibley and Michael Rhodes:

Joseph Smith explained that the three lines of text, figures 8-11, contain "writings that cannot be revealed unto the world; but is to be had in the Holy Temple of God" and "ought not to be revealed at the present time." These lines contain a prayer to Osiris, the god of the dead, to grant life to the owner of this hypocephalus. A common theme of all Egyptian funerary literature is the resurrection of the dead and their glorification and deification in the afterlife, which is certainly a central element of our own temple ceremony.

There follows a transcription, transliteration, and translation of figures 8-11. (11) [Series of Egyptian hieroglyphs from figure 11] (10) [Series of Egyptian hieroglyphs from figure 10] (9) [Series of Egyptian hieroglyphs from figure 9] (8) [Series of Egyptian hieroglyphs from figure 8] (11) I ntr sdr. m sp (10) tpy, ntr '3 nb p.t, t3, (9) dw3.t, mw=f '3, (8) d3 'nh b3 Wsir Ssq. (11) O God of the Sleeping Ones[161] from the time of (10) the creation.[162] O Mighty God, Lord of heaven and earth, (9) of the hereafter, and of his great waters,[163] (8) may the soul of Osiris[164] Shishaq[165] be granted life.

As stated above, this is a prayer or plea of Shishaq, the owner of the hypocephalus, to Osiris, the god of the dead, who is the Lord of all things, to grant him eternal life.[166]

Michael Rhodes:

Joseph Smith explained that the remaining figures contained writings that cannot be revealed to the world. Stressing the secrecy of these things is entirely in harmony with Egyptian religious documents such as the hypocephalus and the 162nd chapter of the Book of the Dead. For example, we read in the 162nd chapter of the Book of the Dead, “This is a great and secret book. Do not allow anyone's eyes to see it!” Joseph also says line 8 “is to be had in the Holy Temple of God.” Line 8 reads, “Grant that the soul of the Osiris, Shishaq, may live (eternally).” Since the designated purpose of the hypocephalus was to make the deceased divine, it is not unreasonable to see here a reference to the sacred ordinances performed in our Latter-day temples. [Figures 8-11 should actually be read from Figure 11 to Figure 8. Altogether it reads, "(Fig.11) O God of the Sleeping Ones from the time of the creation. (Fig.10) O Mighty God, Lord of heaven and earth, (Fig.9) of the hereafter, and of his great waters, (Fig.8) may the soul of the Osiris Shishaq be granted life."][167]

Figures 16, 17...will be given in the own due time of the Lord

Hugh Nibley and Michael Rhodes:

There are other such sentiments, but none of them at all like that in the Joseph Smith hypocephalus. These two passages take the form of half a dozen formulae in the various hypocephali consistent with their position at the very bottom of the world: (1) The theme of light coming into the darkness, the best known of all; (2) a warning to one in danger; (3) the assurance “you are secure” (written with the djed-column); (4) the stock flame-under-the-head statement; (5) snatches from conventional statements found in hypocephali in general such as “you go where you want,” etc. (6) But the Joseph Smith readings are the most interesting, backed up as they are by the carefully composed Leiden and Ashmolean hypocephali.


The clue to these two lines is a recent study by Hans Goedicke. Most of line 17 is taken up by the significant expression b pn ḥnʿ nb=f. This particular formula, as Goedicke points out, citing examples, emphasizes “the continuous company between man and his ba . . . [and] reflects a continuous link.”[168] For example: “When I hurry to the caves, may my ba be still with me”[169]and “While I sleep my ba watches over my body.”[170] Just so Re watches over the sleeping Osiris. The idea of course is that the ba continues after death “to remain in contact with its former lord.” To achieve that unbroken contact between spirit and body against the moment of resurrection is of course the main purpose of the hypocephalus; or as Goedicke puts it, “the implicit motive for the desired contact between ba and corpse is the hope for a reunification of the disintegrated person in a physical rebirth.”[171] The subject of Goedicke’s special study is the famous “Lebensmüde,” or as Goedicke renders it, “The Report about the Dispute of the Man with his Ba” —perhaps the most impressive of all Egyptian theological compositions. Though the idea here treated “occurs repeatedly in all periods of Egyptian culture,” the “Lebensmüde” is the earliest and most moving exposition.[172] But the Joseph Smith version carries the theme farther. The whole inscription reads:

(17) [Egyptian hieroglyphs] (16) [Egyptian hieroglyphs]
(17) ḥ.t th.t, n nth.tw, (16) nn tḥ.tw b pn ḥnʿ nbf m dw.t ḏ.t
(17) May this tomb never be desecrated,[173] (16) and may this soul and its owner never be desecrated in the hereafter.

The word ḥ.t refers to the tomb[174] or, more precisely, the tomb shaft.[175] Most hypocephali bear the name of their owner at least once, and it is his tomb that this passage is supposed to protect. The next word is "thἰ," to overstep, transgress; desecrate.[176] The concern here is that the deceased body which is in the tomb as well as his spirit (ba) which is in the netherworld, not be disturbed or desecrated, which would prevent their ultimate reuniting in a resurrection. As [the] Coffin Texts explain, all the parts of the physical body will be brought together with the soul, and the person will be “reestablished” in his original form.[177] The eternity motif means that the person is not stuck in the netherworld forever, but rather the body and spirit are reunited, and the person can “live forever.”[178][179]

Figure...18...will be given in the own due time of the Lord

Hugh Nibley and Michael Rhodes:

Another tradition suggested by the rim is the significance of the solar circle as the year-circle or shenen, the course of the sun in his rounds. Alan H. Gardiner explains, “Strictly speaking, the loop would be round. . . . The Egyptians called the cartouche šnw from a verb-stem šnἰ, ‘encircle,’ and it seems not unlikely that the idea was to represent the king as ‘ruler of all that which is encircled by the sun,’ a frequently expressed notion.”[180]


The commonest Egyptian sign for eternity is read nḥḥ , a solar disk between two twisted hanks of hemp. ḥḥ is the common root for “many,” “very many,” “a million”; with the sun-disk (the time element) added it means eternal and eternally in the end formula of countless inscriptions, nḥḥ ḥnʿ ḏ.t, “for time and eternity.”[181] The point of all this is that the combination of šn and ḥḥ with vowels supplied can be read as Shinehah, which according to Joseph Smith designates “Shinehah, which is the sun,” with reference to its motion relative to that of the other heavenly bodies (Abraham 3:13) and signifies “one eternal round.”

The Amun inscriptions encircling the hypocephali deal with the transmission of heat, light, and power. In the Meux hypocephalus rim inscription Amun states, “I have come forth from the wedjat-eye. . . . I have come forth from the netherworld with Re (the sun),”[182] the hypocephalus itself being the means by which light and heat are transmitted from their celestial source to the individual whose head rests upon it. Amun is commonly implored in the rim inscriptions to “turn his face toward the body of so-and-so,”[183] to warm and preserve it through the virtue of Re. The hypocephalus as a transmitter of both heat and light was to make available to one in the netherworld the life-giving force of the sun.[184]

Figures.....19, 20, and 21 will be given in in the own due time of the Lord

Hugh Nibley and Michael Rhodes:

The text found in figures 19-21 are as follows: (21) [Egyptian hieroglyphs] (20) [Egyptian hieroglyphs] (19) [Egyptian hieroglyphs]

(21) iw wnn=k (20) m ntr pf (19) dd.wy.

(21) You shall ever be (20) as that God, (19) the Busirian.[185]

This continues the overall theme of the hypocephalus, and indeed Egyptian funerary literature in general. The deceased is promised that he will be like Osiris--he will be resurrected and live eternally as a god.[186]

This planet receives its power through the medium of Kli-flos-is-es, or Hah-ko-kau-beam, the stars represented by numbers 22 and 23, receiving light from the revolutions of Kolob.

Hugh Nibley and Michael Rhodes:

Inseparable from our figure 1 are the reverential apes on either side of him—figures 22 and 23 (see appendix 2). On other hypocephali they are sometimes two in number, sometimes four, six, or eight; sometimes standing and sometimes seated. They are identified as stars. As early as the Pyramid Texts, they are designated as “the Beloved Sons” of Sothis/Sirius, the brightest star in the sky.[187] It is assumed that the position of the apes shows them warming their hands as they greet the rays of the rising sun after the cold desert night and seeming to shield their eyes from the glory of the sunrise. So they are stars receiving light from a greater star, as Joseph Smith’s explanation declares. There was nothing to indicate to Joseph Smith that they are stars, yet along with the Pyramid Texts we have a vignette in the 17th chapter of the Book of the Dead in which each of these apes is preceded by a star (fig. 22).[188]


[. . .]

Horopollo tells us that the special office of the apes was to function as timekeepers or time-reckoners.[189]The sitting cynocephalus, according to him, at each equinox urinates twelve times a day and twelve times a night; during the rest of the year he gives a cry twelve times a day on the hour, every hour.[190]The seated ape, then, is in charge of both the water clock and scales (fig. 24). In the Ptolemaic period the Egyptians wrote the determinative of the word for “hour,” wnw.t , by a heart-shaped plumb bob suspended from a carpenter’s square (see p. 253, fig. 26).[191] The purpose of this was to make sure that the post supporting the scale was perfectly upright, as is shown in Joseph Smith Papyrus IV. This new element suggests that the apes which face each other, worshipping the central figure both on the morning side and the evening side on all hypocephali (Fac. 2, figs. 22 and 23), establish among other things a sense of perfect balance in the universe—time, space, and matter are all measurably related. Finally, each of our apes is crowned with a disk and a crescent, the meeting of the sun and the moon at the New Moon marking the beginning of the month; the best-known office of the cynocephalus apes is in representing Thoth as the moon-god (see color plate 2).[192]

Hah-Ko-kau-beam (Fig 23)

John Tvedtnes:

Abraham 3:13 defines Kokob as “star” and Kokaubeam as “stars, or all the great lights, which were in the firmament of heaven.” When first published in the Times & Seasons, the passage read “Kolob” in error. They’d written Kolob so many times that the typesetter thought that’s what belonged here. The manuscripts however have Kokob corresponding to the Hebrew word that we have written here kōkāb and denotes in the one singular and the other in the plural. The plural is also found two other times in the Book of Abraham and it’s called in Facsimile 2, Fig. 5 and also Abraham 3:16 it lists Kokaubeam or kōkābīm in Hebrew. The correct pronunciation (inaudible) means “the” so it’s “the stars.” Lundquist noted that one of the deities in Deimel’s list was Kakob meaning “star”. Similar, Kakkab is the name of one of the god’s mentioned in the Ebla records discovered in northwestern Syria.

Michael Rhodes on Fig 22 and 23:

A seated deity with two (or in most hypocephali, four) ram's heads. He is holding in his hand the symbols of life (onu), dominion (was) and stability (jd). On either side of the god are two apes (numbers 22 and 23) with horned moon-disks on their heads, in an attitude of adoration. There are also two serpents, one on either side of the seated deity. The god is sitting at the center of the hypocephalus, which, as was mentioned above, represents the world....


The apes can represent Thoth, the god of writing and wisdom, as well as the moon, but due to their curious habit of holding up their hands to receive the first warming rays of the sun after the cold desert night as if worshiping the sun at its rising, they are often found in connection with the sun. Besides these solar and lunar associations, apes are also found associated with stars and constellations. Joseph Smith says they are stars receiving light from Kolob, which is in harmony with our understanding of their symbolism in Egyptian.

[The writing near Fig. 22 reads]: The name of this Mighty God.... The Egyptians believed that every god and goddess had a secret name. If anyone could find out this name, he would have power over the god or goddess.[193]

Abraham and the Temple Endowment (Themes of Facsimile 2 and especially figures 8-20)

Hugh Nibley likened the temple endowment to the version of the Book of Breathings Made by Isis contained in the Joseph Smith papyri. The document is organized as follows:

  • The purpose of the document is given.
  • The individual is pronounced clean and enters the hall of justice.
  • The individual enters the underworld with the setting sun and is divinized.
  • The individual is resurrected and given personal permission to live among the gods.
  • The individual is assured of a fully functioning body and proceeds on the way of God.
  • The individual is given a name and allowed to partake of the offerings.
  • The gods escort the individual to various sacred places.
  • Various gods protect the individual from sickness.
  • The individual is allowed to fellowship with the Gods.
  • The individual is inducted into a chapel in the temple to celebrate a festival.
  • The individual will live by the fellowship permit he has received, and his enemies will no longer exist.
  • The gods tell the individual that because he is among the followers of god, his soul will live forever.
  • The gods command that all doors be open to the individual.
  • An offering formula is recited.
  • Different gods are addressed, and the individual states that he is free from various sins. "He gave bread to the hungry, water to the thirsty, and clothing to the naked.
  • The individual is commanded to enter the next life with all the privileges of the gods.
  • Instructions for the deposition of the document are given.[194]


Response to claim: "Joseph Smith said that this is 'God sitting on his throne'. It’s actually Min, the pagan Egyptian god of fertility or sex"

The author(s) of Letter to a CES Director (April 2013 revision) make(s) the following claim:

One of the most disturbing facts I discovered in my research of Facsimile 2 is figure #7. Joseph Smith said that this is “God sitting on his throne…” It’s actually Min, the pagan Egyptian god of fertility or sex. Min is sitting on a throne with an erect penis (which can be seen in the figure). In other words, Joseph Smith is saying that this figure with an erect penis is Heavenly Father sitting on his throne.

FAIR's Response

Fact checking results: This claim contains propaganda - The author, or the author's source, is providing information or ideas in a slanted way in order to instill a particular attitude or response in the reader

This wasn't a big problem as far as the Egyptians were concerned. It is a point of mockery used by critics because they know that it offends 21st century sensibilities regarding how we portray God.


Question: If modern Egyptologists say that this is a representation of Min, and Min is a “pagan” God, how could Joseph Smith say that it represents God sitting on his throne?

In the Book of Abraham, Facsimile 2, Figure 7, Joseph Smith identified the ithyphallic Egyptian god "Min" as representing "God sitting upon his throne"

Here is some commentary by Kerry Muhlestein:

[W]e cannot be sure that we should be looking to the Egyptians to know how to interpret these symbols in the Book of Abraham. What if Abraham’s descendants took Egyptian elements of culture and applied their own meanings to them? We know that his numerous offspring did so on many occasions. For example, Jesus himself did this when he gave the parable of Lazarus and the rich man, which clearly draws from the Egyptian tale of Setne-Kamwas. The Apocalypse of Abraham and Testament of Abraham are two more examples of Semitic adaptations of Egyptian religious traditions. Thus, is it not possible that we should look for a Jewish interpretation of the Egyptian drawings, rather than for an Egyptian interpretation? Or what if the drawings were originally done in Jewish/Israelite artistic style, but when they were recopied in the second century BC by an Egyptian, the Egyptian artist redrew them according to his artistic customs? Where should we then look to know how to interpret these drawings? It is apparent that there are serious problems with trying to verify or disprove Joseph’s explanations of the facsimiles by comparing them to Egyptological explanations. [195]

In a question/answer session, Muhlestein again reiterated these points:

[W]e do not know to what we really should compare the facsimiles. Was Joseph Smith giving us an interpretation that ancient Egyptians would have held, or one that only a small group of priests interested in Abraham would have held, or one that a group of ancient Jews in Egypt would have held, or something another group altogether would have held, or was he giving us an interpretation we needed to receive for our spiritual benefit regardless of how any ancient groups would have seen these? [196]

From Michael Rhodes:

A seated ithyphallic god with a hawk's tail, holding aloft a flail. This is a form of Min, the god of the regenerative, procreative forces of nature, perhaps combined with Horus, as the hawk's tail would seem to indicate. Before the god is what appears to be a bird presenting him with a Wedjat-eye, the symbol of all good gifts. In other hypocephali it can also be an ape, a snake, or a hawk-headed snake that is presenting the eye. This figure represents Nehebka, a snake god and one of the judges of the dead in the 125th chapter of the Book of the Dead. Nehebka was considered to be a provider of life and nourishment and as such was often shown presenting a pair of jars or a Wedjat-eye. As for the bird found in Facsimile 2, this could symbolize the Ba or soul (which the Egyptians often represented as a bird) presenting the Wedjat-eye to the seated god. Joseph Smith said this figure represented God sitting upon his throne revealing the grand key-words of the priesthood. The connection of the Wedjat-eye with “the grand key-words of the priesthood” was discussed above. Joseph also explained there was a representation of the sign of the Holy Ghost in the form of a dove. The Egyptians commonly portrayed the soul or spirit as a bird, so a bird is an appropriate symbol for the Holy Ghost. Joseph Smith explained that the remaining figures contained writings that cannot be revealed to the world. Stressing the secrecy of these things is entirely in harmony with Egyptian religious documents such as the hypocephalus and the 162nd chapter of the Book of the Dead. For example, we read in the 162nd chapter of the Book of the Dead, “This is a great and secret book. Do not allow anyone's eyes to see it!” Joseph also says line 8 “is to be had in the Holy Temple of God.” Line 8 reads, “Grant that the soul of the Osiris, Shishaq, may live (eternally).” Since the designated purpose of the hypocephalus was to make the deceased divine, it is not unreasonable to see here a reference to the sacred ordinances performed in our Latter-day temples. [197]

References in the figure are to Michael D. Rhodes, "The Joseph Smith Hypocephalus . . . Twenty Years Later." off-site


Question: Is the representation of Min actually Egyptian "pornography"?

This attitude demonstrates not only an immaturity about sexuality, but it also a misunderstanding of ancient Egyptian religion

To answer this question about Facsimile 2 figure 7, the first thing we need to disabuse is that it constitutes "pornography" because it shows the deity with an erect phallus. This attitude demonstrates not only an immaturity about sexuality, but it also a misunderstanding of ancient Egyptian religion. The characterization of this as "pornography" is grossly inappropriate. The Egyptians would almost certainly have not conceived of this figure on the hypocephalus as "pornographic" in the way most people understand the word. This attitude reflected by some is a good example of how our modern, sexually-obsessed society can easily misinterpret religious art. We see an erect penis in a drawing and think "pornography," whereas an ancient Egyptian would have seen one and thought of fertility, virility and life. Hence the depiction of Min with an erection was a sign of his life-giving ability. We have analogies in Northwest Semitic depictions of God. (El is both called and depicted as a virile bull in the Ugaritic texts, both because of his procreative powers and his greatness over the other gods.)

Another thing to keep in mind is just how common syncretism of religious ideas and iconography was between Near Eastern cultures. We know ancient Hebrews and other Near Eastern people used a phallic God to depict “the God of the Bible” all the time. The Canaanite god Baal, for example, shares the same epithet with Yahweh ("cloud rider") in Psalm 68:4.


Question: Who is this Egyptian god "Min"?

Although it is true that one of Min's attributes was that of a fertility god, or a god of procreation, he had other traits that are analogous to the attributes of both the Northwest Semitic deities of El and Baal

Hugh Nibley treated Min in his magnum opus One Eternal Round, pp. 304-322. Although it is true that one of Min's attributes was that of a fertility god, or a god of procreation, he had other traits that are analogous to the attributes of both the Northwest Semitic deities of El and Baal. For one, he is often portrayed as a man sitting on a throne. Second, he is a god of Creation, the Father, Most High God, etc., as El is depicted in the Ugaritic texts, and later in the Hebrew Bible. He is also a harvest-vegetation god, and, like Baal, oversees the assurance of the renewal of animal and vegetation life through rains and floods, etc. To draw attention to only the fertility aspect of Min is a very myopic view. What's more, John Gee, in a very important article [198], has pointed out that the figure of Min is often simply called "the great god" by the Egyptians themselves.


Response to claim: Facsimile 3, "Joseph Smith’s translation of the papyri and facsimiles are gibberish"

The author(s) of Letter to a CES Director (April 2013 revision) make(s) the following claim:

Egyptologists state that Joseph Smith’s translation of the papyri and facsimiles are gibberish and have absolutely nothing to do with what the papyri and facsimiles actually are and what they actually say....Facsimile #3:


Joseph misidentifies the Egyptian god Osiris as Abraham.
Misidentifies the Egyptian god Isis as the Pharaoh.
Misidentifies the Egyptian god Maat as the Prince of the Pharaoh.
Misidentifies the Egyptian god Anubis as a slave.
Misidentifies the dead Hor as a waiter.


Joseph misidentifies – twice – a female as a male.

FAIR's Response

Fact checking results: This claim contains propaganda - The author, or the author's source, is providing information or ideas in a slanted way in order to instill a particular attitude or response in the reader

The fact that Joseph deliberately identified two female figures as male should provide a clue to the fact that he was applying a parallel interpretation to the figure, and that it won't match what Egyptologists would produce. It is significant, however, that Joseph correctly notes two concepts that are present in other ancient texts: Abraham being seated next to Pharoah, and that Abraham taught the Egyptians astronomy.


Question: What are the criticisms related to Facsimile 3?

The following are common criticisms associated with Facsimile 3

  • The scene depicted is a known Egyptian vignette which Egyptologists state has nothing to do with Abraham.
  • Joseph indicated that specific characters in the facsimile confirmed the identities that he assigned to specific figures.
  • Joseph identified two obviously female figures as "King Pharaoh" and "Prince of Pharaoh."

The majority of those who bring forth these issues are not experts on Egyptian writing or art, so you must choose which expert you want to believe

Like almost all of us, the majority of those who bring forth these issues are not experts on Egyptian writing or art. So, this presents an interesting problem--if we are going to take an "academic" or "intellectual" approach to the problem, both believers and critics must all decide to trust an expert. The problem that we immediately encounter is that there are multiple "experts," and these experts do not all agree. Therefore, we are left to decide which "expert" we will trust. There are Latter-day Saint experts who believe the Book of Abraham is a genuine artifact and that it testifies to Joseph Smith' status as a prophet. Non-Latter-day Saint experts obviously aren't going to openly agree with that (Though they may do so indirectly, which is what faithful experts cite in their work).

Latter-day Saints, as believers unequipped to deal with Egyptology, are not able to really assess that information for ourselves. We would need 15-20 years of schooling to do it. So, we can either trust our spiritual future to the experts of our choice, or we can rely ultimately upon revelation.

Critics' claim that Facsimile #3 alone is enough to settle the question of whether or not Joseph Smith was a prophet. This is very convenient for them, because it allows one to focus only on one (very complex) issue that only a few people have the tools to understand. It is, in a sense, to put the critic in an "unassailable position." The critics has made his or her choice, and does not want to debate it or be told he or she is wrong, or return to the question.

And, what the critic might consider a "slam dunk" or "vital point," might (from a believer's or some Egyptologist's point of view) really not be so conclusive OR so vital.


Question: What is the correct interpretation of Facsimile 3?

Rhodes: "It represents the judgment of the dead before the throne of Osiris"

According to Michael D. Rhodes in the Encyclopedia of Mormonism,

Facsimile 3 presents a constantly recurring scene in Egyptian literature, best known from the 125th chapter of the Book of the Dead. It represents the judgment of the dead before the throne of Osiris. It is likely that it came at the end of the Book of Breathings text, of which Facsimile 1 formed the beginning, since other examples contain vignettes similar to this. Moreover, the name of Hor, owner of the papyrus, appears in the hieroglyphs at the bottom of this facsimile.

Joseph Smith explained that Facsimile 3 represents Abraham sitting on the pharaoh's throne teaching principles of astronomy to the Egyptian court. Critics have pointed out that the second figure, which Joseph Smith says is the king, is the goddess Hathor (or Isis). There are, however, examples in other papyri, not in the possession of Joseph Smith, in which the pharaoh is portrayed as Hathor. In fact, the whole scene is typical of Egyptian ritual drama in which costumed actors played the parts of various gods and goddesses.

In summary, Facsimile 1 formed the beginning, and Facsimile 3 the end of a document known as the Book of Breathings, an Egyptian religious text dated paleographically to the time of Jesus. Facsimile 2, the hypocephalus, is also a late Egyptian religious text. The association of these facsimiles with the book of Abraham might be explained as Joseph Smith's attempt to find illustrations from the papyri he owned that most closely matched what he had received in revelation when translating the Book of Abraham. Moreover, the Prophet's explanations of each of the facsimiles accord with present understanding of Egyptian religious practices. [199]

Gee and Hauglid: "most Books of Breathings Made by Isis show a man with his hands raised in adoration to a cow"

However, BYU Egyptologist John Gee challenges the notion that Facsimile 3 is associated with Book of the Dead 125,

[B]oth Facsimile 1 and Facsimile 3 are assumed to belong to the Book of Breathings Made by Isis because they accompanied the text in the Joseph Smith Papyri. Yet the contemporary parallel texts of the Book of Breathings Made by Isis belonging to members of the same family have different vignettes associated with them. Instead of a scene like Facsimile 3, most Books of Breathings Made by Isis show a man with his hands raised in adoration to a cow. This indicates that the facsimiles of the Book of Abraham do not belong to the Book of Breathings. [200]


Question: What have been the responses to Joseph's interpretations of Facsimile 3?

The identification of these obvious female figures as male does suggest that Joseph was using the existing image to illustrate a concept

Figure 2, identified by Joseph as "King Pharaoh" and figure 4, identified by Joseph as "Prince of Pharaoh" are obviously drawn as female figures. The fact that they are drawn as females is so obvious, in fact, that critics take this as evidence of Joseph's lack of ability to interpret the facsimiles in any fashion whatsoever. Since the figures would obviously have appeared as females even to Joseph's eye, why then are they interpreted as two of the primary male figures?

Regarding the identification of these figures, John Gee notes,

Facsimile 3 has received the least attention. The principal complaint raised by the critics has been regarding the female attire worn by figures 2 and 4, who are identified as male royalty. It has been documented, however, that on certain occasions, for certain ritual purposes, some Egyptian men dressed up as women. [201]

The identification of these obvious female figures as male does suggest that Joseph was using the existing image to illustrate a concept.

Ritner: "Smith’s hopeless translation also turns the goddess Maat into a male prince"

Robert K. Ritner, Professor of Egyptology at the University of Chicago, states that "Smith’s hopeless translation also turns the goddess Maat into a male prince, the papyrus owner into a waiter, and the black jackal Anubis into a Negro slave."[202]

Larry E. Morris notes the following in response to criticism leveled by Professor Ritner at the Book of Abraham,

Furthermore, Ritner does not inform his readers that certain elements of the Book of Abraham also appear in ancient or medieval texts. Take, for example, Facsimile 3, which depicts, as Ritner puts it, "enthroned Abraham lecturing the male Pharaoh (actually enthroned Osiris with the female Isis)." [203] In what Ritner describes as nonsense, Joseph Smith claimed that Abraham is "sitting upon Pharoah's throne . . . reasoning upon the principles of Astronomy" (Facsimile 3, explanation).

Clearly, Joseph Smith's interpretation did not come from Genesis (where there is no discussion of Abraham doing such a thing). From Ritner's point of view, therefore, this must qualify as one of Joseph's "uninspired fantasies." But going a layer deeper reveals interesting complexities. A number of ancient texts, for example, state that Abraham taught astronomy to the Egyptians. Citing the Jewish writer Artapanus (who lived prior to the first century BC), a fourth-century bishop of Caesarea, Eusebius, states: "They were called Hebrews after Abraham. [Artapanus] says that the latter came to Egypt with all his household to the Egyptian king Pharethothes, and taught him astrology, that he remained there twenty years and then departed again for the regions of Syria."22

As for Abraham sitting on a king's throne—another detail not mentioned in Genesis—note this example from Qisas al-Anbiya' (Stories of the Prophets), an Islamic text compiled in AD 1310: "The chamberlain brought Abraham to the king. The king looked at Abraham; he was good looking and handsome. The king honoured Abraham and seated him at his side."23 [204]

Morris "Ritner may counter that such parallels do not establish the authenticity of the Book of Abraham. That is true, but certainly they deserve some mention"

Morris concludes,

Ritner may counter that such parallels do not establish the authenticity of the Book of Abraham. That is true, but certainly they deserve some mention. At the very least, these parallels show that "all of this nonsense" is not really an appropriate description of Joseph Smith's interpretation. Fairness demands that Ritner, in his dismissal of the content of the Book of Abraham, at least mention similarities between it and other texts about Abraham and point readers to other sources of information. [205]

Facsimile 3
Fig. 1. Abraham sitting upon Pharaoh’s throne, by the politeness of the king, with a crown upon his head, representing the Priesthood, as emblematical of the grand Presidency in Heaven; with the scepter of justice and judgment in his hand.
Fig. 2. King Pharaoh, whose name is given in the characters above his head.
Fig. 3. Signifies Abraham in Egypt as given also in Figure 10 of Facsimile No. 1.
Fig. 4. Prince of Pharaoh, King of Egypt, as written above the hand.
Fig. 5. Shulem, one of the king’s principal waiters, as represented by the characters above his hand.
Fig. 6. Olimlah, a slave belonging to the prince.
Abraham is reasoning upon the principles of Astronomy, in the king’s court.


Question: Are there any known parallels between elements of Joseph's interpretation of Facsimile 3 with other ancient texts?

Abraham sitting upon Pharaoh’s throne (Fig 1)

Pearl of Great Price Central, Insight #35: Abraham and Osiris

See above for ancient traditions discussing this aspect of Abraham. Also, see above under Facsimile 1 for evidences of Semitic adaptation of Osiris to be Abraham.

Hugh Nibley:

But who would sit on Pharaoh’s own throne while he was alive and standing by? “No Pharaoh of Egypt,” cried one of Joseph Smith’s learned critics, “would have resigned his throne, even temporarily, to Abraham or any other person—hence . . . this would be an ‘impossible occurrence.'”[206] But it has since been shown that there was ample precedent in Egypt for just such an event. It goes back to the very ancient title of “Rpʿt on the Throne of Geb,” Geb the earth-god representing the principle of royal patriarchal succession here below. As Helck has unraveled it, we may begin with the Sed festival, marking the end of one reign and the beginning of another in a single rite: The old king is dead on the scene—it is his funeral—but his successor has not yet ascended the throne, which is therefore still his. Because of his condition, however, somebody must act for the late king until the new one takes over, and that one is the Rpʿt, originally the son himself “in his expectation of the throne,” in his role of Horus and therefore “like his father a descendant of Geb.”[207] Following the example of the Sed rites, the prince could represent his father on various missions, bearing the title “for specific assignments as substitute (Stellvertreter) for the king, authorized to give commands” in his name, and called the Son of Geb to proclaim his legitimate station.[208] With the growing business of the empire the king would need more substitutes than one, and at a very early time important court officials not of royal blood were detailed to represent royalty on various missions and given the title in a “truly patriarchal” spirit to show they were acting for the king and as the king.[209] The great Imhotep, a man of genius but for all that a commoner, held the title of Rpʿt on the Throne of Geb in the Third Dynasty;[210] that other wise man, Amenophis son of Hapu, boasts that he played “rpʿt in the drama of the Sed festival,”[211] even as the official Ikhernofret had the honor of being the king’s understudy in playing the role of Horus.[212]

With a crown upon his head, representing the Priesthood, as emblematical of the grand Presidency in Heaven; with the scepter of justice and judgement in his hand. (Fig 1)

See above for ancient traditions discussing Abraham holding the priesthood.

Hugh Nibley:

In most compositions resembling Facsimile 3, the seated majesty wears the same crown as is worn by figure 1. Sometimes the person on the throne and the one being presented to him both wear it.[213] Both the whiteness and the feathers are symbolic of the heavenly light that burst upon the world at the coronation,[214] the “luminous” quality of the one who mounts the throne.[215] The two feathers are both the well-known Maat feathers, “feathers of truth,” and Shu feathers, symbolic of the light that passes between the worlds.[216]Osiris “causes brilliance to stream forth through the two feathers,” says the famous Amon-Mose hymn, “like the Sun’s disk every morning. His White Crown parted the heavens and joined the sisterhood of the stars. He is the leader of the gods . . . who commands the Great Council [in heaven], and whom the Lesser Council loves.”[217] What clearer description could one ask than Joseph Smith’s designation of the crown “as emblematical of the grand Presidency in heaven”? He tells us also that this crown is “representing the priesthood.” The “most conspicuous attribute” of the godhead, according to Jaroslav Černý, was power;[218]the Egyptians, wrote Georges Posener, “did not worship a man” in the Pharaoh, “but ‘the power clothed in human form.'”[219] One shared in the power, Siegfried Morenz explains, by achieving “the maximal approach of the individual to the ‘divine nature,’ symbolized by his wearing an atef crown.”[220]The atef is the crown in our Facsimile 3, and anyone in a state of sanctification could wear it, but it emphasized, according to Morenz, a sacral rather than a kingly capacity, i.e., it “represented the priesthood” of the wearer.[221]


With the crown go the crook and flail, the receiving of which was a necessary part of the transmission of divine authority. Percy E. Newberry, in a special study, concluded that both crook and flail are “connected with the shepherd,” the former “the outward and visible sign of . . . authority,” marking the one who bore it as “chief shepherd”; by it “he rules and guides . . . and defends” his flock.[222] The flail was a contraption shepherds used to gather laudanum, according to Newberry’s explanation (which, however, has met with no enthusiastic acceptance by other scholars). Ancient sources tell us what it signified, as when the official who bears it at the archaic festival of Sokar is described as “drawing the people of Tameri [the Beloved Land, Egypt] to your lord under the flail,” suggesting the cattle driver, as does the prodding and protecting crook of the shepherd.[223] And like the crook, the whip also serves to protect the flocks: “Men and animals and gods praise thy power that created them,” says Anchesneferibre addressing Osiris, “there is made for thee a flail [nkhakha], placed in thy hands as protection.”[224] As symbolic of the power that created, it is held aloft by the prehistoric Min of Coptos, being the whip of light or of power, bestirring all things to life and action.[225]

In their administrative and disciplinary capacities both crook and scourge are indeed symbolic of Pharaoh’s “justice and judgment.” But in the hands of a commoner? Wolfhart Westendorf calls attention to “claims to royal prerogatives” found in the “tombs of the monarchs and dignitaries, who took over the whip, crook, scepter, and other elements of the king’s garb, in order to be completely equipped in death with all the attributes of Osiris.”[226] Gardiner claimed that those who appear in the trappings of our figure 1 were imitating not Osiris but the living king.[227] But it is all the same: The man on the throne holding “the sceptre of justice and judgment in his hand” is not necessarily either the king or Osiris, though he aspires to both priesthood and kingship. A scene from the Temple of Karnak shows Amon on the throne handing his crook and whip to the living king, who kneels before him; but the king already holds his own crook and flail (fig. 76), while Chonsu standing behind the throne in the garb of Osiris also holds the crook and flail.[228] The freedom with which the sacred symbols could be thus handed around shows that Abraham would not have to grasp Pharaoh’s own personal badges of office, but like many another merely be represented with the universal emblems to indicate the king recognized his supreme priesthood, as the Abraham legends recount.[229][230]

King Pharaoh... (Fig 2) Prince of Pharaoh, King of Egypt... (Fig 4)

Pearl of Great Price Central, Insight #36: Isis the Pharaoh (Facsimile 3, Figure 2)

Hugh Nibley:

Anyone wishing to demolish Joseph Smith’s interpretation of Facsimile 3 with the greatest economy of effort need look no further than his designating as “King Pharaoh” and “Prince of Pharaoh” two figures so obviously female that a three-year-old child will not hesitate to identify them as such. Why then have Egyptologists not simply pointed to this ultimate absurdity and dismissed the case? Can it be that there is something peculiarly Egyptian about this strange waywardness that represents human beings as gods and men as women? We have already hinted at such a possibility in the case of Imhotep in which, to carry things further, we see both his wife and mother dressed up as goddesses, the latter as Hathor herself (fig. 70).[231] Even more surprising, Dietrich Wildung notes an instance in which “we can identify Anat [the Canaanites’ version of Hathor] as ʾAnat of Ramses [the king] himself in the shape of a goddess” (fig. 71).[232] There you have it—the Lady Hathor, who is figure 2 in Facsimile 3, may be none other than Pharaoh himself. The two ladies in the Facsimile, figures 2 and 4, will be readily identified by any novice as the goddesses Hathor and Maat. They seem indispensable to scenes having to do with the transmission of power and authority. The spectacle of men, kings, and princes at that, dressed as women, calls for a brief notice on the fundamental issue peculiar to the Egyptians and the Book of Abraham, namely, the tension between the claims of patriarchal vs. matriarchal succession.


[. . .]

Since Hathor installs the king “as guarantor of the world order,” it is not surprising that she is also identified with Maat (our figure 4 in Facsimile 3) at the coronation, hailed as “Hathor the Great, the Lady of Heaven, the Queen of the Gods and Goddesses, Maat herself, the female son [sic] . . . Maat who brings order to the world at the head of the Sun-bark, even ‘Isis the Great,’ the Mother of the Gods."[233] In the prehistoric shrine of Cusae “Maat was like the double [Ka] of Hathor”;[234] the two always operate together at coronations: “Maat is before him and is not far from his majesty. . . . Hathor the Great One is with him in his chapel.”[235]To signify his own wholeness of heart, the king presents the Maat-image to Hathor.[236] Maat (the female son) is the younger of the two—indeed, who is not younger than the primordial mother? While “Isis the divine mother” says at the coronation, “I place my son on the throne,” the younger goddess standing by as Nephthys “the Divine Sister” says, “I protect thy body my brother Osiris.”[237]Here the two ladies as Isis the venerable and Nephthys the maiden appear as mother and daughter,[238] standing in the same relationship to each other as “Pharaoh” and “Prince of Pharaoh,” whom they embody in Facsimile 3 (figures 2 and 4 respectively).

[. . .]

All this switching of sexes is understandable, if unsettling, in a symbolic sense—after all, Job says of the righteous man, “his breasts are full of milk” (Job 21:24). But Facsimile 3 is supposed to be an actual scene in the palace; would the family-night charades go so far? Granted that a bisexual nature was the rule for Egyptian divinities, who could freely change their outward appearance to match special functions,[239] still in a purportedly historical scene in which men are represented as women we need something more specific. To begin with, Hathor and Maat were always known for the masks that represent them, these masks being regularly worn by men. The horned Hathor mask, originally life-sized, was carried hanging around the neck of the officials and was gradually reduced in size for convenience, though even in the later period it is still quite large—plainly meant to be worn originally as a mask (fig. 73).[240] In the Old Kingdom, the son of Cheops wore the Hathor mask in his office of Intendant of the Palace, and other high officials wore it too; in the Middle Kingdom it was still the mark of men serving the king’s most intimate needs as his personal attendants.[241] The Egyptian chief judge, as he mounted the bench to represent the king, would suspend a large Hathor mask from his neck to signify that the court was formally in session, just as lawyers and judges in England submerge their personal identities in wigs and robes.[242] This Hathor mask seems to have been at all times interchangeable with the Maat-symbol, usually a huge greenstone feather that is sometimes shown in ritual scenes taking the place of the Lady’s face and head. The symbols are so freely applied that Budge identified the “cow-headed goddess” in the presentation scene of the Kerasher Papyrus, which is very closely related to our Facsimile 3, as “either Isis-Hathor or Maat” (fig. 74).[243]

The wearing of these two amulets or masks means complete identification: “Maat places herself as an amulet at thy neck [fig. 75A]; . . . thy right eye is Maat, thy left eye is Maat, thy flesh is Maat, . . . and thy members; . . . thy bandelette is Maat, thy garment . . . is Maat.”[244] The reference here is specifically to clothing; plainly the new king, the young one, is all dressed up as Maat—”she embodies him in her person in spite of sex.”[245] So let no one be shocked by figure 4. She is “the female Horus, the youthful, . . . Isis, the great, the mother of God, born in Dendera on the eve of the child in its cradle (the New Year).”[246] That is, she is not Pharaoh, but the “Prince of Pharaoh,” the new king. On the other hand, from a Pyramid Text it is clear that the king wore not only the horned headdress of the royal mother Hathor, but her complete outfit as well—combined with the Maat feathers: “His royal robe is upon him as Hathor, while his feather is a falcon’s feather,”[247] signifying both Horus (the falcon) and Maat as his “double.”[248]

Signifies Abraham in Egypt as given also in Figure 10 of Facsimile No. 1 (Figure 3)

Foreigners in Egypt, like Abraham was, are often represented by a Lotus Flower (sometimes referred to alternatively as a water lily), the figure depicted here, as argued by Dr. Hugh Nibley. Nibley cites Waltraud Guglielmi, a non-LDS Egyptologist, to support his assertion specifically referencing divine and human visitors in Egypt.

The lotus, perhaps the richest of all Egyptian symbols, can stand for the purest abstraction, as when it indicates nothing but a date in one tomb or a place in another.[249] In Facsimile 3 we are told that it points to two things, a man and a country, indicating the special guest-to-host relationship between them. Most of the time the lotus announces a party situation, adding brightness to the occasion; etiquette required guests to a formal party to bring a lotus offering to the host--hence the flower served as a token both of invitation and admission.[250] [E.A. Wallis Budge] observed how in the Kerasher Manuscript, in which the person being presented wears exactly the same peculiar lotus headdress as our Shulem (figure 5), "instead of the bullock-skin dripping with blood, which is generally seen suspended near the throne of the god, masses of lotus flowers are represented, giving a totally different aspect to the scene.[251] Yet, while the lotuses "seem to have figured prominently" in formal occasions, according to Aylward Blackman, we still do not understand the flower offerings, any more than we do the combination of lotus stands and small libation vessels such as our figure 3.[252] It would now seem that these tall and narrow Egyptian ritual stands originated in Canaan.[253]


[. . .]

The lotus is definitely a welcome to Egypt from the king to human and divine visitors; the divinity who received the token reciprocated by responding to the king "I give thee all the lands of thy majesty, the foreign lands to become they slaves. I give thee the birds, symbols of thine enemies."[254] In receiving a lotus, the king in return ritually receives the land itself, while the god in accepting a lotus from the king promises him in return the reverent obedience of his subjects.[255] "The flowers are mostly heraldic plants . . . associated with the crowns of Upper and Lower Egypt," for in some the main purpose of the lotus rites is to "uphold the dominion of the King" as nourisher of the land.[256] Moreover, its significance is valid at every level of society, the lotus being a preeminent example of how mythological themes and religious symbolism were familiarly integrated into the everyday life of the Egyptians.[257]

[. . .]

The numerous studies of the Egyptian lotus design are remarkably devoid of conflict, since this is one case in which nobody insists on a single definitive interpretation. The points emphasized are (1) The abstract nature of the symbol, containing meanings that are far from obvious at first glance (2) the lotus as denoting high society, especially royal receptions, at which the presentation of a lotus to the host was obligatory [. . .]; to be remiss in lotus courtesy was an unpardonable blunder, for anyone who refuses the lotus is under a curse, (3) the lotus as the symbol of Lower Egypt, the Delta with all its patriotic and sentimental attachments ; (4) the lotus as Nefertem, the defender of the border; (5) the lotus as the king or rule, defender, and nourisher of the land; (6) the lotus as the support of the throne at the coronation. It is a token of welcome and invitation to the royal court and the land, proffered by the king himself as guardian of the border.[258]

Shulem, one of the king's principal waiters (Fig 5)

Pearl of Great Price Central, Insight #8: Shulem, One of the King’s Principal Waiters

Pearl of Great Price Central:

Figure 5 in Facsimile 3 of the Book of Abraham is identified as “Shulem, one of the king’s principal waiters.” We don’t know anything more about the man Shulem beyond this brief description as he does not appear in the text of the Book of Abraham. Presumably, if we had more of the story, we would know more about how he fit in the overall Abrahamic narrative.

However, there are some things we can say about Shulem and his title “the king’s principal waiter.”


Interpreter: A Journal of Latter-day Saint Faith and Scholarship, "Shulem, One of the King’s Principal Waiters"

John Gee,  Interpreter: A Journal of Latter-day Saint Faith and Scholarship, (2016)
Shulem is mentioned once in the Book of Abraham. All we are told about him is his name and title. Using onomastics, the study of names, and the study of titles, we can find out more about Shulem than would at first appear. The form of Shulem’s name is attested only at two times: the time period of Abraham and the time period of the Joseph Smith papyri. (Shulem thus constitutes a Book of Abraham bullseye.) If Joseph Smith had gotten the name from his environment, the name would have been Shillem.

Click here to view the complete article

Hugh Nibley:

But where does Abraham come in? What gives a "family-night" aspect to our Facsimile 3 is figure 5, who commands the center of the stage. Instead of his being Abraham or Pharaoh, as we might expect, he is simply "Shulem, one of the king's principal waiters." To the eye of common sense, all of Joseph Smith's interpretations are enigmatic; to illustrate his story best, the man on the throne should be Pharaoh, of course, and the man standing before him with upraised hand would obviously be Abraham teaching him about the stars, while figure 6 would necessarily be Abraham's servant (Eliezer was, according to tradition, a black man).[259]But if we consult the Egyptian parallels to this scene instead of our own wit and experience, we learn that the person normally standing in the position of 5 is the owner of the stele and is almost always some important servant in the palace, boasting in the biographical inscription of his glorious proximity to the king. Hall's collection of biographical stelae includes a Chief of Bowmen, Singer of Amon, Chief Builder, Scribe of the Temple, Chief Workman of Amon, Fan Bearer, King's Messenger, Guardian of the Treasury, Director of Works, King's Chief Charioteer, Standard Bearer, Pharaoh's Chief Boatman, Intendant of Pharaoh's Boat-crew, Warden of the Harim, the Queen's Chief Cook, Chief of Palace Security, etc.[260] All these men, by no means of royal blood, but familiars of the palace, have the honor of serving the king in intimate family situations and are seen coming before him to pay their respects at family gatherings. Some of them, like the King's Chief Charioteer, have good Syrian and Canaanite names, like our "Shulem"—how naturally he fits into the picture as "one of the King's principal waiters!" The fact that high serving posts that brought one into close personal contact with Pharaoh—the greatest blessing that life had to offer to an Egyptian—were held by men of alien (Canaanite) blood shows that the doors of opportunity at the court were open even to foreigners like Abraham and his descendants. But why "Shulem"? He plays no part in the story. His name never appears elsewhere; he simply pops up and then disappears. And yet he is the center of attention in Facsimile 3! That is just the point: These palace servants would in their biographical stelae glorify the moment of their greatest splendor for the edification of their posterity forever after. This would be one sure means of guaranteeing a preservation of Abraham's story in Egypt. We are told in the book of Jubilees that Joseph in Egypt remembered how his father Jacob used to read the words of Abraham to the family circle.[261]We also know that the Egyptians in their histories made fullest use of all sources available—especially the material on the autobiographical stelae served to enlighten and instruct posterity.[262] Facsimile 3 may well be a copy on papyrus of the funeral stele of one Shulem who memorialized an occasion when he was introduced to an illustrious fellow Canaanite in the palace. A "principal waiter" (wdpw) could be a very high official indeed, something like an Intendant of the Palace. Shulem is the useful transmitter and timely witness who confirms for us the story of Abraham at court.[263]

Abraham reasoning upon the principles of Astronomy, in the king's court (Bottom of explanations)

See above for ancient traditions discussing this. Important to remember is not only his knowledge of astronomy but his passing of the astronomy to the Egyptians and the type of astronomy being taught, tiered firmaments with earth at the center of the universe.


Question: What are the criticisms regarding Joseph's interpretation of specific textual elements of Facsimile 3?

Characters in the facsimile

Critics focus on three specific interpretations which reference an interpretation of characters in the facsimile. Joseph Smith provides the following identifications for three of the figures in the facsimile:

  • Fig. 2. King Pharaoh, whose name is given in the characters above his head.
  • Fig. 4. Prince of Pharaoh, King of Egypt, as written above the hand.
  • Fig. 5. Shulem, one of the king’s principal waiters, as represented by the characters above his hand.

What is notable in these particular identifications is that Joseph isn't simply assigning an identify to each figure, but is indicating that characters located near each figure confirm the assignments. Egyptologists note that the characters have an entirely different meaning.

The name Shulem

We do not know why Joseph assigned the name "Shulem" to figure #5. Hugh Nibley notes,

But where does Abraham come in? What gives a "family-night" aspect to our Facsimile 3 is figure 5, who commands the center of the stage. Instead of his being Abraham or Pharaoh, as we might expect, he is simply "Shulem, one of the king's principal waiters." To the eye of common sense, all of Joseph Smith's interpretations are enigmatic; to illustrate his story best, the man on the throne should be Pharaoh, of course, and the man standing before him with upraised hand would obviously be Abraham teaching him about the stars, while figure 6 would necessarily be Abraham's servant (Eliezer was, according to tradition, a black man).252 But if we consult the Egyptian parallels to this scene instead of our own wit and experience, we learn that the person normally standing in the position of 5 is the owner of the stele and is almost always some important servant in the palace, boasting in the biographical inscription of his glorious proximity to the king. Hall's collection of biographical stelae includes a Chief of Bowmen, Singer of Amon, Chief Builder, Scribe of the Temple, Chief Workman of Amon, Fan Bearer, King's Messenger, Guardian of the Treasury, Director of Works, King's Chief Charioteer, Standard Bearer, Pharaoh's Chief Boatman, Intendant of Pharaoh's Boat-crew, Warden of the Harim, the Queen's Chief Cook, Chief of Palace Security, etc.253 All these men, by no means of royal blood, but familiars of the palace, have the honor of serving the king in intimate family situations and are seen coming before him to pay their respects at family gatherings. Some of them, like the King's Chief Charioteer, have good Syrian and Canaanite names, like our "Shulem"—how naturally he fits into the picture as "one of the King's principal waiters!" The fact that high serving posts that brought one into close personal contact with Pharaoh—the greatest blessing that life had to offer to an Egyptian—were held by men of alien (Canaanite) blood shows that the doors of opportunity at the court were open even to foreigners like Abraham and his descendants.

But why "Shulem"? He plays no part in the story. His name never appears elsewhere; he simply pops up and then disappears. And yet he is the center of attention in Facsimile 3! That is just the point: These palace servants would in their biographical stelae glorify the moment of their greatest splendor for the edification of their posterity forever after. This would be one sure means of guaranteeing a preservation of Abraham's story in Egypt. We are told in the book of Jubilees that Joseph in Egypt remembered how his father Jacob used to read the words of Abraham to the family circle.254 We also know that the Egyptians in their histories made fullest use of all sources available—especially the material on the autobiographical stelae served to enlighten and instruct posterity.255 Facsimile 3 may well be a copy on papyrus of the funeral stele of one Shulem who memorialized an occasion when he was introduced to an illustrious fellow Canaanite in the palace. A "principal waiter" (wdpw) could be a very high official indeed, something like an Intendant of the Palace. Shulem is the useful transmitter and timely witness who confirms for us the story of Abraham at court. [264]


Response to claim: "Why are there anachronisms in the Book of Abraham? Chaldeans?"

The author(s) of Letter to a CES Director (April 2013 revision) make(s) the following claim:

Why are there anachronisms in the Book of Abraham? Chaldeans?

FAIR's Response

Fact checking results: The author has stated erroneous information or misinterpreted their sources

Although the presence of Chaldeans is currently considered an anachronism, there is now the possibility that this may change in the future as new information is discovered.


Question: Is the mention of "Ur of the Chaldees" in the Book of Abraham an anachronism?

The Chaldeens are mentioned a number of times in the Book of Abraham

Pearl of Great Price Central, Insight #4: Ur of the Chaldees

The Chaldeens are mentioned a number of times in the Book of Abraham (Abraham 1:1, 8, 13, 20, 23, 29, 30, 2:4 and 3:1.) Abraham 3:1 states:

And I, Abraham, had the Urim and Thummim, which the Lord my God had given unto me, in Ur of the Chaldees

It is claimed that the mention of "Ur of the Chaldees" in the Book of Abraham is an anachronism. According to Stephen Thompson, "scholarly estimates for the age of the patriarchs range from 2200 to 1200 B.C." [265] The Chaldeans, on the other hand, did not appear until hundreds of years later. Thompson notes that, "anything occurring after 1500 B.C. is definitely anachronistic to Abraham's lifetime." [265]

An additional complication is that scholars today place "Chaldea" in southern Mesopotamia, which is too far away to have any Egyptian influence.

The phrase "Ur of the Chaldees" appears in the Old Testament in connection with Abraham (Abram) and his father Terah

The phrase "Ur of the Chaldees" appears in the Old Testament in Genesis 11:26-28 in connection with Abraham (Abram) and his father Terah:

26 And Terah lived seventy years, and begat Abram, Nahor, and Haran.
27 ¶Now these are the generations of Terah: Terah begat Abram, Nahor, and Haran; and Haran begat Lot.
28 And Haran died before his father Terah in the land of his nativity, in Ur of the Chaldees.

The location of "Ur of the Chaldees" is not known

The location of "Ur of the Chaldees" is not known, although that has been much speculation among religious scholars concerning its possible location. It is noted by the Church that "Most scholars today locate “Chaldea” (or Ur) in southern Mesopotamia, removed from the area of Egyptian influence, but cogent arguments have been made for a northern location, within the realm of Egyptian influence." [266]


Paul Hoskisson (1991): "I will suggest an alternate location for the Ur of the Chaldees in the story of Abraham"

Paul Y. Hoskisson, "Research and Perspectives: Where Was the Ur of Abraham?", Ensign (July 1991)

Most people have an interest in the material settings of the scriptural accounts they hold sacred. Beyond this interest, physical settings become particularly important when scholars locate scriptural sites on present-day maps, because on this basis scholars augment and supplement our body of scriptural knowledge with facts from the indicated sites. For instance, many scholars place the site of Abraham’s Ur in southern Mesopotamia, and on that basis suggest that Abraham had contact with and was influenced by the dominant cult of that Ur, the cult of the moon god. With the aid of the book of Abraham in the Pearl of Great Price, I will suggest an alternate location for the Ur of the Chaldees in the story of Abraham.[267] —(Click here to continue)


John Gee: "If Oylum Hoyuk is Olishem, the Ur of the Chaldees should be one of the dozens of Middle Bronze II sites in the Kilis plain"

John Gee,

If indeed tablets from Hittite from the site identify it as Ullis, the it is probably the Ulisum that Naram-Sin attacked and is a likely candidate for Olishem. If Oylum Hoyuk is Olishem, the Ur of the Chaldees should be one of the dozens of Middle Bronze II sites in the Kilis plain. We await further discoveries and publications. At present, given the many uncertainties, we can regard this identification as promising but not proven.[268] —(Click here to continue)


Response to claim: "the sun gets its light from Kolob...The sun shines because of thermonuclear fusion; not because it gets its light from any other star"

The author(s) of Letter to a CES Director (April 2013 revision) make(s) the following claim:

Facsimile 2, Figure #5 states the sun gets its light from Kolob. (April 2013)

Facsimile 2, Figure #5 states the sun receives its “light from the revolutions of Kolob.” (October 2014)

We now know that the process of nuclear fusion is what makes the stars and suns shine. With the discovery of quantum mechanics, scientists learned that the sun’s source of energy is internal, and not external. The sun shines because of thermonuclear fusion; not because it gets its light from any other star as claimed by the Book of Abraham.

FAIR's Response

Fact checking results: The author has stated erroneous information or misinterpreted their sources

The Book of Abraham does not state that the sun "gets it light" or "receives its light" from Kolob or from "from any other star." It states that the sun will "borrow its light from Kolob". It is not talking about actual light in the form of photons. It is certainly not disputing the notion that photons are emitted from the Sun.

Logical Fallacy: Strawman—The author sets up a weakened or caricatured version of the opponent's argument. The author then proceeds to demolish the weak version of the argument, and claim victory.

  • The author avoids the implications of the term "borrow," which has nothing to do with visible light in the form of photons.
  • The author incorrectly reinterprets the argument to the Sun "getting" or "receiving" light from Kolob.
  • The author refutes his own simplified assertion.

Question: What is the light which comes from the presence of God?

The Book of Abraham speaks of "light" which is "borrowed" from Kolob, which is a "governing power" over other planets

Joseph Smith provided this explanation in Book of Abraham, Facsimile 2, Figure 5:

one of the governing planets also, and is said by the Egyptians to be the Sun, and to borrow its light from Kolob through the medium of Kae-e-vanrash, which is the grand Key, or, in other words, the governing power, which governs fifteen other fixed planets or stars, as also Floeese or the Moon, the Earth and the Sun in their annual revolutions.

Kolob is said to be the planet nearest to the throne of God, "which Kolob is set nigh unto the throne of God, to govern all those planets which belong to the same order as that upon which thou standest." Abraham 3:9. The light and power of God extend from his throne to govern all things in the universe.

The light of Christ is in the sun, and the light of the sun, and the light of the stars

DC 88:7-10:

7 Which truth shineth. This is the light of Christ. As also he is in the sun, and the light of the sun, and the power thereof by which it was made.

8 As also he is in the moon, and is the light of the moon, and the power thereof by which it was made;

9 As also the light of the stars, and the power thereof by which they were made;

10 And the earth also, and the power thereof, even the earth upon which you stand.

The light of Christ proceeds from the presence of God to fill the immensity of space, and governs all things

DC 88:11-13:

11 And the light which shineth, which giveth you light, is through him who enlighteneth your eyes, which is the same light that quickeneth your understandings;

12 Which light proceedeth forth from the presence of God to fill the immensity of space—

13 The light which is in all things, which giveth life to all things, which is the law by which all things are governed, even the power of God who sitteth upon his throne, who is in the bosom of eternity, who is in the midst of all things.


Question: Does the Book of Abraham state that the sun gets its photons from Kolob?

Pearl of Great Price Central, Insight #15: Abrahamic Astronomy

The Book of Abraham's reference to "light" is not referring to photons leaving the surface of the sun

The explanation for Facsimile 2, Figure 5 states that the Sun is said to "borrow it light from Kolob through the medium of Kae-e-vanrash":

Is called in Egyptian Enish-go-on-dosh; this is one of the governing planets also, and is said by the Egyptians to be the Sun, and to borrow its light from Kolob through the medium of Kae-e-vanrash, which is the grand Key, or, in other words, the governing power, which governs fifteen other fixed planets or stars, as also Floeese or the Moon, the Earth and the Sun in their annual revolutions. This planet receives its power through the medium of Kli-flos-is-es, or Hah-ko-kau-beam, the stars represented by numbers 22 and 23, receiving light from the revolutions of Kolob.

These verses from Abraham admit a variety of interpretations. The suggestion that Abraham must have taught that the photons leaving the surface of the sun originally came from Kolob is completely unjustified.

A figurative and abstract description such as this cannot be forced into conformance with science

There are many scriptures or statements by the prophets that seem to have scientific implications. Unfortunately, they are never couched in modern scientific terms and their meanings are often very obscure. So it is hard to decide who is more foolish — the faithful saint, who interprets them in a way that forces them into agreement with some current view of science, or the faithless critic, who purposely interprets them in a way that is most at odds with current scientific thought. The Book of Abraham quote cited in the criticism above has inspired both kinds of nonsense, including the interpretation found on the web site where this criticism appeared. The wording of Joseph Smith’s explanation of Figure 5 in Facsimile 2 of the Book of Abraham is, in fact, very difficult to interpret.

To “borrow” means to receive with the intention of returning

First, to “borrow” means to receive with the intention of returning, especially said of a material object or substance. It may also mean to take and adopt as one’s own, especially said of abstractions or ideas, as in “the composer borrowed his harmonic structure from Bach’s Fugue in D Major.” So what does it mean for the sun to “borrow” its light from Kolob? Is light a material or an abstraction? Does the Sun intend to repay the light it borrowed?

"This is the light of Christ. As also he is in the sun, and the light of the sun, and the power thereof by which it was made"

What, in fact, is meant by 'light' in this context? Doctrine & Covenants 88:7–13, in wording strongly reminiscent of our Book of Abraham quote, states “7 ...this is the light of Christ. As also he is in the sun, and the light of the sun, and the power thereof by which it was made. 8 As also he is in the moon, and is the light of the moon, and the power thereof by which it was made; 9 As also the light of the stars, and the power thereof by which they were made; 10 And the earth also, and the power thereof, even the earth upon which you stand. 11 And the light which shineth, which giveth you light, is through him who enlighteneth your eyes, which is the same light that quickeneth your understandings; 12 Which light proceedeth forth from the presence of God to fill the immensity of space — 13 The light which is in all things, which giveth life to all things, which is the law by which all things are governed, even the power of God who sitteth upon his throne, who is in the bosom of eternity, who is in the midst of all things (emphasis added).” These verses are clearly NOT talking about electromagnetic radiation. Does anyone have a convincing explanation of what they ARE talking about?

A “medium” can mean a material through which some signal propagates or a means or channel through which something is achieved

A “medium” can mean a material through which some signal propagates or a means or channel through which something is achieved. What does it mean here? Does it refer to a material or a means?

What is the "grand Key" called "Kae-e-vanrash"?

What is Kae-e-vanrash? The Book of Abraham says that it is a “grand Key,” or “governing power.” What does that mean? Is Kae-e-vanrash a term for nuclear reactions, gravitation, cosmic rays? Or is it a more spiritual medium such as priesthood or faith, or an organizational structure, or a means used for administrative communications?

This may have been a way to teach the Egyptians that Elohim, who dwells near Kolob, rules over than the sun-god, Amen-Re

And, finally, what are we to understand about the nature of Book of Abraham astronomy? Is it a revelation from God to Abraham explaining the structure of the universe as it would be seen by the astronomers of our day? Or should we remember that “The Lord said unto me: Abraham, I show these things unto thee before ye go into Egypt, that ye may declare all these words.” Abraham 3:15, so that, as John Gee has suggested [269], this is simply the teaching that would be easiest for the Egyptians to understand — one that would teach them that Elohim, who dwells near Kolob, rules over than the sun-god, Amen-Re?

Abraham did not teach the Egyptians that photons leaving the Sun came from Kolob

Until someone can make a convincing case that their interpretation of these things is the only reasonable one, any faith-promoting proof from Abraham’s astronomy is a flimsy house of cards and any faith-destroying attack on some straw-man interpretation is misguided. Among the misguided interpretations is the unjustified suggestion that Abraham taught that the photons leaving the surface of the sun originally came from Kolob.


Response to claim: "There’s a book published in 1830 by Thomas Dick entitled 'The Philosophy of the Future State'"

The author(s) of Letter to a CES Director (April 2013 revision) make(s) the following claim:

Joseph Smith owned a copy of the book [Thomas Dick's book Philosophy of a Future State.] and Oliver Cowdery quoted some lengthy excerpts from the book in the December 1836 Messenger and Advocate."

FAIR's Response

Fact checking results: This claim contains propaganda - The author, or the author's source, is providing information or ideas in a slanted way in order to instill a particular attitude or response in the reader

Joseph owned the book, but there is no evidence that it was used in the dictation of the Book of Abraham. Critics of the Church try to infer a connection without any evidence. There is, in fact, evidence of contrasting views.

Logical Fallacy: False Cause—The author assumes that a real or perceived relationship between two events means that one caused the other.

  • The author notes that Joseph Smith owned a copy of Thomas Dick's book Philosophy of a Future State.
  • The author concludes that Joseph must have used the book in the creation of the Book of Abraham.

Question: Could Joseph Smith's theology as described in the Book of Abraham have been influenced by Thomas Dick's book The Philosophy of a Future State? Question: How do the theological concepts of Joseph Smith actually compare to those of Thomas Dick?

Response to claim: "Elder Jeffrey R. Holland was directly asked about the papyri not matching the Book of Abraham in a March 2012 BBC interview"

The author(s) of Letter to a CES Director (April 2013 revision) make(s) the following claim:

Elder Jeffrey R. Holland was directly asked about the papyri not matching the Book of Abraham in a March 2012 BBC interview:

Sweeney: Mr. Smith got this papyri and he translated them and subsequently as the Egyptologists cracked the code something completely different…

Holland: (Interrupts) All I’m saying…all I’m saying is that what got translated got translated into the word of God. The vehicle for that, I do not understand and don’t claim to know and know Egyptian.

FAIR's Response

Fact checking results: This claim contains propaganda - The author, or the author's source, is providing information or ideas in a slanted way in order to instill a particular attitude or response in the reader

Elder Holland was asked this question and honestly answered that he didn't understand the exact method by which the Book of Abraham was produced. Critics of the Church constantly promote the idea that General Authorities are dishonest, yet they complain when one says "I don't claim to know".


Question: How did Elder Holland respond during a BBC interview when asked how the Book of Abraham was translated?

Elder Holland responded that he did not know the method of translation, but that it was translated into the word of God

During a BBC interview with John Sweeney in March 2012, Elder Jeffrey R. Holland was asked about the Book of Abraham:

Sweeney: Mr. Smith got this papyri and he translated them and subsequently as the Egyptologists cracked the code something completely different...

Holland: All I'm saying...all I'm saying is that what got translated got translated into the word of God. The vehicle for that I do not understand and don't claim to know and know Egyptian.

Critics of the Church accuse Elder Holland of lying on this point. However, the Church has known and publicly acknowledged since 1968 in the Improvement Era that the papyri fragments that the Church has in its possession do not match the text of the Book of Abraham since 1968. This has been known publicly for over 45 years. This isn't something new. Elder Holland knows this.

Elder Holland's statement is consistent with what the Church says about the translation of the Book of Abraham

Furthermore, Elder Holland's statement is consistent with what the Church itself says on this subject in the The Pearl of Great Price Student Manual. Elder Holland said "what got translated got translated into the word of God." The manual says, "The greatest evidence of the truthfulness of the book of Abraham is not found in an analysis of physical evidence nor historical background, but in prayerful consideration of its content and power."

One of the Church's new Gospel Topics essays, "Translation and Historicity of the Book of Abraham," reiterates both that the Book of Abraham is not found on the existing papyri fragments, and that Joseph produced the Book of Abraham through revelation, similar to the manner in which the Book of Mormon was produced:

None of the characters on the papyrus fragments mentioned Abraham’s name or any of the events recorded in the book of Abraham. Mormon and non-Mormon Egyptologists agree that the characters on the fragments do not match the translation given in the book of Abraham...

Neither the Lord nor Joseph Smith explained the process of translation of the book of Abraham, but some insight can be gained from the Lord’s instructions to Joseph regarding translation. In April 1829, Joseph received a revelation for Oliver Cowdery that taught that both intellectual work and revelation were essential to translating sacred records. It was necessary to “study it out in your mind” and then seek spiritual confirmation. Records indicate that Joseph and others studied the papyri and that close observers also believed that the translation came by revelation. As John Whitmer observed, “Joseph the Seer saw these Record[s] and by the revelation of Jesus Christ could translate these records.” [270]


Parrish (1838): "I have set by his side and penned down the translation of the Egyptian Heiroglyphicks as he claimed to receive it by direct inspiration of Heaven"

Warren Parrish:

I have set by his side and penned down the translation of the Egyptian Heiroglyphicks as he claimed to receive it by direct inspiration of Heaven.[271]


John Whitmer: "Joseph the Seer saw these Record(s) and by the revelation of Jesus Christ could translate these records"

John Whitmer:

About the first of July 1835 there came a man having four Egyptian Mummies exhibiting them for curiosities, which was a wonder indeed! having also some r[e]cords connected with them which were found deposited with the Mummies, but there being no one skilled in the Egyptian language therefore could not translate the record, after this [e]xhibition Joseph the Seer saw these Record[s] and by the revelation of Jesus Christ could translate these records, which gavee an account of our forefathers, even Abraham Much of which was written by Joseph of Egypt who was sold by his brethren. Which when all translated will be a pleasing history and of great value to the saints.[272]


Woodruff (1842): "The Lord is Blessing Joseph with Power to reveal the mysteries of the kingdom of God; to translate through the urim & Thummim Ancient records & Hyeroglyphics as old as Abraham or Adam"

Wilford Woodruff:

Truly the Lord has raised up Joseph the Seer of the seed of Abraham out of the loins of ancient Joseph, & is now clothing him with mighty power & wisdom & knowledge....The Lord is Blessing Joseph with Power to reveal the mysteries of the kingdom of God; to translate through the urim & Thummim Ancient records & Hyeroglyphics as old as Abraham or Adam.[273]


Response to claim: "Is 'I don’t know and I don’t understand but it’s the word of God' really the best answer that a 'prophet, seer, and revelator' can come up with to such a profound problem?"

The author(s) of Letter to a CES Director (October 2014 revision) make(s) the following claim:

Is “I don’t know and I don’t understand but it’s the word of God” really the best answer that a “prophet, seer, and revelator” can come up with to such a profound problem that is driving many members out of the Church?

FAIR's Response

Fact checking results: The author has stated erroneous information or misinterpreted their sources

Elder Holland did not say anything equivalent to "I don’t know and I don’t understand but it’s the word of God." Elder Holland said that "what got translated got translated into the word of God," meaning that he knows that Joseph received the text of the Book of Abraham through revelation. Elder Holland then stated that he did not know or understand "the vehicle for that," meaning that he does not know the exact method by which the revelation of the Book of Abraham was accomplished. Elder Holland believes that the Book of Abraham was revealed to Joseph - he does not claim to know the mechanism by which this was done.

Logical Fallacy: Strawman—The author sets up a weakened or caricatured version of the opponent's argument. The author then proceeds to demolish the weak version of the argument, and claim victory.

  • Elder Holland stated "what got translated got translated into the word of God" and that he did not claim to know or understand "the vehicle" by which it was translated.
  • The author restates and simplifies Elder Holland's position as "I don't know and I don't understand but it's the word of God."

Response to claim: "The Church conceded in its July 2014 Translation and Historicity of the Book of Abraham essay that Joseph’s translations of the papyri and the facsimiles do not match what’s in the Book of Abraham"

The author(s) of Letter to a CES Director (October 2014 revision) make(s) the following claim:

The Church conceded in its July 2014 Translation and Historicity of the Book of Abraham essay that Joseph’s translations of the papyri and the facsimiles do not match what’s in the Book of Abraham

FAIR's Response

Fact checking results: The author has stated erroneous information or misinterpreted their sources

The Church did not "concede" in its essay that "Joseph's translation of the papyri and the facsimiles do not match what's in the Book of Abraham." The Church noted that "Mormon and non-Mormon Egyptologists agree that the characters on the fragments do not match the translation given in the book of Abraham." The Church actually acknowledged this in 1968 in the official Church magazine, the Improvement Era, over 47 years ago.


Gospel Topics on LDS.org: "Mormon and non-Mormon Egyptologists agree that the characters on the fragments do not match the translation given in the book of Abraham"

"Translation and Historicity of the Book of Abraham," Gospel Topics on LDS.org:

The discovery of the papyrus fragments renewed debate about Joseph Smith’s translation. The fragments included one vignette, or illustration, that appears in the book of Abraham as facsimile 1. Long before the fragments were published by the Church, some Egyptologists had said that Joseph Smith’s explanations of the various elements of these facsimiles did not match their own interpretations of these drawings. Joseph Smith had published the facsimiles as freestanding drawings, cut off from the hieroglyphs or hieratic characters that originally surrounded the vignettes. The discovery of the fragments meant that readers could now see the hieroglyphs and characters immediately surrounding the vignette that became facsimile 1.

None of the characters on the papyrus fragments mentioned Abraham’s name or any of the events recorded in the book of Abraham. Mormon and non-Mormon Egyptologists agree that the characters on the fragments do not match the translation given in the book of Abraham, though there is not unanimity, even among non-Mormon scholars, about the proper interpretation of the vignettes on these fragments.[274]—(Click here to continue)


Question: What did the Church announce in 1968 when the Joseph Smith papyri fragments were discovered?

The Church noted that the papyri fragments did not contain the Book of Abraham, except for Facsimile 1

The Improvement Era described the papyri, but never claimed they represented the source for the Book of Abraham, except the original of Facsimile 1:

Perhaps no discovery in recent memory is expected to arouse as much widespread interest in the restored gospel as is the recent discovery of some Egyptian papyri, one of which is known to have been used by the prophet Joseph Smith in producing the Book of Abraham.

The papyri, long thought to have been burned in the Chicago fire of 1871, were presented to the Church on November 27, 1967, in New York City by the metropolitan Museum of Art, more than a year after Dr. Aziz S. Atiya, former director of the University of Utah's Middle East Center, had made his startling discovery while browsing through the New York museum's papyri collection.

Included in the collection of 11 manuscripts is one identified as the original document from which Joseph Smith obtained Facsimile 1, which prefaces the Book of Abraham in the Pearl of Great Price. Accompanying the manuscripts was a letter dated May 26, 1856, signed by both Emma Smith Bidamon, widow of the Prophet Joseph Smith, and their son, Joseph Smith, attesting that the papyri had been the property of the Prophet.

Some of the pieces of papyrus apparently include conventional hieroglyphics (sacred inscriptions, resembling picture-drawing) and hieratic (a cursive shorthand version of hieroglyphics) Egyptian funerary texts, which were commonly buried with Egyptian mummies. Often the funerary texts contained passages from the "Book of the Dead," a book that was to assist in the safe passage of the dead person into the spirit world. It is not known at this time whether the ten other pieces of papyri have a direct connection with the Book of Abraham.[275]

Egyptian.papyri.rediscovered.funeral.documents.improvement.era.jan.1968.p12.jpg


Citation abuse in Jeremy Runnells' Response and Rebuttal to Brian M. Hauglid's Rational Faiths Essay: B.H. Roberts comment on the Book of Abraham

Citation abuse in the "Letter to a CES Director":

"Elder B.H. Roberts, LDS Scholar and General Authority, Comprehensive History of the Church 2:138"

FairMormon Response


“That was excellently observed’, say I, when I read a passage in an author, where his opinion agrees with mine. When we differ, there I pronounce him to be mistaken.”

—Jonathan Swift

Question: Why did the author of the Letter to a CES Director take a quote from B.H. Roberts in which Roberts was paraphrasing someone with whom he disagreed, and then make it appear as if it were Roberts' own opinion?

The citation: B.H. Roberts: "If Joseph Smith's translation of the Egyptian parchment could be proven discredited..."

Jeremy Runnells' Response and Rebuttal to Brian M. Hauglid's Rational Faiths Essay: "Jeremy Runnells and the Book of Abraham" presents a quote from B.H. Roberts in order to demonstrate that Roberts believed that if the translation of the papyri of the Book of Abraham was not validated by non-Mormon Egyptologists, that it would invalidate Joseph Smith's claim to have been a prophet. The author presents the quote as follows:

“If Joseph Smith's translation of the Egyptian parchment could be proven discredited, and proven false, then doubt would be thrown also upon the genuineness of his translation of the Book of Mormon, and thus all his pretensions as a translator would be exposed and come to naught.” – Elder B.H. Roberts, LDS Scholar and General Authority, Comprehensive History of the Church 2:138

B.H. Roberts quote presented in Jeremy Runnells' Response and Rebuttal to Brian M. Hauglid's Rational Faiths Essay: "Jeremy Runnells and the Book of Abraham"

Note: The author of the Letter to a CES Director inaccurately transcribed the Roberts quote: The first occurrence of the word "proven" should not be there. The author appears to have simply copied it from another secondary source rather than examining the primary source.

The reality: B.H. Roberts: "The 'collapse of Mormonism' was confidently looked for in some quarters; for if Joseph Smith's translation of the Egyptian parchment could be discredited...Nothing of this kind happened"

The quote from Roberts is actually a paraphrase of a criticism of the Book of Abraham offered in 1912 by the Rev. F. S. Spalding. This is not Roberts' opinion: it is Roberts phrasing of Spalding's opinion. Note in particular that Roberts was stating that Spalding's prediction that this would spell the "collapse of Mormonism" was unfulfilled:

[T]he "collapse of Mormonism" was confidently looked for in some quarters; for if Joseph Smith's translation of the Egyptian parchment could be discredited, and proven false, then doubt would be thrown also upon the genuineness of his translation of the Book of Mormon; and thus all his pretensions as a translator would be exposed and come to naught. "It is the belief," wrote Bishop Spalding, "that the honest searchers for truth among the Latter-day Saints will welcome the opinions of authoritative scholars, and, if necessary, courageously readjust their system of belief, however radical a revolution of thought may be required, that the following judgments of the world's greatest Egyptologists have been ascertained." (Joseph Smith, Jun., as a Translator, p. 19). Nothing of this kind happened however, "Mormonism" was not moved a peg by the critique.

The full story

Here is Roberts' full quote, with the portion extracted by the author of the Letter to a CES Director highlighted in blue:

In 1912 a widespread interest was awakened in the Book of Abraham by the publication of a brochure, by Rt. Rev. F. S. Spalding, D. D. Episcopal Bishop of Utah, under the title Joseph Smith, Jun., as a Translator. The bishop submitted the facsimiles of some of the parchment pages from which the Book of Abraham had been translated, (copies of which accompany this chapter) to a number of the foremost of present day Egyptian scholars. These were Dr. A. H. Sayce, Oxford, England; Dr. W. M. Flinders Petrie, London University; James H. Breasted, Ph. D., Haskel Oriental Museum, University of Chicago; Dr. Arthur C. Mace, Assistant Curator, Metropolitan Museum of Art, New York, Department of Egyptian Art; Dr. John Peters, University of Penn., in charge of Expedition to Babylonia, 1888-1895; Rev. Prof, C. A. B. Mercer, Ph. D., Western Theological Seminary, Custodian Hibbard Collections, Egyptian Reproductions; two German scholars—Dr. Edward Meyer, University of Berlin; and Dr. Friedrich Freiheer Von Bissin, Professor of Egyptology in the University of Munich—eight in all. Speaking of the result obtained from the submission of these facsimiles to these foremost Egyptologists, Bishop Spalding says: "It will be seen that there is practically complete agreement as to the real meaning of the hieroglyphics, and that this meaning is altogether different from that of Joseph Smith's translation." (Joseph Smith, Jun., as a Translator, p. 19). He also says that "The opinions were obtained from the scholars themselves, and in no case did one man know the opinion of another" (Ibid).

The seeming triumph of the bishop's test of the "Mormon" Prophet's ability to translate ancient languages correctly by inspiration from God, was much commented upon throughout the United States, and especially by the religious press; and the "collapse of Mormonism" was confidently looked for in some quarters; for if Joseph Smith's translation of the Egyptian parchment could be discredited, and proven false, then doubt would be thrown also upon the genuineness of his translation of the Book of Mormon; and thus all his pretensions as a translator would be exposed and come to naught. "It is the belief," wrote Bishop Spalding, "that the honest searchers for truth among the Latter-day Saints will welcome the opinions of authoritative scholars, and, if necessary, courageously readjust their system of belief, however radical a revolution of thought may be required, that the following judgments of the world's greatest Egyptologists have been ascertained." (Joseph Smith, Jun., as a Translator, p. 19). Nothing of this kind happened however, "Mormonism" was not moved a peg by the critique. So far as known there were not a score of Latter-day Saints whose faith was affected by the Spalding brochure. There were no Egyptian scholars in the church of the Latter-day Saints who could make an effective answer to the conclusions of the eight scholars who in various ways pronounced against the correctness of Joseph Smith's translation of the Egyptian parchments that so strangely fell into his hands; but a number of articles were written by elders of the church pointing out the bias of the scholars and some evident defects in the treatment of the subject; and also reviews of Bishop Spalding's arguments.[276]

Why does the author of the Letter to a CES Director consider B.H. Roberts a "scholar" in this case?

B.H. Roberts was the most notable LDS apologist of the early 20th-century

The author of the Letter to a CES Director, who considers all Latter-day Saint scholars merely "apologists" and not worthy of attention, calls B.H. Roberts a "scholar" in this case. Roberts was indeed a scholar, but he was also the most notable Latter-day Saint apologist of the early 20th-century.

Here's what the author of the Letter to a CES Director thinks of the distinction between "scholar" and "apologist" as he attacks Brian Hales' scholarship:

Hales is not a scholar. He's an anesthesiologist who hired Don Bradley to do his research for him. He then wrote 3 books using his employee's homework. Author? Sure. Apologist? Yes. Amateur? Yes. Scholar? No. He's an apologist disguising himself as a scholar. The real scholars in the field of polygamy have issues with many of Hales' conclusions and interpretations. Anyone with big bucks and writing skills can do what Brian did. All you have to do is hire guys like Don Bradley to do all the work for you and then you throw the stuff in a nice hardcover book with your name on it.[277]

Could it be because the author of the Letter to a CES Director in this case calls B.H. Roberts a "scholar" because thinks that Roberts said something that he agrees with...that is, after he modified Roberts' quote to remove the portions he disagreed with? Remember, B.H. Roberts, LDS Scholar and General Authority, said "The 'collapse of Mormonism' was confidently looked for in some quarters; for if Joseph Smith's translation of the Egyptian parchment could be discredited...Nothing of this kind happened."



Notes

  1. Joseph Smith, History of The Church of Jesus Christ of Latter-day Saints, 7 volumes, edited by Brigham H. Roberts, (Salt Lake City: Deseret Book, 1957), 2:235, 236, 348–351. 236, 348 Volume 2 link
  2. "Translation and Historicity of the Book of Abraham," Gospel Topics on LDS.org (8 July 2014)
  3. "The Book of Abraham," Times and Seasons 3 (1842): 704. KEPA 4, the manuscript used for publication of the first installments of the Book of Abraham and written in the hand of Willard Richards, likewise contains this caption used in the Times and Seasons.
  4. Hugh Nibley, An Approach to the Book of Abraham, edited by John Gee, Vol. 18 in the Collected Works of Hugh Nibley (Salt Lake City and Provo, Utah: Deseret Book / FARMS, 2009), 546. ISBN 1606410547.
  5. This wiki article is based on a paper written by Stephen O. Smoot and included here with his permission. Given the nature of a wiki project, the original may have been edited, added to, or otherwise modified.
  6. Unless otherwise noted, the assumption underlying these theories run along the so-called “missing papyrus theory” as proposed by scholars such as Professor John Gee. This theory states that Joseph Smith owned a portion of physical papyri dating to the Ptolemaic Era that contained the text of the Book of Abraham as translated by the Prophet but that said papyri were subsequently destroyed and are no longer extant. See: Missing papyrus? for further details.
  7. Hugh Nibley, Abraham in Egypt (Salt Lake City: Deseret Book, 1981), 4. Reprinted in Hugh W. Nibley, Abraham in Egypt, 2nd edition, (Vol. 14 of the Collected Works of Hugh Nibley), edited by Gary P. Gillum, Illustrated by Michael P. Lyon, (Salt Lake City, Utah : Deseret Book Company ; Provo, Utah : Foundation for Ancient Research and Mormon Studies, 2000), 1–. ISBN 157345527X..
  8. Hugh Nibley, "As Things Stand at the Moment," Brigham Young University Studies 9 no. 1 (1968), 74-78. (needs URL / links)
  9. Hugh Nibley, Abraham in Egypt (Salt Lake City: Deseret Book, 1981), 4–7.
  10. Russell C. McGregor and Kerry A. Shirts, "Letters to an Anti-Mormon (Review of Letters to a Mormon Elder: Eye Opening Information for Mormons and the Christians Who Talk with Them)," FARMS Review of Books 11/1 (1999): 90–298. off-site See pages 82–83.
  11. Russell C. McGregor and Kerry A. Shirts, "Letters to an Anti-Mormon (Review of Letters to a Mormon Elder: Eye Opening Information for Mormons and the Christians Who Talk with Them)," FARMS Review of Books 11/1 (1999): 90–298. off-site, 82–83.
  12. John Gee, A Guide to the Joseph Smith Papyri (Provo, Utah: FARMS, 2000), 25–28.
  13. This is falling in line with the traditional LDS understanding of the Book of Abraham. Namely, that it is not pseudepigraphical, but was written by Abraham himself. There are, it should be noted, some scholars who do theorize that the text translated by Joseph Smith was pseudepigraphical, dated to the Hellenic world. Other LDS scholars, such as Dr. Nibley, have even compared the text of the Book of Abraham to other Hellenic pseudepigrapha. Such an attempt at textual justification for an ancient Book of Abraham text, however, should not be seen as it is by some as equating the Book of Abraham with ancient pseudepigrapha.
  14. This assumes, of course, that Joseph Smith translated physical papyri and did not receive the Book of Abraham on purely revelatory means as per the “catalyst theory” for the Book of Abraham.
  15. Admittedly, the phrase “and found in the catacombs of Egypt” does cast doubt on the claim that “by his own hand” was a part of the ancient title as it is clearly 19th century editorializing. However, it is possible that it is just that; a 19th century editorializing of the text. It does not completely refute Nibley’s thesis entirely.
  16. John Gee, “Were Egyptian Texts Divinely Written?”, Proceedings of the Ninth International Congress of Egyptologists, ed. J. C. Goyon, C. Cardin (Paris: Uitgeverij Peeters en Departement Oosterse Studies Leuven, 2007), 806. Parenthetically, this article has other implications for Book of Abraham and Joseph Smith Papyri studies, not the least of them being Professor Gee’s discussion of the fact that the so-called “Book of Breathings Made by Isis” text should actually be called the “Letter of Fellowship Made by Isis”. In light of Hugh Nibley’s studies of the Joseph Smith Papyri in 1975 and Professor Gee’s studies published in 2006, this new understanding advances the concept of the Letter of Fellowship text as an more of an initiatory text than an actual “funerary text”. See, respectively, Hugh W. Nibley, Message of the Joseph Smith Papyri: An Egyptian Endowment, 1st edition, (Salt Lake City, Utah: Deseret Book Company, 1975), 1. ISBN 0877474850. GospeLink (requires subscrip.), Reprinted as Hugh W. Nibley, The Message of the Joseph Smith Papyri: An Egyptian Endowment, 2nd edition, (Vol. 16 of the Collected Works of Hugh Nibley), edited by John Gee and Michael D. Rhodes, (Salt Lake City, Utah : Deseret Book Company ; Provo, Utah : Foundation for Ancient Research and Mormon Studies, 2005), 1. ISBN 159038539X. 1st edition GL direct link; John Gee, “The Use of the Daily Temple Liturgy in the Book of the Dead,” Sonderdruck aus Totenbuch-Forchungen, eds. B. Burkhard, I. Munro, S. Stöhr (Wiesbaden: Harrassowitz Verlag, 2006), 73–86.
  17. Kevin L. Barney, "The Facsimiles and Semitic Adaptation of Existing Sources," in Astronomy, Papyrus, and Covenant, edited by John Gee and Brian M. Hauglid, (Provo: FARMS, 2005), 107–130. off-site
  18. Michael Ash, “Book of Abraham 201: Papyri, Revelation, and Modern Egyptology”, presented at the 2006 FAIR Conference. off-site.
  19. Luke Wilson, “Did Joseph Smith claim His Abraham Papyrus was an Autograph?”, (Grand Rapids: Institute for Religious Research, 2006), 12. It is not within the scope of this paper to attempt an engagement or refutation of Wilson’s main arguments. Needless to say, Wilson (p. 12) himself admits that “the nature of the evidence presented in this paper is circumstantial and inferential on a number of points.”
  20. This is by no means the consensus view. Several LDS scholars have likewise tackled this issue, and have come to different conclusions than Ash and Wilson. Ben McGuire, writing for FAIR, has critiqued Wilson on a number of points, including the assertions made by Wilson that Joseph Smith assumed a holographic nature of the text. See Ben McGuire, “Responding to Errors in an Anti-Mormon Film: “The Lost Book of Abraham: Investigating a Remarkable Mormon Claim” (Redding: Foundation for Apologetic Information and Research, 2002). PDF link.
  21. Ash, "Book of Abraham 201."
  22. “Joseph Smith as Translator,” in Richard Lyman Bushman, Believing History: Latter-day Saint Essays, ed. Reid L. Neilson and Jed Woodworth (New York: Columbia University Press, 2004), 233–47; Nibley, Message of the Joseph Smith Papyri, 51–59. See also footnote 19.
  23. By analogy, the Bible seems to have been a frequent catalyst for Joseph Smith’s revelations about God’s dealings with His ancient covenant people. Joseph’s study of the book of Genesis, for example, prompted revelations about the lives and teachings of Adam, Eve, Moses, and Enoch, found today in the book of Moses. See Doctrine and Covenants 35, 37, 41, 42, 45, 73, 76, 77, 86, 93, 91, 94, 124. These comprise more than a dozen revelations prompted by the Joseph Smith Translation.
  24. The Church of Jesus Christ of Latter-day Saints, "Translation and Historicity of the Book of Abraham" <https://www.churchofjesuschrist.org/study/manual/gospel-topics-essays/translation-and-historicity-of-the-book-of-abraham?lang=eng> (accessed 4 September 2019)
  25. "Translation and Historicity of the Book of Abraham," Gospel Topics (8 July 2014)
  26. Joseph Smith, History of The Church of Jesus Christ of Latter-day Saints, 7 volumes, edited by Brigham H. Roberts, (Salt Lake City: Deseret Book, 1957), 2:235, 236, 348–351. 236, 348 Volume 2 link
  27. Jay M. Todd, "Egyptian Papyri Rediscovered," Improvement Era (January 1968), 12–16.
  28. Jay M. Todd, "New Light on Joseph Smith's Egyptian Papyri: Additional Fragment Disclosed," Improvement Era (February 1968), 40.; Jay M. Todd, "Background of the Church Historian's Fragment," Improvement Era (February 1968), 40A–40I.
  29. Jay M. Todd, ,"Egyptian Papyri Rediscovered," The Improvement Era (January 1968)
  30. Jay M. Todd, "Egyptian Papyri Rediscovered," Improvement Era (January 1968), 12–13. off-site (emphasis added)
  31. See John Gee, Research and Perspectives: Abraham in Ancient Egyptian Texts on lds.org (July 1992)
  32. (non-Mormon) Egyptologist Lanny Bell, "The Ancient Egyptian 'Books of Breathing,' the Mormon 'Book of Abraham,' and the Development of Egyptology in America," Egypt and Beyond: Essays Presented to Leonard H. Lesko upon his Retirement from the Wilbour Chair of Egyptology at Brown University June 2005, (ed. Stephen E. Thompson), Department of Egyptology and Ancient Western Asian Studies, Brown University, 2008, p. 28.
  33. (non Mormon) Egyptologist Lanny Bell, "The Ancient Egyptian 'Books of Breathing,'", p. 29.
  34. See Robert K. Ritner "Osiris-Canopus and Bes at Herculaneum". As Ritner writes herein: "Although the Herculaneum dancer probably represents a masked participant impersonating the god, the matter is theologically unimportant. The British Museum Bes statue, noted above, has been assumed to be a masked man because of his kilt, moderate belly and flattened face, but no clear cords or fittings indicate that the face is a mask. A Middle Kingdom mask of Bes does survive from Kahun proving the existence of Bes—masked priests, but statue ary of masked humans is more problematic than masked figures in religious scenes. A potentially more relevant sculpture derives from a far earlier period in Egyptian history, on a Fifth Dynasty relief also in the British Museum. Defying the general taboo on representing gods in Old Kingdom tombs, this relief (EA 994) includes a leonine Bes in profile carrying a wand within a scene of the 'd‘ance of the youths.' As in the Herculaneum fresco more than two millennia later, a priest masked as Bes performs at a ritual dance."
  35. John Gee, "A Guide to the Joseph Smith Papyri" (Provo, UT: FARMS, 2000) 36-9, 66
  36. William I. Appleby Journal, 5 May 1841, ms. 1401 1, pp. 71–72, LDS Church Archives; as quoted in Gee, "Eyewitness, Hearsay, and Physical Evidence," 184.
  37. Rev. Henry Caswall, The City of the Mormons: Or, Three Days at Nauvoo in 1842 (London: Rivington, 1842), 71-72., LDS Church Archives; as quoted in Gee, "Eyewitness, Hearsay, and Physical Evidence," 184.
  38. Michael D. Rhodes, The Hor Book of Breathings: A Translation and Commentary (Provo, Utah: FARMS, 2002), 19 (18–23).
  39. "Translation and Historicity of the Book of Abraham," Gospel Topics on LDS.org (8 July 2014).
  40. Berlin execration texts section p 1–9, in Kurt Sethe, Die Ächtung feindlicher Fürsten, Völker und Dinge auf altägyptischen Tongefässscherben des Mittleren Reiches (Berlin: Verlag der Akademie der Wissenschaften, 1926), 71–72.
  41. PT 23 §16.
  42. P. Louvre 3129 B 44–48, in Siegfried Schott, Urkunden mythologischen Inhalts (Leipzig: Hinrichs, 1929), 5; compare P. Bremner Rhind 22/2, 9, 17, 23–24, 23/5, 12, in Raymond O. Faulkner, Papyrus Bremner-Rhind (Brussels: La Fondation Égyptologique Reine Élisabeth, 1933), 42–47. See Gee, "History of a Theban Priesthood," 67–69, and Gee, "Execration Rituals," 67–80.
  43. See Kerry Muhlestein, "Violence in the Service of Order: The Religious Framework for Sanctioned Killing in Ancient Egypt" (PhD diss., University of California, Los Angeles, 2003), all of chapter 10.
  44. Kerry Muhlestein and John Gee, "An Egyptian Context for the Sacrifice of Abraham," Journal of the Book of Mormon and Other Restoration Scripture 20/2 (2011)
  45. The Apocalypse of Abraham, off-site
  46. According to Muhlestein and Gee, "Many later sources also paint a picture that Abraham's life was sought because he had broken down or otherwise desecrated idols; see John A. Tvedtnes, Brian M. Hauglid, and John Gee, eds., Traditions about the Early Life of Abraham (Provo, UT: Institute for the Study and Preservation of Ancient Religious Texts, Brigham Young University, 2001)"
  47. Kerry Muhlestein and John Gee, "An Egyptian Context for the Sacrifice of Abraham," Journal of the Book of Mormon and Other Restoration Scripture 20/2 (2011)
  48. Daniel C. Peterson, "Some Reflections On That Letter To a CES Director," 2014 FairMormon Conference.
  49. Peter Le Page Renouf, "Two-sided Hypocephalus in the Walter L. Nash Collection," PBSA 19 (April 1897): 144–46, plate 2.
  50. Herodotus, Histories 2.46
  51. Ibid., 2.42
  52. Hans Bonnet, Reallexikon der ägyptischen Religionsgeschichte (Berlin: De Gruyter, 1953), 870.
  53. Ibid., Kurt Sethe, "Hieroglyphische Urkunden der griechisch-romischen Zeit," Urkunden des agyptiscen Altertums 2 (Leipzig: Hinrichs, 1904-16), 51.
  54. Mendes Stela, in Kurt Sethe, Hieroglyphische Urkunden der griechisch-romischen Zeit (Amsterdam: Leopold, 2017), 28.
  55. Seigfried Schott, Urkunden mythologischen Inhalts, Urkundedn des agyptiscen Alterums 6 (Leipzig: Hinrichs, 1929), 74–75.
  56. Bonnet, Reallexikon der agyptischen Religionsgeschichte, 868.
  57. Hugh Nibley and Michael D. Rhodes, One Eternal Round, 236, 238.
  58. Robert Ritner has called the linking of one day to a cubit "specious. See Robert K. Ritner, The Joseph Smith Egyptian Papyri: A Complete Edition (Salt Lake City: Smith-Pettit Foundation, 2011), 221. This was written before this article from Hollis Johnson. Perhaps this may satisfy some skepticism.
  59. Giorgio De Santillana and Hertha von Dechend, Hamlet's Mill: An Essay on Myth and the Frame of Time (Boston: Godine, 1977), 8.
  60. Ibid.
  61. Nibley and Rhodes, One Eternal Round, 256.
  62. George H. Box, ed. and trans., The Apocalypse of Abraham (New York: Macmillan, 1918), 16; but this angel was also called Metatron or Enoch; see Hugh Nibley, Abraham in Egypt, 2nd ed., CWHN 14 (Salt Lake City and Provo, UT: Deseret Book Company and FARMS, 2000), 44, fig 4.
  63. Eliyahu Rosh-Pinnah, "The Sefer Yetzirah and the Original Tetragrammaton," JQR 57 (1967): 223.
  64. Phineas Mordell, "The Origin of Letters and Numerals According to the Sefer Yezirah," JGR 2 (1912): 567.
  65. Nibley and Rhodes, One Eternal Round, 256–258; Robert Ritner has disputed this as follows: "Apologists Michael Rhodes and John Gee have sought to defend Smith's explanation of 'Jah-oh-eh' as 'O the earth', although this is impossible both by phonetics (with three h's) and sense (3ht; "arable field" is not used to indicate the whole earth)[.]" Ritner's assessment seems to lack room for assessing what system of transliteration Joseph is using for this. Also, if we see the figure again it reads "called by the Egyptians" not "meaning, in ancient Egyptian." What Egyptians are we using as a reference point? What language are they speaking? These are things Ritner does not seem to take into account. Regarding Ritner's comments specifically about "arable land," what else does Joseph have to render it as? Are "earth" and "arable land" really so far from each other as to reasonably conclude that Joseph Smith translated this wrong? This seems pedantic on the part of Ritner. This etymology from Hugh Nibley disregards Egyptian entirely and proposes one in Semitic roots, moving in a different direction from Gee and Rhodes. This may open better lines of inquiry.
  66. Michael Rhodes "An Interpretation of Facsimile 2," <http://www.scottwoodward.org/scripture/PGP_Abraham_facsimile2_interpretation.html> (13 March 2019)
  67. Renouf, "Two-sided Hypocephalus," 144-46.
  68. Henri Frankfort, Kingship and the Gods: A Study of Ancient Near Eastern Religion as the Integration of Society and Nature (Chicago: University of Chicago Press, 1948), 202–3.
  69. BM 37330
  70. Gasto Maspero, "Sur l'ennéade: Bulletin critique de la religion égyptienne," Revue de l'histoire des religions 25 (1892): 1.
  71. August von Pauly and Georg Wissowa, Paulys Real-Encyclopodiae der classichen Altertumswissenschaft, 1st and 2nd ser., 33 vols. (Stuttgary; Metzler, 1893-1978), 1.2:1855.
  72. BD 17, English translation in Raymond O. Faulkner, Ancient Egyptian Book of the Dead (London: British Museum Publications, 1985), 44.
  73. Rudolf Anthes, ". . . in seinem Namen und im Sonnenlicht. . .," ZAS 90 (1963):4.
  74. Alexandre Moret, Le ritual du culte divin journalier en Egypte d'apres les papyrus de Berlin et les textes du temple de Seti ler, a Abydos (Paris: Leroux, 1902), 148–49.
  75. Rudolf Anthes, ". . . in seinem Namen und im Sonnenlich. . .," ZAS 90 (1963): 4.
  76. BD 17, English translation in Faulkner, Ancient Egyptian Book of the Dead, 44.
  77. Renouf, "Two-Sided Hypocephalus," 144–46, plate 2.
  78. Oswalrd Spengler, Der Unergang des Abendlandes: Umrisse eitnerMorphologie der Weltgeschichete, 2 vols. (Leipzig: Braumuller, 1918-22); Gertrud Thausing and Traudl Kertszt-Kratschmann, Das grosse ayptische Totenbuch (Papyrus Reinish) der Papyrussammling der osterreichischen Nationalbibliothick (Cairo: Osterreichisches Kulturinstitut, 1969), 19–22.
  79. Ovid, Fasti, 1:99
  80. Ovid, Fasti, 1:228
  81. Ovid, Fasti, 1:139
  82. Nibley and Rhodes, One Eternal Round, 267–68.
  83. Rhodes, "An Interpretation," <http://www.scottwoodward.org/scripture/PGP_Abraham_facsimile2_interpretation.html>
  84. Nibley wasn't referring to Ritner, but as a fun example, Robert Ritner wrote the following in "The Joseph Smith Papyri: A Complete Edition": "Smith's statement that Amon (Fig 7.) is 'God sitting upon his throne' was an easy guess." In his references attached to it we read: "Also used in the explanation of the intrusive 'Fig. 3.'" See Ritner, The Joseph Smith Papyri, 224.
  85. Raymond O. Faulkner, A Concise Dictionary of Middle Egyptian (Oxford: Oxford University Press, 1962), 54.
  86. Alan H. Gardiner, Egyptian Grammar, 3rd ed. rev. (Oxford: Oxford University Press, 1957), 559. See also James P. Allen, Middle Egyptian: An Introduction to the Language and Culture of Hieroglyphs (Cambridge: Cambridge University Press, 2014), 579; Wikipedia "Was-sceptre," <https://en.wikipedia.org/wiki/Was-sceptre> (11 November 2018).
  87. Ritner protests that Nibley may not have known that the figure was copied from either papyri in Ritner, "The Joseph Smith Papyri", 219. Yet, Nibley addressed it first thing as part of his discussion of Figure 3 in "One Eternal Round". While it may be true that Nibley did not acknowledge this in his early work, he most certainly did in later work.
  88. Philadelphia 29-86-436.
  89. P. Louvre N. 3525 A1/3.
  90. BM 37095 (formerly 8445a).
  91. Cairo SR 10695.
  92. Brussels E 6319 (see appendix 6 of Nibley's book)
  93. Brussels E 6319 (see appendix 6 of Nibley's book)
  94. Brussels E 6319 (see appendix 6 of Nibley's book)
  95. Brussels E 6319 (see appendix 6), P. Louvre N. 3181, P. Louvre N. 3525 A1/3, P. Louvre N. 2526, Edinburgh 1956-48, Leiden AMS 62 (see appendix 5).
  96. Torino 16347.
  97. Ashmolean 1982-1095; Leiden AMS 62 (see appendix 5).
  98. Nibley and Rhodes, One Eternal Round, 270–71, 277–78.
  99. Rhodes, "An Interpretation," <http://www.scottwoodward.org/scripture/PGP_Abraham_facsimile2_interpretation.html>
  100. Rudolf Anthes, "Egyptian Theology in the Third Millennium B.C.," JNES 18 (1959): 171; a full-scale photo is in Reginald Engelbach, "An Alleged Winged Sun-disk of the First Dynasty," ZAS 65 (1930): 115-16, plate opposite page 114; see Hugh Nibley, "A Pioneer Mother," Abraham in Egypt (Provo, UT: FARMS, 2000), 509, fig. 86.
  101. Hermann Kees, Der Gotterglaube im alten Agypten (Leipzig: Hinrichs, 1941) 42–43.
  102. Notice the reference to stars here. This ties with Abraham and his covenant seed.
  103. Alexandre Piankoff, The Shrines of Tut-Ankh-Amon (New York: Pantheon Books, 1955), 96–98.
  104. PT 434 (SS784-85)
  105. Nibley and Rhodes, One Eternal Round, 279–81.
  106. Erik Hornung, Das Tal der Konige (Augsburg, Germany: Weltbild, 1998), 135; see Nibley, Abraham in Egypt, 65, fig. 12.
  107. Constantin E. Sander-Hansen, Die relgiosen Texte auf dem Sarg der Anchenesferibre (Cop enhagen: Levin and Munksgaard, 1937), 36-37.
  108. Wb 3:230, 1.
  109. Nibley and Rhodes, One Eternal Round, 282–83; This argument has been disputed by Robert Ritner. He rebuts as follows in Ritner, The Joseph Smith Papyri, 221: "Nibley sought to defend Joseph Smith's 'explanation' of this figure by reference to the solar boat (not the depicted Sokar barque) as being 'a ship of 1000 cubits' and thus 'a numeral figure, in Egyptian signifying a thousand.' Neither barque, however, is used in Egyptian texts as a 'numeral figure' and the more common designation of the solar boat is in fact 'the barque of millions'--not 1000. As elsewhere, Nibley did not evaluate Smith's statements objectively; but sought out any possible defense, no matter how farfetched." Ritner's assessment does not seem to take into account Nibley's statements about Nut even though One Eternal Round is cited here where Ritner makes his counterargument. Here we have examples from Nibley where the barque was, in a sense, used as a numeral figure to mean "a thousand" in Egyptian texts—as an epithet of the Goddess Nut. Ritner also makes clear here that one million was the more common designation—indicating that 1000 is still not outside the realm of possibility.
  110. Philippe Derchain, "La peche de l'oreil et les mysteres d'Osiris a Dendara," RdE (1963): 13–14.
  111. Nibley and Rhodes, One Eternal Round, 283.
  112. Rhodes, "An Interpretation," <http://www.scottwoodward.org/scripture/PGP_Abraham_facsimile2_interpretation.html>
  113. Bonnet, Reallexikon der agyptischen Religionsgeschichte, 281.
  114. Ibid., 280
  115. Maxence de Rochemonteix, "Le temple d'Apte ou est engendre l'Osiris thebain," Oeuvres diverses, Gaston Maspero, ed., BE 3 (Paris: Leroux, 1894), 258.
  116. Gustave Jequier, Considerations sur les religions egyptiennes (Neuchatel: Baconniere, 1946), 219.
  117. Nibley and Rhodes, One Eternal Round, 293–94.
  118. Charles Maystre, “Le Livre de la Vache du Ciel dans les tombeaux de la Vallée des Rois,” Bulletin de l’Institut français d’archéologie orientale 40 (1941): 109.
  119. Edouard Naville, “La destruction des hommes par les dieux,” Transactions of the Society of Biblical Archaeology 4: plate B, col. 45.
  120. Hermann Kees, “Die 15 Scheintüren am Grabmal,” ZÄS 88 (1963): 110–11.
  121. Ibid., 111.
  122. Alexandre Piankoff, “The Funerary Papyrus of the Shieldbearer Amon-m-saf in the Louvre Museum,” Egyptian Religion 3 (1935): 134.
  123. Herbert Chatley, “Egyptian Astronomy,” JEA 26 (1941): 125.
  124. W. J. Murnane, United with Eternity: A Concise Guide to the Monuments of Medinet Habu (Cairo: Oriental Institute, University of Chicago, 1980), 61–62.
  125. Étienne Drioton, Le texte dramatique d’Edfu (Cairo: IFAO, 1949), 23.
  126. Described by Siegfried Schott, Die Schrift der verborgenen Kammer in Königsgräbern der 18. Dynastie: Gliederung, Titel und Vermerke (Göttingen: Vandenhoeck & Ruprecht, 1958), 323.
  127. Pistis Sophia, 86, 194.
  128. Second Jeu 44, in Carl Schmidt, The Books of Jeu and the Untitled Text in the Bruce Codex (Leiden: Brill, 1978), 105.
  129. Pistis Sophia, 86, 194.
  130. Secrets of Enoch 11:4–5.
  131. Jéquier, Considérations sur les religions égyptiennes, 172–73.
  132. Ibid.
  133. Ibid., 173; see Hugh Nibley, The Message of the Joseph Smith Papyri: An Egyptian Endowment, 2nd ed. (Salt Lake City: Deseret Book and FARMS, 2005), 394, fig. 126.
  134. Nibley and Rhodes, One Eternal Round, 295-99.
  135. Rhodes, "An Interpretation," <http://www.scottwoodward.org/scripture/PGP_Abraham_facsimile2_interpretation.html>
  136. E.A. Wallis Budge, Egyptian Magic (New Hyde Park, NY: University Books, 1958), 90-91.
  137. Maarten J. Raven, “Egyptian Concepts of the Orientation of the Human Body,” Proceedings of the Ninth International Congress of Egyptologists (2007), 2:1569–70. Ritner has sought to dismiss this explanation as follows in Ritner, The Joseph Smith Papyri, 224: "In keeping with Smith's interpretation of the hypocephalus as an astronomical document, he explains the four sons of Horus (Fig. 6) as simply 'the earth in its four quarters.' While any group of four can have directional relevance, that is hardly the pivotal significance of these protectors of the embalmed viscera (lungs, liver, stomach, and intestines)." Ritner recognizes that many, if not most, Egyptologists recognize that these four gods can have directional significance. The four Sons of Horus were associated with cardinal direction points , so that Hapi was the north, Imsety the south, Duamutef the east and Qebehsenuef the west. See Manfred Lurker, Lexikon der Götter und Symbole der alten Ägypter (Bern, Switzerland: Scherz, 1974), 104. See also Wikipedia, "The Four Sons of Horus," <https://en.wikipedia.org/wiki/Four_sons_of_Horus> (27 May 2020).
  138. Rhodes, "An Interpretation," <http://www.scottwoodward.org/scripture/PGP_Abraham_facsimile2_interpretation.html>
  139. Bonnet, Reallexikon der agyptischen Religionsgeschichte, 461.
  140. Gerald A. Wainwright, "The Emblem of Min," JEA 17 (1931): 185
  141. Wainwright, "Emblem of Min," 170.
  142. Ibid., 464.
  143. Ibid., 463
  144. PT 356 (579)
  145. J. Gwyn Griffiths, "Remarks on the Mythology of the Eyes of Horus," Chronique d'Egypte 33, no. 66 (1958): 191.
  146. PT 198 (114)
  147. PT 258 (308); 259 (312).
  148. PT 638 (1805)
  149. PT 468(901); 523 (1231).
  150. Joachim Spiegel, Das Auferstehungsritual der Unas-Pyramide (Wiesbaden, Germany: Harrassowitz Verlag, 1971), 389–93; PT 301 (451); see Nibley, Message of the Joseph Smith Papyri, 119, fig. 30.
  151. PT 200-221 (195)
  152. PT 200-221 (195)
  153. PT 74-76 (51)
  154. PT 621 (1754); 637 (1803); 639 (1809)
  155. PT 72-73 (50); 74-76 (51); 77 (52)
  156. PT 687 (2074-77)
  157. PT 199 (115)
  158. PT186-90 (107-8) and PT 197 (113)
  159. Nibley and Rhodes, One Eternal Round, 304-05, 319, 321.
  160. Rhodes, "An Interpretation," <http://www.scottwoodward.org/scripture/PGP_Abraham_facsimile2_interpretation.html>
  161. I.e., the dead; see Wb 4:392, 9.
  162. Literally "the first time." See Wb 3:438, 1.
  163. The primeval ocean from which the sun rose on the day of creation and which surrounds the earth. See Henri Frankfort, Ancient Egyptian Religion (New York: Harper Torchbooks, 1961), 114. A similar phrase is found in one of the Demotic magical papyri, r-wn n=y p3 t3 r-wn n=y t3 tw3.t r-wn n=y p3 nwn, "Open the earth for me, open the netherworld for me, open the primeval waters for me." F. Llewellyn Griffith and Herbert Thompson, The Demotic Magical Papyrus of London and Leiden (London: Grevel, 1905), line I 5.
  164. On the identification of the dead with Osiris, see Frankfort, Ancient Egyptian Religion, 103-5; Robert Ritner in his translation renders "soul" as "ba-spirit" in Ritner, The Joseph Smith Papyri, 222. The translation is accurate, yet distinction does not bare significant weight to interpretation. "Ba" was simply apart of the Egyptian pronunciation for "soul". The ancient Egyptians believed that a soul (kꜣ/bꜣ; Egypt. pron. ka/ba) was made up of many parts. See Wikipedia, "Ancient Egyptian Concept of the Soul," <https://en.wikipedia.org/wiki/Ancient_Egyptian_concept_of_the_soul> (7 July 2020).
  165. Shishaq or Sheshonq was the name of several Egyptian pharaohs of the Twenty-first Dynasty, the Libyan Dynasty.
  166. Nibley and Rhodes, One Eternal Round, 327.
  167. Rhodes, "An Interpretation," <http://www.scottwoodward.org/scripture/PGP_Abraham_facsimile2_interpretation.html>
  168. Hans Goedicke, The Report about the Dispute of a Man with His Ba, papyrus Berlin 3024 (Baltimore: Johns Hopkins Press, 1970), 33.
  169. CT 249 in Adriaan de Buck, The Egyptian Coffen Texts, 7 vols. (Chicago: University of Chicago Press, 1935-61), 3:323g-324a
  170. CT 229, in de Buck, Egyptan Coffin Texts, 3:296i
  171. Goedicke, Report about the Dispute of a Man with His Ba, 33
  172. Ibid., 58.
  173. Emending o nn th.tw h3.t tn. Similar passages, but even more garble, are found in th British Museum hyocephalid BM 35875 (8445c), BM 37908 (3445f), and BM 37909(8445d).
  174. Wb 3:12, 19; Faulkner, Concise Dictionary of Middle Egyptian, 160.
  175. Rainer Hannig, Grosses Handworterbuch Agyptisch-Beutsch: Die Sprache der Pharaonen (2800-950 v. Chr.) (Mainz: von Zabern, 1995), 503.
  176. Ibid., 937
  177. CT 20, in de Buck, Egyptian Coffin Texts, 1:56-58
  178. PT 11 (8)
  179. Nibley and Rhodes, One Eternal Round, 329–31.
  180. Alan H. Gardiner, Egyptian Grammar, 3rd ed. (Oxford: Oxford University Press, 1957), 74.
  181. See Nibley, Message of the Joseph Smith Papri, 228–32, fig 68.
  182. Brussels E 6319
  183. E.g., Florence hypocephalus, Bologna B2025, BM 36188 (8445e), P. Louvre AF 1936
  184. Nibley and Rhodes, One Eternal Round, 333–34.
  185. dd.wy is a disbe adjective formation of Dd.w, Busiris, a cult center of Osiris in the Delta, and thus used as an epithet of Osiris. Cf. Wb 5:630, 7.
  186. Nibley and Rhodes, One Eternal Round, 345; This translation is retained in Ritner, The Joseph Smith Papyri, 220.
  187. PT 569 (1437)
  188. BD 17; see vignette in Raymond O. Faulkner, The Ancient Egyptian Book of the Dead, rev. ed. (New York: Macmillan, 1985)
  189. Horopollo, Hieroglyphica 1.16
  190. Ibid.
  191. Wb 1:316; see Ludwig Borchardt, Die altagyptische Zeitmessung, Band 1, Liefeung B of Die Geschicht der Zeitmessung und derUhren, hrg. Ernst von Bassermann-Jordan (Berlin: de Gruyetr, 1920), 52B, Abb. 24 (plumb bob glyphs).
  192. Nibley and Rhodes, One Eternal Round, 242–46.
  193. Rhodes, "An Interpretation," <http://www.scottwoodward.org/scripture/PGP_Abraham_facsimile2_interpretation.html>
  194. List obtained from John Gee, “Book of Breathings,” Pearl of Great Price Reference Companion, Dennis L. Largey, ed. (Salt Lake City: Deseret Book Company, 2017), 69. Citing Hugh Nibley, The Message of the Joseph Smith Papyri: An Egyptian Endowment, 2d ed. (Salt Lake City: Deseret Book Company; Provo, Utah: FARMS, 2002).
  195. Kerry Muhlestein, "Egyptian Papyri and the Book of Abraham: Some Questions and Answers," Religious Educator, vol. 11 no. 1 (2010) off-site
  196. Stephen Smoot, "Egyptology and the Book of Abraham: An Interview with Egyptologist Kerry Muhlestein," Student Review (November 2013) off-site
  197. Michael D. Rhodes, "The Joseph Smith Hypocephalus . . . Twenty Years Later" off-site
  198. John Gee, “Towards an Interpretation of Hyppocephali,” 334
  199. Michael Rhodes, in Daniel H. Ludlow, ed., "Book of Abraham," Encyclopedia of Mormonism off-site
  200. John Gee and Brian M. Hauglid, "Facsimile 3 and Book of the Dead 125," Astronomy, Papyrus and Covenant, Neal A. Maxwell Institute.
  201. John Gee, "The Facsimiles of the Book of Abraham," Neal A. Maxwell Institute. Footnote 17 states: 17. "More information on this will be forthcoming, but one readily available instance is recorded in Apuleius, Metamorphoses 11.8."
  202. Robert K. Ritner, “The Breathing Permit of Hor Among the Joseph Smith Papyri," Journal of Near Eastern Studies, (University of Chicago, 2003), p. 162, note 4. Dr. Ritner is one of Dr. John Gee's former professors at Yale. Ritner's article in the Journal of Near eastern Studies is highly critical of his former student's involvement with any LDS apologetic effort on the part of the Book of Abraham, specifically because he was not included in a peer review.
  203. JNES, p. 162
  204. Larry E. Morris, "The Book of Abraham: Ask the Right Questions and Keep On Looking (Review of: “The ‘Breathing Permit of Hor’ Thirty-four Years Later.” Dialogue 33/4 (2000): 97–119)," FARMS Review 16/2 (2004): 355–380. off-site
  205. Larry E. Morris, "The Book of Abraham: Ask the Right Questions and Keep On Looking (Review of: “The ‘Breathing Permit of Hor’ Thirty-four Years Later.” Dialogue 33/4 (2000): 97–119)," FARMS Review 16/2 (2004): 355–380. off-site
  206. Robert C. Webb, pseud., Joseph Smith as Translator (Salt Lake City: Deseret Book Company, 1936), 113.
  207. Wolfgang Helck, “Rpʿt auf dem Thron des Gb,” Orientalia 19 (1950): 430—31.
  208. Ibid., 432—33.
  209. Ibid., 418—21; David Lorton, "Review of Recherche sur les messagers (wpwtyw) dans les sources égyptiennes profanes, by Michel Valloggia," Bibliotheca Orientalis 34 (1977): 49.
  210. Helck, “Rpʿt auf dem Thron des Gb,” 416; Lorton, "Review of Recherche sur les messagers (wpwtyw)," 49.
  211. Helck, "Rpʿt auf dem Thron des Gb," 434.
  212. Hugh Nibley, Abraham in Egypt (Salt Lake City: Deseret Book Company; Provo: UT, FARMS, 1981, 2000), 411–12.
  213. Cf. László Kákosy, “Selige und Verdammte in der spätägyptischen Religion,” ZÄS 97 (1971): 100.
  214. S. Mayassis, Mystères et intiations dans la préhistoire et protohistoire de l’anté-Diluvien à Sumer-Babylone (Athens: BAOA, 1961), 299—304.
  215. Ibid., 301; cf. Pyramid Text 437 (§800); 459 (§865); 513 (§1172).
  216. Theodor Hopfner, Plutarch über Isis und Osiris, 2 vols. (Prague: Orientalisches Institut, 1941), 1:70.
  217. Günther Roeder, Urkunden zur Religion des alten Aegypten (Jena: Diederichs, 1915), 24.
  218. Jaroslav Černy, Ancient Egyptian Religion (New York: Hutchinson’s University Library, 1952), 59.
  219. Posener, Divinité du pharaon, 102.
  220. Morenz, Problem des Werdens, 81.
  221. Ibid.
  222. Percy E. Newberry, “The Shepherd’s Crook and the So-called ‘Flail’ or ‘Scourge’ of Osiris,” JEA 15 (1929): 85—87.
  223. Ricardo A. Caminos, Late-Egyptian Miscellanies (London: Oxford University Press, 1954), 420.
  224. Constantin Sander-Hansen, Die religiösen Texte auf dem Sarg der Anchnesneferibre (Copenhagen: Levin and Munksgaard, 1937), 105—6.
  225. Cf. Eugène Lefébure, “Le Cham et l’Adam Égyptiens,” BE 35 (1912): 7.
  226. Wolfhart Westendorf, Painting, Sculpture, and Architecture of Ancient Egypt (New York: Abrams, 1969), 84.
  227. Alan Gardiner, review of The Golden Bough, by James G. Frazer, JEA 2 (1915): 124.
  228. Georges A. Legrain, Les temples de Karnak (Brussels: Vromant, 1929), 217, fig. 129.
  229. Hugh Nibley, “A New Look at the Pearl of Great Price,” IE 72 (May 1969): 88.
  230. Nibley, Abraham in Egypt, 442–44.
  231. Dietrich Wildung, Egyptian Saints: Deification in Pharaonic Egypt (New York: University Press, 1977), 63.
  232. Ibid. Emphasis added.
  233. Gertrud Thausing, “Der ägyptische Schicksalsbegriff,” Mitteilungen des deutschen archäologischen Instituts zu Kairo 8 (1939): 53; Jan Bergman, Ich bin Isis (Stockholm: Almquist and Wiksell, 1968), 170, 177.
  234. Bernhard Grdseloff, “L’insigne du grand juge égyptien,” ASAE 40 (1940): 197.
  235. Constant de Wit, “Inscriptions dédicatoires du temple d’Edfou,” CdE 36 (1961): 65.
  236. Jacques Vandier, “Iousâas et (Hathor) Nébet-Hétépet,” RdE 16 (1964): 143.
  237. Cf. de Wit, “Inscriptions dédicatoires du temple d’Edfou,” 277.
  238. Ibid., 278.
  239. Bergman, Ich bin Isis, 275—79.
  240. Grdseloff, “L’insigne du grand juge égyptien,” 185—202.
  241. Ibid., 199—200.
  242. Ibid., 194.
  243. E.A. Wallis Budge, Book of the Dead (Papyrus of Hunefer) (London: Paul, Trench, Trubner, 1899), 34.
  244. Alexandre Moret, Rituel du culte divin journalier en Égypte (Paris: Leroux, 1902), 141—42.
  245. Bergman, Ich bin Isis, 216.
  246. Gertrud Thausing, “Der Ägyptische Schicksalsbegriff,” Mitteil-ungen des deutschen archaeologischen Instituts zu Kairo 8 (1939): 60.
  247. Pyramid Text 335 (§546).
  248. Nibley, Abraham in Egypt, 425–35
  249. Kurt H. Sethe, Urkunden des alten Reichs, 4 vols. (Leipzig: Hinrichs, 1932), 1:111.
  250. Hugh Nibley, "A New Look at the Pearl of Great Price," Improvement Era 72 (September 1969): 89-93.
  251. E. A. Wallis Budge, The Book of the Dead (Papyrus of Hunefer) (London: Paul, Trench, Trubner, 1899), 34.
  252. Aylward H. Blackman, "A Study of Liturgy Celebrated in the Temple of Aton at El-Amarna," Recuel d'etudes Egyptologiques dediqué a la memoire de Jean Francois Champollion (Paris: Champion, 1922), 517, 521.
  253. Samuel Yeivin, "Canaanite Ritual Vessels in Egyptian Cultic Practices," JEA 62 (1976): 114.
  254. Waltraund Guglielmi, "Zur Symbolik des 'Dargringes des StrauBes der sh.t'," ZAS 103 (1976): 108.
  255. Ibid., 110-11
  256. Ibid., 111-12
  257. Ibid
  258. Hugh Nibley, "Abraham in Egypt" (Provo, UT: FARMS, 1981), 444–450.
  259. Bernhard Beer, Leben Abraham’s nach Auffassung der jüdischen Sage (Leipzig: Leiner, 1859), 194n853.
  260. Henry R.H. Hall, Hieroglyphic Texts from Egyptian Stelae in the British Museum (London: British Museum, 1925), 3.
  261. Jubilees 39:6.
  262. Peter Kaplony, “Vorbild des Königs unter Sesostris III,” Orientalia 35 (1966): 405—6.
  263. Nibley, Abraham in Egypt, 450–51.
  264. Hugh W. Nibley, Abraham in Egypt, "All the Court's a Stage: Facsimile 3, a Royal Mumming," (Provo, Utah: Maxwell Institute) off-site
  265. 265.0 265.1 Stephen E. Thompson, "Egyptology and the Book of Abraham", Dialogue: A Journal of Mormon Thought (Spring 1995)
  266. "Translation and Historicity of the Book of Abraham," Footnote 35, Gospel Topics, LDS.org. off-site
  267. Paul Y. Hoskisson, "Research and Perspectives: Where Was the Ur of Abraham?", Ensign (July 1991)
  268. John Gee, "Has Olishem Been Discovered?," Journal of the Book of Mormon and Other Restoration Scripture Vol. 22, Num. 2 (2013)
  269. John Gee, "The Larger Issue", 2009 FAIR Conference. off-site
  270. "Translation and Historicity of the Book of Abraham," Gospel Topics" on LDS.org (2014).
  271. Letter to the Editor dated 5 February 1838, Painesville Republican, 15 February 1838, Vol. II, No. 14–15
  272. "John Whitmer, History, 1831–circa 1847," The Joseph Smith Papers
  273. Wilford Woodruff, Journal, 19 February 1842
  274. "Translation and Historicity of the Book of Abraham," Gospel Topics (8 July 2014)
  275. Jay M. Todd, "Egyptian Papyri Rediscovered," Improvement Era (January 1968), 12–13. off-site (emphasis added)
  276. B.H. Roberts, A Comprehensive History of the Church, 6 vols. (Provo, UT: Brigham Young University Press, 1976), 2:138.
  277. Jeremy Runnells, author of the "Letter to a CES Director". Posted on "Who's the Real Amateur?" Ploni Almoni: Mr. So-and-So's Mormon Blog, July 16, 2014, https://www.plonialmonimormon.com/2014/07/whos-real-amateur.html.